47 pages • 1 hour read
Sarah PennerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Morely returns to the Society early the next morning. He finds beeswax on the floor by the visitation log, along with other hints of movement in the night, and he begins to suspect that Vaudeline left her room in the night.
In the morning, Lenna and Vaudeline dress as men to disguise themselves while moving about the Society and the city. Morely confronts them about the evidence of their nighttime activities, and Vaudeline takes the blame. Morely, Beck, Vaudeline, and Lenna go to the home of Mrs. Gray, for whom Volckman performed a séance on the day of his death. Mrs. Gray is initially wary of the group, but she begins to warm to Vaudeline when the medium sits in the same chair that Volckman did and plays with a figurine that the dead man also played with. Vaudeline continues to explore the house, following Volckman’s energy. She, Lenna, and Mrs. Gray go upstairs without Morely and Beck. Mrs. Gray expresses doubts about the validity of the Society’s séances, telling Vaudeline and Lenna that the man who conducted the séance, Mr. Dankworth, tried to sexually assault her after the séance. Fortunately, Volckman caught him. (Mr. Dankworth is also the same medium who conducted Eloise’s séance.) Mrs. Gray also mentions that, as rumors of the Society’s malfeasance spread, so too did rumors of a female accomplice who matches Evie’s description.
After leaving Mrs. Gray, Vaudeline insists on visiting Mrs. Volckman. Beck dismisses her desire to see Volckman’s widow, claiming that the Society and the police have exhausted her with their inquiries. Nonetheless, Vaudeline wants to comfort the widow, so the group heads to Mrs. Volckman’s house. Vaudeline invites Mrs. Volckman to the séance that they will be holding that night, but Mrs. Volckman declines the invitation, saying that she finds Beck and Dankworth to be untrustworthy. She also reveals that neither the Society nor the police have visited her in months, which contradicts Beck’s earlier assertion. The widow warns Lenna and Vaudeline to be wary of Beck.
After leaving Mrs. Volckman’s, Vaudeline directs their carriage driver where to go as they travel. She explains to Morely and Beck that she is following Volckman’s trail of energy from the night of his death. She leads them to a brothel that the Society’s logbook lists as the site of a séance. A man named Peter meets them at the door and immediately recognizes Morely. Lenna converses with a sex worker named Mel, who tells her that the Society held a séance here for Peter’s deceased mother, Betty. Lenna is surprised to learn that Morely attended this séance, which Mel describes as being clearly fraudulent. Mel clarifies that Morely did not just attend—he ran the séance himself.
Morely tries to surveil Lenna and Vaudeline as they talk to the sex workers. Earlier, at Mrs. Gray’s house, he snuck up the back stairs and spied on the women as they talked about the Society. Now, Morely wonders whether Lenna and Vaudeline have realized that he is the fraudster in the Society. In the past, Morely hired fraudulent mediums like Dankworth in order to increase the Society’s profits. He even hired a carriage driver who could not hear or speak so that conversations between fraudulent mediums on the way to séances would never be overheard. He reflects that he must have “gotten sloppy over the years” (175), for he has now become the source of the negative rumors about the Society.
As Lenna reflects on the revelation that Morely led a fraudulent séance, a sex worker named Bea comes downstairs. Bea’s last client did not sufficiently tip her, so she makes an advance on Beck. Morely tries to stop Beck from leaving with Bea, and the argument between the two men attracts the attention of several drunken men in the brothel, who want to see Morely and Beck fight. Morely reluctantly allows the men to lead him outside. Left alone, Vaudeline and Lenna explore the building with Mel’s help and find multiple trick devices used in fraudulent séances. Mel reveals that after the séance, when the sex workers were unable to pay the Society members’ fee, the men demanded free sex as payment instead. Now, Lenna asks Mel about Evie, and Mel confirms that Evie was present for the séance. Mel is surprised to learn that Evie has been killed, given Evie’s connection to the conniving Society.
Morely and Beck take the intoxicated men outside and calm them down. Morely reflects on the bad memories associated with this place, all of which started with his plan to include Evie in the Society’s fraudulent schemes and use her innocence and vulnerability to attract fresh clientele and dispel rumors of the Society’s wrongdoing. Morely approached the topic with Evie on the night they first had sex, and she admitted that she would resort to fraudulent measures if she found herself unable to make enough money as a genuine medium. He proposed that she begin to attend séances and spread positive rumors about the Society. In exchange, he offered her payment and continued access to the Society’s resources. Evie readily agreed, and her first job was at the fraudulent séance in the brothel.
On the carriage ride back to the Society, Lenna states that Evie was her sister and questions Morely about Evie’s involvement with the Society. Morely denies that he ever knew Evie or that Evie attended any Society-run séances. As they leave the carriage, the driver, Bennett, slips Lenna a note that reads, “He lied. You must get away from him” (196).
Morely is annoyed by Lenna’s questions but ultimately dismisses the idea that the women will find out anything that could truly damage the Society. He reflects on how successful Evie’s employment with the Society initially was, and how she began to combat the negative rumors.
Back at the Society, Lenna and Vaudeline go to the library and hypothesize how Evie and Morely might have been involved with each other. They speculate on the possibility that Morely might have been motivated to kill Evie if she had been romantically tied to Volckman. Their conversation is cut short when they realize that Morely has barricaded them in the room. Vaudeline begins to wonder about Morely’s motives and questions why he has been so helpful when all they’ve done is uncover more of his misdeeds. Vaudeline proposes that when Morely comes to retrieve them before the séance that evening, she will meet him in a state of undress to distract him. This will allow Lenna to bludgeon him from behind with a candlestick. Lenna is initially distressed by this plan, but she soon comes to see it as an opportunity to avenge Evie.
As the two women draw ever closer to the heart of the mystery, the braided narratives allow Penner to depart from the typical “whodunit” plot structures and reveal the true culprit long before the protagonists’ investigation definitively uncovers him. Thus, Morely’s narrative reveals his intensifying misgivings as he closely monitors the women’s progress, for as he wonders to himself, “Had Miss Wickes and Miss D’Allaire put the puzzle together yet? Had they any idea that the illusionist at the Society was…me?” (174). Additionally, his description of their investigation as putting “puzzle” together suggests that he has been intentionally obscuring information and misleading them from the very beginning. Significantly, it is only the Gender-Based Power Structures in Victorian Society that allow Morely to persist in his subterfuge, for as the narrative will reveal, he has long been able to engage in wrongdoing by hiding behind the veneer of social respectability. As a well-established member of the all-male Society and a respected figure within the broader context of Victorian society as well, he uses his position to manipulate others for false gain; this pattern is implied when the women discover his willingness to run fraudulent séances. As the story unfolds, the full range of his culpability will soon become clear.
The theme of Gender-Based Power Structures in Victorian England is further developed in a variety of ways in these chapters, particularly as the narrative focuses on the ways in which certain patriarchal institutions such as the Society marginalize women and perpetuate violence against them. For example, Mrs. Gray’s experience of Mr. Dankworth’s attempted assault demonstrates the Society’s practice of targeting rich, older widows, and the incident also implies that these institutions view women as targets to be exploited rather than as people to be respected. It therefore follows that men like Dankworth would feel entitled to take sexual advantage of the women whom the Society has already targeted for financial exploitation. Thus, the Society uses the its considerable social prestige to shield its criminal members from blame. As a single woman who lacks any connections to institutional power, the newly widowed Mrs. Gray has no support from other male-dominated institutions like the police force, and this toxic dynamic allows the Society to influence people to continue to indulge in its fraudulent practices.
Given the widespread influence of such patriarchal institutions, Penner fittingly combats this nebulous antagonist with the unique camaraderie that is found in marginalized female societies. Thus, Lenna and Vaudeline’s investigation begins to disrupt the ways in which the Society protects its own from the consequences of their actions. After Mrs. Gray confides in the two women, she tells them, “Women are talking, you know” (158), and Vaudeline responds, “They have been for some time” (158). By dressing as men, the protagonists slyly usurp the patriarchal power that has always dominated them, and with this apt disguise, they gain a measure of freedom to explore the city and visit women who can help their cause. By forging connections with Mrs. Gray, Mrs. Volckman, and the sex workers, Lenna and Vaudeline begin to create a network of women who would otherwise be unable to communicate their experiences to one another. The accumulation of this knowledge and female network aids the success of Lenna and Vaudeline’s investigation and holds the key to the destabilization of the Society itself. When women are denied any power at the societal level, they must resort to more subversive means, and thus, the image of “women talking” becomes a primary tool through which to dismantle problematic patriarchal structures.
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