48 pages • 1 hour read
Peter SwansonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Henry Kimball thinks about the case, he writes limericks in his notebook about the people he investigates. Chief Jim Ireland, the head of police in Kennewick, calls Kimball and tells him that he spoke with Polly, who says that she was with Brad the night of the murder. Later, Jim calls him back and tells him that they discovered the body of Miranda at the Severson home.
After Lily kills Brad, she pulls him into the passenger seat. Lily pulls off the freeway to stop at a closed auto shop and swaps Brad’s license plates with the license plates from one of the cars. A few hours later, Lily pulls up to Monk’s House. She drives up to the abandoned farmhouse and finds the well. Lily drags Brad’s body out of the car and pushes him into the well. Lily sees a vision of her younger self after killing her predator. She looks at her younger self, who also understands the need for survival that she feels, before she disappears.
Lily drives the truck into New York City after dumping Brad’s body. She parks the truck and drops the keys on the ground when she gets out of the car. Afterwards, Lily takes the train back to Connecticut. Her mother drives Lily to pick up her car. Lily warns her mother that, after prison, her father is a different man and that he has panic attacks. After the divorce, David married Gemma in England. David drove Gemma home drunk one night and slammed into a tree. David was unhurt, but Gemma died in the accident, and David served two years in prison for manslaughter. When Lily visited him after prison, Lily suggested that he move back to Monk’s House so that he did not have to be alone.
At the Severson house in Maine, Jim tells Kimball that Miranda was bludgeoned to death with a wrench. Kimball wonders if there was another person present, but Jim tells them there was no sign of that. Kimball tells James that he is going to speak with Polly about Brad’s alibi. Polly tells Kimball that she passed out from alcohol when they came back to his house and did not wake up until the morning. Afterwards, Kimball goes to the Kennewick Inn and shows the bartender a picture of Lily. The bartender says that she stayed at the hotel the week before.
Lily drives her father to Monk’s House. She stays the night to help her father get acclimated to her mother again. When she parks her car in the driveway, she sees Kimball get out of his car and approach her.
Kimball waits for Lily outside her home. When Lily gets home, she says that she heard about what happened to Miranda, and she tells him to sit on the back porch while she puts her things down. Lily comes outside to sit with him, and Kimball tells her that he knows that she went to Kennewick after Ted died. Lily tells him that she lied because she was worried about how the stress of the murder investigation would upset her father. Lily tells Kimball that she realized who Ted was after she started talking to him on the plane and that he told her that Miranda was having an affair with Brad. Lily tells Kimball that she went to Kennewick to investigate. She came to her senses after a few days and returned to Winslow. Kimball says that Miranda told him that Lily stole her boyfriend in college, but Lily tells him that they just both dated the same boy. As they walk out to Kimball’s car, he asks Lily the name of her boyfriend in college. Lily tells him that his name was Eric Washburn and that he died of a nut allergy several years ago.
A week after speaking with Kimball, Lily returns to the Old Hill Burying Ground where she met with Ted before he died. She wanders around the cemetery and thinks about Ted. Lily walks down a dead-end street by the cemetery, hops the fence, and waits. She does not know if her relationship would have lasted, but she thinks that it would have been nice for someone to know her secrets for once.
Kimball trails Lily for a week. He does this in his free time, without the knowledge of the police department, because he cannot stop thinking about the fact that Lily is hiding something. The only person who knows that he is trailing Lily is James, and James thinks it is a bad idea. Kimball tells James about Eric Washburn and that he thinks that it is possible that Lily killed him. James tells him that if he thinks Lily is hiding something, then they need to bring her in for questioning. Kimball puts this off.
Kimball follows Lily to the cemetery and watches her from afar. Kimball sits at a bar, writing dirty limericks about Lily on a napkin that he stuffs into his pocket. He wanders into the cemetery and stops by the gravestone that Lily sat in front of earlier. He turns around to see Lily walking towards him. Kimball hears Lily whisper that she is sorry, and then she stabs him in the ribs.
Even though he hears her coming, Kimball does not say anything as Lily stabs him. Suddenly, Detective James appears and tells Lily to get her hands in the air. Lily lies face down on the ground, while James calls 911. Since she knows that she will go to jail either way, Lily hopes that Kimball does not die.
