42 pages • 1 hour read
Ursula K. Le GuinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Genly Ai is a diplomatic envoy tasked with convincing the nations of Gethen to join the Ekumen, a cooperative, interplanetary collective. He is the protagonist of the novel and originates from the planet Terra, a version of Earth.
A generic trope of science and speculative fiction is the “visitor from another planet,” a character who points out the strange folly of the irrational aliens they’ve come to visit. In early science fiction, this often looked like an earthling visiting the next star over, shooting their way through two-fisted adventures which resembled narratives of the old west. As the genre progressed into the nuclear era, the aliens in turn visited Earth, commenting like old philosophers on mankind’s cruelty to one another. Genly Ai represents a further evolution of this character trope. He is in every way like the second interloper, attempting to thread his way through the turmoil of Karhide’s political situation. However, Genly’s arrogance and confidence in his superiority over the less technologically advanced Gethenians prevents him from recognizing their complex social nuances, and his strict notion of binary gender prevents him from appreciating the full humanity of the people he is supposed to welcome into the Ekumen. Genly holds onto his own self-interested grievances and prejudices throughout most of the book. The dynamism of his character is in the slow dissolve of his ego, as he takes on more and more of the beliefs and prejudices of the Gethen whom he seeks to court. This transformation is facilitated by his close relationship with Estraven, who rescues Genly and cares for him despite Genly’s initial mistrust and judgment. By the end of the novel, Genly feels more Gethenian than Terran.
Called simply “Estraven,” Karhide’s onetime prime minister represents the tragic center of LeGuin’s story. Like all Gethenians, Estraven is genderless, though LeGuin uses the pronouns he/him/his to refer to Estraven throughout the novel. Rather than merely facilitating Genly’s character development and growing cultural relativism, LeGuin establishes Estraven as a secondary protagonist, portraying his own efforts to aid Genly’s mission and reconcile with his past. LeGuin’s choice to tell nearly half of the story from Estraven’s point of view means that the reader is able to understand Estraven’s reasoning for his choices, even when those choices are wholly intuitive.
Estraven is a master of shifgethor, the subtle art of interpreting the world while keeping one’s own motives hidden. This mastery makes Estraven very well suited to survive on Gethen at every level of society. LeGuin shows Estraven both at the pinnacle of Karhide society, as its prime minister, and at its nadir, as a starving refugee attempting and failing to cross a national border. Estraven understands the unique emotional and societal nuances of every situation he and Genly find themselves in, and uses his skills and knowledge to chart a careful course for survival. This facility with Gethen’s political world, however, makes communication with Genly difficult. Rather than presenting an objective lesson in how the Gethen should be more forthright, however, LeGuin slowly reveals how the concept of shifgrethor becomes the catalyst for Gethen stories and folklore. In order for the Gethen to accept the Ekumen, the Ekumen must first learn to conform to Estraven’s ways, not the other way around. Nevertheless, Estraven’s final sacrifice points to loss and compromise on both sides, and uncertain gains.
LeGuin often describes Argaven, Karhide’s king, as “mad” within the story’s framing. More often, however, Argaven is simply bored, needlessly cruel, or indifferent as a natural result of being a king with nothing to conquer. Madness and kingship are the same, in this telling, with kingship breeding not responsibility but apathy. Nevertheless, Argaven’s court scrambles to please him, and Argaven’s various prime ministers put themselves into mortal peril just to serve him for a short time. Like Karhide itself, the king is resistant to new ideas, and Genly fails to convince the arrogant, impulsive king to join the Ekumen. Yet the king poses no real danger to Genly, and, in his indifference, allows the envoy and his message to travel unimpeded through Karhide. Although the king’s indifference to the Ekumen is initially portrayed as an obstacle, it ultimately provides the better staging ground for new ideas, as opposed to the strictly regimented society in Orgoreyn. At the beginning of the novel, Argaven is pregnant, and the loss of his child later adds to the political tensions between Karhide and Orgoreyn.
No one person represents the nature of the Council of 33 oligarchs who rule Orgoreyn. The commensals, or councilmen, Obsle and Shusgis are among the people who seem most friendly to Genly and Estraven from the beginning, distinguishing themselves from Gaum, a member of the Orgota secret police who sets the political tide against Genly. However, their hospitality is soon revealed to be a cover for their attempt to tightly control news of Genly’s presence and mission on Gethen. Other commensals politely argue for or against one thing or another in relation to the Ekumen question. It appears to be the model of a deliberative body, even if it is not at all popularly democratic. In its way, however, the Orgoreyn council is more of a monolith than Argaven’s court, hiding its deliberations from the public eye and focused primarily on maintaining its own power. In its way, Orgoreyn is far more resistant to change than Karhide.
Genly immediately admires Faxe, finding the Gethen Foreteller beautiful in a way that does not trigger his prejudice against the genderless Gethenians. In turn, Faxe deals openly with Genly, revealing more about the mindset of Gethen than nearly any other character in the novel. Faxe belongs to the Foretellers, a group of people set apart from the rest of Gethen society and distinguished by their hard-earned practice of reading the future. Among their cohort are single-sexed people, considered sexually deviant by others on Gethen, and who are treated roughly analogously to the way LGBTQ+ people were treated on Earth in 1969, when the book was written. It is Faxe who frames the events of The Left Hand of Darkness not as a simple parable or set of operations, but as an intertwined set of stories with no particular end. “The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next,” they tell Genly, revealing the true secret of the Foretellers (70). In this way, Faxe does more to bridge the communication divide between Gethen and the Ekumen than Estraven; it is portrayed as a good omen that Faxe will take on a leadership role in the last pages of the book.
By Ursula K. Le Guin