64 pages • 2 hours read
Richard OsmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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One of the key elements of all the Thursday Murder Club books is the point-of-view shift that takes place whenever a “Joyce” chapter appears. These chapters break with the third-person narration that characterizes most of the chapters and instead are presented as snippets from Joyce’s diary. As such, they are told in first-person and present a more intimate view of this main character’s thoughts and feelings.
Joyce’s chapters often include humorous anecdotes, personal quirks and observations, or bits of nostalgia or gravitas. Much of what the reader learns about the daily happenings of Coopers Chase come from Joyce, including how the gang spent Christmas and New Year’s. The reader also gets emotional insights into events like Snowy’s burial and Stephen’s funeral. In drawing attention to the work’s themes—e.g., The Impact of Aging, Dementia, and Mortality—Joyce acts as a kind of mouthpiece for the author, as the final paragraph of the book makes clear: “Time for me to turn in now. I know it sounds silly, but I feel less alone when I write. So thank you for keeping me company, whoever you might be” (349). Though Joyce the character presumably does not intend her diary for public consumption, she here addresses the novel reader directly, reinforcing her status as a surrogate for Osman.
One hallmark of a murder mystery is the peppering of clues throughout the story. The Last Devil to Die leaves plenty of breadcrumbs for the reader to follow in the form of both traditional evidence and seemingly unimportant comments. Many of those comments are made by Stephen and dismissed as a product of his dementia, but they contribute to a steady stream of foreshadowing that the author includes to make the payoff at the end of the book more impactful.
Stephen is always making little remarks about having seen Kuldesh recently, wondering whether those around him have been to a certain museum in Baghdad, and worrying about the allotment that he and Elizabeth pass on their walks. It is not until after Stephen’s death that Elizabeth realizes that he has been providing her with all the clues she—and the reader—needed to solve the mystery of Kuldesh’s death. He had seen Kuldesh recently, when he helped him bury the precious antique box containing the heroin in the allotment, with the hope of someday repatriating it to the Iraqi museum.
One of the things that binds the Thursday Murder Club members together is their shared appreciation of the humor that is to be found in life. The four main members of the gang are each very funny in their own way, and the books themselves often put humor first and mystery second. The opening paragraph of Chapter 43 is typical of this:
As they scroll through the files and let Ibrahim do his work, Elizabeth hears their progress from the kitchen. Elizabeth had thought of calling a woman she used to work with, Kasia. Kasia was possibly the greatest cryptographer in the history of MI6, and now works for Elon Musk. But as soon as she heard Ibrahim explaining to Joyce, ‘You see A = 1, B = 2, and so on,’ she realized this particular code might not need Kasia’s full attention (178).
There is something more than a little absurd about a former spy teaming up with a crotchety labor organizer, a retired psychiatrist, and a bubbly widow to pump hardened criminals for information on unsolved murder cases. Osman leans into this absurdity and aims to makes sure that every page is humorous and enjoyable.
By Richard Osman