The next day, Lily’s state-appointed lawyer Stephanie tells her that even though Lily stabbed a police officer, they have proof that Kimball was harassing her. When James interviews her, Lily tells her about her supposed fear of Kimball and that she snapped when she saw him. James does not believe it, and he asks her what she said to Kimball before she stabbed him. Lily says she does not remember. James leaves Lily alone. Kimball walks in, and he tells her that he knows she remembers what she said to him. Kimball reminds her that she told him she was sorry. Lily says she does not remember saying that but that she is glad that he is okay. Suddenly a man walks in the room and angrily orders Kimball out of the room.
That night, Stephanie visits Lily and tells her that she heard that Kimball barged into the interrogation room. Stephanie tells her that they found dirty limericks about Lily in Kimball’s jacket and that she does not think that Kimball will ever work for a police department again. Stephanie tells her that because of Kimball’s actions, she does not think Lily will serve any time. Stephanie hands Lily a letter from David as she leaves. Lily opens her father’s letter and reads it. David writes about how he cannot wait to see her again. At the end of the letter, he tells her that a manager from the city bought the abandoned farmhouse behind them. He plans to level the area and build a huge house for himself. David tells her that the bulldozers have already arrived, and they plan on tearing everything up, including the meadow behind the house. David apologizes because he knows about Lily’s fondness for the meadow.
In this section, Swanson focuses on The Lasting Effects of Trauma. Lily’s past comes to haunt her when she returns to the well in the meadow by the farmhouse. Although Lily compartmentalizes her trauma with her current murders, Lily sees a vision of her younger self after she dumps Brad’s body in the well. As she thinks about Brad and Chet in the well together, Lily connects her trauma with Chet with what happened with Ted and realizes how her sexual abuse as a child guided her actions.
Lily has always focused on survival, which is why she felt the need to kill Chet initially. Chet’s body in the well represents the first moment that Lily took care of herself as a child. Lily lacked stability and safety in her home life, and she protected herself in the only way that she knew. Lily’s care of her father after his prison sentence reveals a physical interpretation of Lily’s life with her parents, with her in control and showing maturity moreso than her mother and father. Lily’s moment of clarity where she sees a vision of her younger self allows her to release her past trauma.
Despite this revelation, Lily knows that a fundamental piece of her mind is “broken” because she knows she will want to murder someone again. Lily attributes the differences in her mind to an animalistic nature. However, Swanson shows through her life experience that Lily’s trauma has forced her to stay in a perpetual state of violence and fear. Lily wonders if the only way that she can truly heal is to confess her crimes to someone, yet the fear of what this confession will do to her parent’s reputation prevents Lily from exposing her darkest secrets.
Kimball and Lily develop a bond through the course of the investigation because of their similarities. Kimball exemplifies his obsession with Lily’s mysterious nature and her beauty through his limericks. Kimball’s limericks reveal a subtle connection to Lily because it shows that he does not take everything as seriously as the other detectives, just as Lily believes she is unlike other murderers. Kimball’s obsession with Lily causes him to take the law into his own hands and pursue the investigation on his own, choosing seclusion and thus putting himself in danger.
Even though Lily believes she leaves her past behind, Lily’s past catches up with her. As Kimball makes the connection between Eric and Miranda, the suspense of the novel heightens again. Lily’s drive for survival causes her to feel that she must kill Kimball as well—however, when James catches her in the act, her instinct instantly dissolves. This shows Lily’s internal complexity: Even though she has murdered four people, she does not kill because she is sadistic. Instead, Lily still feels the childlike instinct to lash out and protect herself when she feels threatened. Yet, because of her trauma from Chet, Lily’s childlike instincts have developed into violence, because the only time that she has ever felt truly safe was when she knew that her abuser could not hurt her anymore. Lily’s dilemma of violence and survival unite the themes of Moral Ambiguity and the Justification of Murder and The Lasting Effects of Trauma, both throughout the novel and in this heightened moment of Lily’s resistance to kill her pursuer.
Swanson uses the literary technique of a cliffhanger in the final chapter to heighten the suspense and uncertainty. Although Lily appears to be safe from a prison sentence, David’s letter reveals that new owners of the farmhouse are leveling the meadow where Lily hid the bodies. Swanson ends the novel on this letter without further information to allow the reader to leave room for their own interpretation. The ending also sets up the novel’s sequel The Kind Worth Saving, as the final lines reveal that Lily and Kimball’s story is not over. Swanson’s cliffhanger encourages ambiguity, allowing the reader to decide for themselves what they believe will happen to Lily.
By Peter Swanson
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