logo

103 pages 3 hours read

Rodman Philbrick

The Last Book In The Universe

Fiction | Novel | Adult | Published in 2000

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Symbols & Motifs

Probes

Probes are symbols of illegal drugs in this novel. While at first probes are not presented as being harmful—and in fact seem to be a substitute for television, movies, or video games as a harmless pastime in the Urb—the detrimental effects of probing and the abuse of mindprobes progresses with the narrative. Through characters such as Mongo the Magnificent, the reader sees probes literally eating away at the former latchboss; he has lost his sight, hair, teeth, and appetite due to looping in a probe, much as someone addicted to heroin or other illegal substances might find themselves caught up in a cyclical lifestyle that wastes away at their physical and mental wellbeing. As the narrative progresses, it is also made apparent that probes are being manufactured in Eden and handed out to the masses in the Urb to keep them complacent. There is also the possibility of an underlying destructive intent as some people of Eden may wish to wipe out the normals from the Urb altogether. In latches where using probes is banished or controlled, law and order can be seen to prevail, despite widespread poverty. It is no coincidence that probing has been forbidden in Eden, the very same place where it is manufactured.

Choxbars

Choxbars (and to a lesser extent, all edibles) are a symbol of wealth in this text, by means of counteracting starvation with junk food. The majority of people in the Urb are living with hunger, while proovs exist in luxury without needing to think about where their next meal will come from. Even families like Charly and Kay don’t hesitate to accept handouts of edibles, and mobs of people come to get free food from Lanaya whenever she appears in the latches. When Little Face follows Spaz and Ryter on their adventure, Ryter points out to Spaz: “You’re the one who fed him […] The poor child has been hungry all his life, so it’s no wonder he’s fastened on you, Mr. Choxbar” (61). Little Face is so fixated on the treat of choxbars that “chox” becomes his first (and only) word for the majority of the text, and he uses this one word to convey an array of meanings and emotion states. For example, when Little Face finds the way down from the Pipes, he gets excited, “shouting, ‘Chox! Chox!’ which I guess is his name for me, or maybe just a way of saying, I did it!’” (62).

Fire

While fire is a symbol for danger and chaos throughout the book, it also serves as a motif for class structure and its disintegration. When Spaz finds himself far from home after wandering in the night, there are fires on every corner: “A place like this, you stick to the shadows and try not to be seen, because if they don’t know you the locals will assume you’re enemy, and most of the time they’re right” (37). When Spaz tries to give Little Face back to the stacks but instead gets menaced by ‘boxers and ends up having a seizure, there are fires glowing to keep the wild animals away. In the third latch, Ryter, Spaz, and Little Face observe the horizon on fire upon climbing out of the Pipe. In the least explained of the latches, hungry mobs are about to tear Lanaya apart when the trio find her. The people are even more animalistic and desperate than they were in Mongo’s latch. Upon returning to Billy’s latch, fires accompany the rioters that come to wheel Ryter for their lack of access to probes. The pages of Ryter’s book are also fed to the fire, symbolizing both memory loss and the disintegration of society into chaos. In the Zone, known as a “safe place” for proovs, there are “[n]o people, no buildings, no rubble, no fire, no smoke, no nothing” (91). When Lotti Getts orders them out of the takvee upon entering her latch, she threatens to set the vehicle on fire. 

Pages

The pages of Ryter’s book are a motif for freedom of thought and the theme of memory. Ryter’s most prized possession is his manuscript, for which he is constantly taking notes or writing pages. These notes and pages stand in as physical representations of his most core value: the importance of the preservation of memory. To the end, Ryter asks Spaz to take care of his pages after he is gone. When he realizes this will be impossible, as the mob has already set his pages on fire, he concedes that Spaz must now be the book, meaning that the story he was writing must be carried on and told by Spaz. Unfortunately, the reader will never get to read Ryter’s original manuscript, as Spaz chooses to write his own story and thus memorialize their adventure together.

blurred text
blurred text
blurred text
blurred text