49 pages • 1 hour read
Helen HoangA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Michael and Stella have very different families, but they feature heavily in the novel and remain a constant concern. Stella is an only child whose mother and father support her but maintain high expectations. Her mother initiates Stella’s relationship-centered thoughts by bringing up grandchildren, while her father is more concerned with Stella’s professional achievement. However, it is Edward who contributes to Stella and Michael’s initial breakup, as his evident disapproval of Michael causes her thoughts of inferiority. The strictness of Stella’s father is contrasted with the affection of her mother, who notes that she just wants Stella with someone who compliments her.
Michael’s family appears more frequently in the book, as his father’s betrayal and its impact in the family is one of Michael’s primary motivators. The reader gets to see the consequences of Frederick’s actions before they fully know what he did, which endears us to Michael and his family. Michael’s love and protectiveness over his loved ones makes his introduction of Stella all the more potent, for he is inviting her to meet the people for whom he would sacrifice anything. Like Stella’s mother, Michael’s wants him to be happy and encourages him to follow his heart. Mẹ, however, shows a broader acceptance than Stella’s family does, promising Michael that they will love Stella if she is what he wants. The strength of the Phan-Larsen bond is thus emphasized, and further highlights how Stella is accepted into a secondary family. She similarly looks out for the Phan-Larsens, helping Janie secure an internship and getting rid of Mẹ’s medical debt. Stella seamlessly integrates herself into the family unit despite her previous anxieties, showing the power of familial love.
Clothing means something very different to Michael than it does to Stella. To Michael, clothes are a means of self-expression, a creative outlet. He designs clothes to make his mark on the world, intending to create something that helps people look and feel good. Even when he is doing alterations rather than creating outfits, he values how clothes make a person feel. When Stella arrives at the drycleaners for the first time to discover Michael at work, she overhears his conversation with a woman for whom he is hemming clothes. It is clear from their conversation that he has accounted for more variables than just the woman’s measurements. His attention to detail is extended to Stella’s dress for the foundation diner, which he designs with her sensory concerns and style in mind. Michael’s passion for clothes and how they can serve their wearer is key to his eventual business.
Stella’s idea of clothes transforms over the course of the novel. In the beginning, she sees them strictly for their utility. Michael teases her when he sees her closet only contains work clothes, and the two of them shop for more casual items for her to wear. Stella views clothes through the lens of what feels good and serves its necessary purpose. However, her view shifts when she tries to solve a statistical uncertainty as to why men do not buy their own underwear. After an intimate moment with Michael, she hypothesizes that people buy underwear for those they love. At this moment, clothing takes on a symbolic meaning. Michael’s designs are a labor of love, as is the idea of purchasing something necessary to show that you care. She gifts Michael with a package of boxers. When, during the final confrontation of the book, Michael says he loves her, she checks his underwear to determine if he is wearing what she got him. She sees the purchase and subsequent wearing as a sign of love, elevating clothes above their previous status.
Money is both a central conflict and symbol at work within The Kiss Quotient.
As a plot device, money is Michael’s primary motivation. Before the events of the book, he begins escorting to get rid of his father’s debt. He uses his job to support his mother and family and continues working as an escort when his mother is diagnosed with cancer. Michael’s need for money hinders his pursuit of his passions. When money is removed as an obstacle, he is free to dream for the first time in years, empowering him to go into business with Quan and ultimately achieve his goals. Michael’s relationship with money mirrors that which a lot of people have in the real world. Money can create as many obstacles as it can erase, making it a necessary but difficult aspect of everyday life.
Money also represents power. People with money often have access to power and can spread their influence in realms that those without often cannot. In this way, the book flips the traditional roles often present in modern texts in that Stella, a woman, has more money and is thus in many ways more powerful than her male counterpart. Michael carries with him other experiences of being less powerful than those with money. For example, he refers several times to his “crazy” ex-client who became obsessed with him, buying him a car and lavishing him with gifts. That client ultimately tries to buy Michael’s services again, though he rejects her because of Stella. Michael is forced to behave in specific ways because of the money and influence around him, taking away much of his agency. Michael eventually becomes empowered once free of his debt, creating the necessary foundation to further his business enterprise and advance himself socially.
Stella views the world through numbers and statistics. Statistics is her passion, and she finds comfort in data. Stella clearly has a more analytical worldview, compared to Michael’s more artistic inclinations, and this joins with her autism to give her a more practical outlook. She enjoys her work so much that she works on the weekends, finding comfort the patterns her life provides. For her, numbers are security, but they also provide her with a lens through which to view people and social interactions. Janie, later in the book, summarizes her feelings about numbers, which closely aligns with Stella’s: “‘Math is the single most elegant thing in the universe, and economics is what drives the human world. If you want to understand people in a sophisticated manner, I believe economics is the way’” (274-75). Stella uses mathematics to process her thoughts, even developing an equation that helps her decide how to tell Michael that she loves him. Statistics helps Stella channel her thoughts and is a powerful processing tool that helps her move forward with her relationship.
Michael’s car is a point of contention within the novel because he got it from a client who became obsessed with him. Michael has an affinity for expensive, fast cars, which contributes to his reluctance to give it up. The car represents his simultaneous need to work as an escort and the parts of him that desire fine things in life. Because he must pay his mother’s bills, he is trapped in a particular lifestyle, and the car helps him fit the image that is expected of him. His vehicle reflects his enjoyment of the finer things in life and his focus on the short term. At the novel’s close, he trades in his car for a less expensive one to generate funds to start his business. This transition highlights Michael’s excitement over his new business and his dedication to following his passions. He gets rid of the old symbol of his time in sex work and looks forward to the future. When Stella offers to buy him a car in the epilogue, it is yet another symbolic transition. Michael understands that he is worthy of love and, because the car is a symbol of Stella’s affection, he is able to accept it without hesitation. The two of them can move into the future together, both invested in their passions and each other.