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34 pages 1 hour read

Pat Conroy

The Lords of Discipline

Fiction | Novel | Adult | Published in 1980

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Symbols & Motifs

The Ring

A symbolic object that Will mentions early in the “Prologue,” the senior class ring is central to how the Institute molds the identities of its students. Each ring is meant be understood positively, as an indicator both of community and of personal triumph. Those who wear the ring are considered “Whole Men” who have survived the Institute’s rigors and have earned the privilege of considering fellow alumni their brothers. Yet the ring can also be understood in another, profoundly negative manner. To earn a ring, one must endure the savagery of the plebe system and even, perhaps, overlook the atrocities of The Ten. It is possible to regard the ring, for all its positive connotations, as a symbol of lost or compromised innocence, especially for a disillusioned young man such as Will McLean.

The House of The Ten

The house where the members of The Ten hold meetings and conduct torture is a symbol of Institute tradition and selectivity at their absolute worst. Mentioned in rumors at first, then confirmed as the property of General Durrell, this house signifies that the Institute has a tangible dark side. As a site of mystery and terror, Durrell’s plantation house also serves another purpose: it introduces motifs from literary genres such as Southern Gothic into what is primarily a coming-of-age campus novel. Southern Gothic masterworks such as Faulkner’s “A Rose for Emily” revolve around traditional houses that hold disturbing secrets; Conroy’s depiction of the General’s house situates The Lords of Discipline within this literary mode characterized by deviousness and dark histories.

Trains

The first train that is depicted prominently in The Lords of Discipline—the 11:42 train that passes by the Institute at night—is not especially menacing in its connotations. If anything, it is a symbol of order and regularity—odd and dreamlike in its nighttime passage, but still predictable. However, trains turn into one of the most important motifs in the novel as the final section, “The Ten,” unfolds. Will, Mark, and Pig use a train to frighten Dan Molligen into revealing information about the Ten; this stage of the narrative transforms a nighttime train into a symbol of rough, improvised justice. Then, Pig kills himself by stepping in front of a train; this nighttime train has a different meaning, overpowering Pig’s seemingly unstoppable body and delivering the young man from a lifetime of perceived dishonor.

Charleston

The city of Charleston haunts Will’s memories; a recurring motif in his thoughts, it is marked by a rich and motley history, distinguished by such visitors as the Edgar Allan Poe and the Seminole chief Osceola. In his nighttime walks through Charleston’s streets, Will experiences his own temporary home city almost as a dream landscape. If Charleston is a site that, on the basis of the “Prologue,” lingers in the thoughts of the imaginative Will, it is also a place that embodies a rigid and seemingly outdated class system. A young Charleston native like Annie Kate comes from a world that is separate from and socially lower than the exalted social sphere that Tradd inhabits. Only Institute cadets are capable of moving easily among the different levels of Charleston society, perhaps because it is understood that they are temporary, honorary inhabitants of a closed city to which they will never truly belong.

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