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69 pages 2 hours read

Elif Shafak

The Island of Missing Trees

Fiction | Novel | Adult | Published in 2021

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Prologue and Part 1Chapter Summaries & Analyses

Part 1: “How to Bury a Tree”

Prologue Summary

Content Warning: This section contains mentions and descriptions of war and violence, substance abuse, mental illness, and suicide.



Told from the perspective of the fig tree, the prologue describes the island of Cyprus, which the fig tree left many years ago, hidden in a suitcase headed for England. The tree recalls the conflict between the Greeks and the Turks that split Cyprus’s capital, Nicosia, into two. However, this border cannot prevent birds from flying across it, and the tree recalls one particular hill in Nicosia where “birds of all plumages come to forage and feed” (4). The hill houses a well, and the glint of an antique, gold pocket watch is sometimes visible in its depths. The watch is worn by one of two men whose corpses are hidden in the well, thrown in after they were murdered. It is inscribed with lines from a poem, along with the initials “Y & Y” (4).

Part 1, Chapter 1 Summary: “A Girl Named Island"

In the late 2010s, 16-year-old Ada Kazantzakis attends the last class of the school year before the Christmas break is to begin. She is distracted by the worsening weather visible through the classroom window; there is a storm predicted to hit England over the next few days. Unlike her fellow classmates who are excited for the holidays to begin, Ada has nothing to look forward to, as her introverted father, Kostas Kazantzakis, will be working the whole time. An evolutionary ecologist and botanist, Kostas has always preferred the company of trees to people and has been drifting further away from Ada ever since her mother Defne’s death.

The history teacher, Mrs. Walcott, announces a holiday project, which involves interviewing an elderly relative and writing an essay. Ada wonders what to do, as she has never met anyone from her parents’ families or even been to Cyprus, where they are from. Although her name is derived from Defne’s language and means “island,” Ada speaks neither Defne’s Turkish, nor Kostas’s Greek. Ada believes that this estrangement from her country and culture is because her parents’ marriage was not approved by either of their families.

Mrs. Walcott calls upon Ada to answer a question, but she fumbles the answer. When Mrs. Walcott asks her to sit back down, however, Ada finds herself paralyzed to the spot and unable to comply.

Part 1, Chapter 2 Summary: “Fig Tree”

On the same afternoon, the fig tree describes how Kostas digs a hole in the back garden to bury the tree to protect her from the approaching storm. Burying fig trees underground during harsh winters and unearthing them when spring arrives is a common practice among numerous cultures in the Mediterranean region, including the Cypriots. However, the tree worries that Kostas will forget to unbury her in time. Kostas talks lovingly to the tree as he digs, and the tree remembers how Kostas has always cared for her.

Part 1, Chapter 3 Summary: “Classroom”

In the classroom, Mrs. Walcott once again asks Ada to sit down, but she still does not comply. Rooted to the spot, from the corner of her eye she sees the butterfly she had been doodling escape the paper and flit around the classroom. She hears her classmates make mean comments about her, even as she is unable to respond to her teacher’s queries of what is wrong. Suddenly, a scream erupts forth from her, and despite her classmates’ shock and her teacher’s attempts to calm her down, Ada continues screaming without a break for 52 seconds. As she screams, she remembers her mother, and for the first time since her death, thoughts of Defne do not bring tears to Ada’s eyes. Eventually, Ada collapses silently into her chair as suddenly as she had started, spent and drained. A shocked Mrs. Walcott asks Ada if she is all right, even as Ada hears a sound in her head and thinks about how, somewhere outside, “someone’s bones were breaking” (29).

Part 1, Chapter 4 Summary: “Fig Tree”

Kostas continues to dig, assuring the fig tree that he will visit her even while she is buried. The tree remembers how Kostas smuggled her into London in a black suitcase, accompanied by Defne, who was then pregnant with Ada, unbeknownst to the couple. Kostas hurries to prune the tree and finish the burial, and the tree knows he is rushing to be done before Ada is home; Kostas does not want Ada to witness another burial so soon after Defne’s, who died months ago after falling into a coma she never woke from.

The tree confesses to the reader her love for Kostas, embarrassed as she is to be “besotted” by a man who will never reciprocate the same kind of feeling. She knows she is not as attractive as some other trees, such as the Japanese cherry or the bougainvillea, but takes pride in her “mystery and inner strength” (31) and her presence in multiple creation stories across cultures.

Kostas finishes the pruning and digging and pushes the tree down into the ground. The roots snap and the tree lands in the ground, paralleling the sound of someone’s bones breaking.

Part 1, Chapter 5 Summary: “Night”

Later that night, Ada watches Kostas from her window as he completes the burial, which had been interrupted when he received a call from her school. Ada had been mortified by her classmates’ expressions at her outburst just as much as the surprised concern displayed by the headmaster and her teacher, both of whom had met with Kostas to discuss the incident.

Ada joins Kostas in the garden, who explains that he is burying the fig tree to protect her from the cold. Ada offers to help, and Kostas is surprised, especially because of the distance that has crept into their relationship after Defne’s death. As they work, Kostas explains that fig trees can be monoecious or dioecious and that theirs is a parthenocarpic female, capable of bearing fruit without the presence of a male tree nearby. Ada confesses that the tree gives her the “creeps” because she feels like the tree is always listening to them. Kostas assures her that’s not possible, even as he proclaims how special this tree is: “your mum always called her a warrior” (43).

Part 1, Chapter 6 Summary: “Fig Tree”

The fig tree, who has overheard the conversation, is offended that Ada finds her creepy. She knows Ada can sense there is more to the tree than meets the eye but thinks Ada’s label of “creepy” stems from human beings’ general lack of desire to know more about plants. The tree believes that humans avoid exploring trees and plants more because the discovery of all the things trees can do would be unsettling to them, such as how a tree’s rings reveal not only its age but also all the trauma it has endured or how some plants can recognize “kith and kin” (44) and feel touch, among other things. The tree reflects on how, although she will be buried for a few months, it does not seem like a long time. “Human-time” and “arboreal-time” are different, the former being linear, while the latter is “cyclical, recurrent, perennial” (47), similar to how time works in a story.

Part 1, Chapter 7 Summary: “How to Bury a Fig Tree in Ten Steps”

Accompanied by illustrations, this chapter details the 10 steps involved in burying a fig tree, from digging a trench around it and pruning its branches, to bending the tree into the trench, covering it with organic matter and securing it in place, and finally whispering “some soothing words to (the) fig tree, trust(ing) in her and wait(ing) for spring” (49).

Part 1, Chapter 8 Summary: “Stranger”

The next morning, Ada overhears Kostas speaking to someone on the phone, extending an invitation to their home. Ada thinks Kostas is speaking to a secret girlfriend, but Kostas reveals that it was Defne’s sister Meryam. Kostas reassures Ada that he does not have a girlfriend, but Ada questions why Meryam wants to visit them now when she did not even turn up for Defne’s funeral. Kostas requests a resentful Ada to meet with her aunt at least once and see what she has to say; although still displeased with Meryam’s impending visit, Ada concedes.

Part 1, Chapter 9 Summary: “Fig Tree”

The fig tree overhears that Meryam is to visit and reminisces about her own past in Cyprus, where she last heard Meryam’s voice. Back then, the tree inhabited a popular tavern that was built around and named after it: “The Happy Fig.” Long after Cyprus was partitioned and the tavern had been abandoned, Kostas took a cutting from the tree and smuggled it into London, where he replanted it in the garden. The tree eventually adapted to the vastly different London climate, though it took seven years before she could bear fruit again. Although she was 96 years old when she last remembers herself in the tavern, she is also just 16 years old with respect to her time in England.

Part 1, Chapter 10 Summary: “Garden"

Meryam arrives on Saturday evening, engulfing a still-wary Ada in a hug. Ada avoids being alone with her aunt, rushing to join her father in making tea. Ada presses Kostas to ask Meryam why she is here, and Kostas promises to do so, requesting Ada to be patient and give Meryam a chance. When Ada brings the tea out, she finds Kostas and Meryam together in the garden, where Meryam is performing some kind of ritual beside the buried fig tree, singing in a language Ada cannot understand.

Part 1, Chapter 11 Summary: “Fig Tree”

The fig tree clarifies that Meryam is performing a ritual for the dead, a ceremony that is traditionally performed under a fig tree. The tree recollects how fig trees, and trees of the Ficus genus in general, have long been considered sacred across multiple cultures and recounts numerous ceremonies and rituals across religions that involve Ficus trees.

Part 1, Chapter 12 Summary: “Banquet”

The next morning, Ada wakes up to mouthwatering smells and finds that Meryam has prepared a breakfast banquet consisting of a host of traditional foods from Cyprus. When Ada insists that it is too much, Meryam counters this, saying that “An eagle doesn’t feed on flies” (67). Kostas is out in the garden, talking to the buried fig tree, and Meryam reveals to Ada that he brought the tree to England all the way from Nicosia.

Ada refuses to eat, professing that she is not hungry, and the moment Kostas comes back in, she interrogates Meryam as to why she is visiting them. Meryam reveals that her mother has recently passed away, and she was bound by a promise to her parents that while they were alive, she would not visit Defne. Angered by this and the fact that none of Defne’s relatives attended her funeral, Ada storms off. Kostas apologizes for his daughter’s behavior, but Meryam asserts that she has every right to be angry. To Meryam’s question about how much Ada knows about her parents’ past, Kostas admits that Ada knows very little. Define had not wanted her to be burdened by “a history that caused us nothing but pain and distrust” (71).

Prologue and Part 1 Analysis

From the very beginning of the book, the background of the story is set: The prologue reveals the context of the Greek and Turkish conflict in Cyprus in addition to pointing out mysteries and secrets that need to be uncovered over the course of the book. Deep inside a well somewhere on the island lie the bodies of two men, their presence indicated by the glint of a pocket watch inscribed with poetry. This further sets the stage for one of the book’s main themes, that of Obstacles and Consequences Faced in Forbidden Love, which is explored in later chapters but is also indicated by Ada revealing early on that her parents’ marriage was not approved by their respective families.

Ada, a 16-year-old girl in London in the 2010s, is the first main character introduced in the book. She is the only child of Cypriot parents, and the details of her family and cultural background are important: Her father Kostas is Greek while her mother Defne was Turkish. However, Ada has never visited her motherland nor met any of her extended family, and she does not speak either of her parents’ languages, which is a cultural disconnect unusual for the child of an immigrant family. This disconnect points to the theme of The Impact of History and Culture on Identity and is partially explained by Kostas at the end of the section, where he explains that Ada does not know much about the past because Defne did not want their daughter burdened with her parents’ painful history. The book opening with a chapter focused on Ada suggests that she is of primary concern among the other characters, further supporting the theme of The Impact of History and Culture on Identity: She is the most recent generation, and everything that occurred in the past has led up to her blossoming life and identity here in the present.

With respect to history, the idea of time is also introduced, specifically the difference between human time and arboreal time, as described by the fig tree. She explains how human time is linear while arboreal time, similar to “story time,” is circular and infinite with no clear end or beginning. Besides pointing to the idea of history, which also tends to be cyclical and repetitive, this narration also foreshadows an important revelation about the tree itself, which appears toward the end of the book—she is the culmination of her parents’ struggle and has grown alongside the tree.

Kostas, Defne, and the fig tree are also important characters introduced in these chapters in addition to Ada. Kostas is an introverted man, a botanist and ecologist who prefers the company of plants and trees. His wife Defne has passed away some time ago, and Ada is still dealing with the grief of her mother’s death. The fig tree, which is revealed to have inhabited a tavern named after it back in Cyprus before Kostas smuggled a cutting of it into London, is established as one of the characters lending its voice and perspective to the story. It also appears to share a strong bond with Kostas and his family, with its love for Kostas and its connection with Ada, which causes the latter to sense the tree’s “bones breaking” even from miles away while Kostas is burying the tree in the garden.

It is apparent that the fig tree will play an important role structurally and thematically in the book: The different sections of the book are named after parts of a tree, with the burial of the fig tree lending its name to Part 1, and its narration constantly feeds into the specific theme of Nature and the Interconnectedness of Life. In a specific instance, the fig tree describes how Ficus trees have had roles in ceremonies across cultures, indicating that important events and beliefs in human history have always been entwined with nature and the story being told is no exception. In a larger sense, the tree’s narration offers a non-human perspective and indicates how nature and other creatures within the ecosystem have a role to play on par with the humans in this story.

Besides the tree, other important symbols and motifs that appear in these chapters are that of butterflies, food, and the pocket watch. Ada sketches a butterfly in her history classroom, and later, just before her episode, she apparently sees the butterfly escape the page and flit about the classroom. The symbol of the butterfly becomes a recurring one, as it also appears later at different points of the story. Food is another motif that appears, specifically in connection with another character introduced in these chapters: Meryam, Defne’s older sister who visits the Kazantzakis for the first time. She is traditional, superstitious, and deeply domestic. The day after she arrives, she prepares a feast of traditional Cypriot foods for Ada and Kostas in the chapter titled “Banquet.” Later chapters that see Meryam cooking are frequently named after specific dishes or ingredients. