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63 pages 2 hours read

Mitch Albom

The Little Liar

Fiction | Novel | Adult | Published in 2023

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Part 5Chapter Summaries & Analyses

Part 5, Chapter 1 Summary: “She Laughs, She Lies”

Truth describes a story from the Bible about Abraham and Sarah. In the story, an angel tells Abraham that Sarah will have a baby next year. Sarah, who overhears this, laughs, stating that she and her husband are both too old to conceive children. The angel hears Sarah and asks her why she laughs if she believes that anything is possible through God. Afraid, Sarah lies. Truth notes that when the angel repeats Sarah’s words to Abraham, the parts about being too old are omitted to spare his feelings. Truth claims that sometimes, to maintain peace, some things should not be said.

Part 5, Chapter 2 Summary: “Postcards From the Past”

Fannie finds Katalin’s shop and speaks to her in Hungarian. This makes Katalin suspicious. Fannie tells Katalin that she was one of the children who was saved on the banks of the Danube River. Katalin states that she wasn’t the one to save them; the boy who hid her gold from the Arrow Cross deserves the credit. Fannie interrogates Katalin about the young man, and she reveals that he sends money to Holocaust survivors each year on August 10; the man sends a postcard to Katalin every year as well. Katalin tells Fannie that if she wants to find that man, she needs to find out who made the movies that are pictured on the front of the postcards.

Part 5, Chapter 3 Summary: “Vienna, 1978”

In 1978, Sebastian continues to dedicate himself to the Nazi Hunter, becoming one of his top staffers. He lives alone in a small apartment and rarely speaks to Fannie or Tia, finding it frustrating to have to explain himself to them. Sebastian takes note that a Nazi march will take place in Skokie, Illinois, where over 7,000 Holocaust survivors live. Sebastian convinces the Nazi Hunter to allow him to go to the march to look for former Nazis. He flies to the United States, hoping to find clues about Udo Graf and Nico. In Washington, DC, Udo has also noticed the upcoming march. Because the event will take place in a small town, Udo judges it to be too risky, but when the march is moved to Chicago, he decides to attend.

At the march, Udo is disappointed to see hundreds of people protesting against the Nazis. When the so-called Nazis arrive, Udo is angered to see that they only care about segregation, not promoting Hitler’s ideal of “the master race” (262). Suddenly, he hears someone scream his name and sees Sebastian standing on the opposite side of the crowd. Udo runs to a police officer and claims that Sebastian has a gun. He runs from the park and jumps onto a bus. Meanwhile, Sebastian tries to catch up with Udo, but he is stopped by police officers. Once freed, Sebastian remembers that he has taken many pictures of Udo. The Nazi Hunter warns Sebastian to be careful because the United States won’t take kindly to the accusation that the country is harboring Nazis. Afterward, Sebastian tries to call Fannie, who is now his ex-wife.

Part 5, Chapter 4 Summary: “Hollywood 1980”

Nico sits in an empty auditorium and asks the projectionist to play his most recent movie. The movie is about a German clown who performs for Jewish children and convinces them to climb aboard the trains to the death camps. Feeling guilty, the clown goes to Auschwitz and takes the hand of a child; they enter the gas chamber together. When the movie ends, the projectionist claims that the movie is “heartbreaking,” and Nico asks the projectionist to replay the movie.

The narrative shifts back to describe Fannie’s actions over the years. In 1968, after meeting Katalin, Fannie returns to Hungary with the postcards. In 1969, she visits Gizella and confronts the red-haired man who brought Gizella money on August 10, but she is unable to discover anything. In 1971, she returns to Gizella’s home to force the red-haired man to tell her about the money, but to no avail. Her health decreases, and she dies in 1975. In 1976, Fannie confronts the red-haired man with a gun and forces him to tell her about the money. She learns that the red-haired man was the child of the guard that killed Gunther on the night he and Nico stole the gold. In 1977, Fannie arrives in Los Angeles. In 1978, she discovers who created the movies featured on Katalin’s postcards and waits in the studio’s reception area every day for eight months until they have a job opening. In 1979, Fannie obtains a job at the studio but is unable to meet Nico. In 1980, Fannie becomes Nico’s private projectionist.

Part 5, Chapter 5 Summary: “Four Confrontations”

Truth explains that in 1980, all four characters must confront a part of their past. After Sebastian sees Udo in Chicago, he investigates but finds nothing. Eventually, he meets a Jewish woman whose brother-in-law is a senator; the senator agrees to meet with Sebastian in his office in Washington, DC. Sebastian calls Fannie to tell her the news, but she only warns him to be careful. Sebastian asks if he can visit her after he catches Udo, and Fannie refuses.

After seeing Sebastian in Chicago, Udo is on high alert. He calls some of his SS connections and is warned not to call anyone else in case the phone lines have been wiretapped. Several months pass. One day, as Udo enters Senator Carter’s office, he sees Sebastian approaching the reception desk. The pair make eye contact, and Udo runs into an elevator.

Fannie, who has just become a projectionist, tries to find Nico as he leaves work. She follows him home and watches as he goes inside. She returns to Nico's apartment for several days, confused as to why a wealthy businessman like Nico lives in a “poor neighborhood.” Eventually, Nico leaves his home, and Fannie follows him to a nearby Jewish cemetery where he begins to clean the tombstones. Seeing this, Fannie realizes that there is no doubt that this man is Nico.

The narrative returns to the auditorium scene in Part 5, Chapter 4, in which an unnamed projectionist plays a film for Nico. Now, Nico asks why the projectionist things the movie is “heartbreaking.” The woman turns to him, allowing Nico to recognize her. Fannie states that the movie feels real, but Nico walks away from her without asking her name.

Part 5 Analysis

As the narrative threads of the novel build toward their crescendo, the author once again finds numerous ways to acknowledge the historical intricacies of The Devastation of the Holocaust and its aftermath. For example, the unnamed Nazi Hunter that Sebastian works for can be inferred to be Simon Wiesenthal, a Jewish Austrian Holocaust survivor who dedicated his life to finding fugitive Nazi war criminals. Wiesenthal also co-founded the Jewish Historical Documentation Centre in Linz, Austria, where he and others gathered information for future war crime trials and helped refugees to find their lost relatives. He opened the Documentation Centre of the Association of Jewish Victims of the Nazi Regime in Vienna in 1961 to continue hunting down Nazi war criminals. Most significantly, he is credited with playing a role in the arrest of Nazi SS officer Adolf Eichman in Buenos Aires in 1960. Eichman was one of the people present at the 1942 Wansee Conference, which led to the genocide of millions of Jewish civilians; this arrest is mentioned by Udo in “Udo Visits an Amusement Park” (Segev, Tom. “Simon Wiesenthal.” Britannica, 28 Dec. 2023). Just as the author pays homage to Weisenthal’s work by incorporating him into the narrative, his endeavor also provides a believable means through which Sebastian can pursue Udo years after the war has concluded.

As the author focuses on the broken person Nico has become in the years after the war, Nico’s decision to remain cloaked in lies and deception by embracing the smoke-and-mirrors profession of moviemaking reveals the profound effects that The Destructive Power of Lies still holds on his life. Yet even within the aesthetic “lies” of the big screen, Nico finds subversive ways to speak his hidden truth, even if only to himself. To this end, he creates a film about a clown who tricks children into boarding trains to death camps. This movie parallels Nico’s own life and experiences and reveals the profound depths of his own self-loathing. The clown represents Nico’s view of his naïve younger self during that time, and just like Nico, the clown deeply regrets his actions and goes to Auschwitz to join a child in a gas chamber. While this moment can be symbolically interpreted as the “death” of Nico’s childhood identity and innocence, it can also be viewed as an ominous form of foreshadowing of his own fate at the end of the novel, as just like the clown, he will ultimately offer up his own life as penance for his past mistakes, longing to be forgiven.

At this point in the novel, however, Nico is not yet ready to fully face his past, and this dynamic is conveyed when he rejects the opportunity to engage with Fannie upon realizing that she is his projectionist. This moment therefore highlights The Complexity of Human Relationships; because Nico feels deeply guilty for his actions as a child, he is incapable of acknowledging that he recognizes Fannie. He feels as though he does not deserve to know her, so he chooses not to rather than welcoming her or apologizing outright. Nico’s long habit of pathological lying also obstructs his ability to speak with Fannie, adding another layer of complexity to this relationship that spans over 40 years.

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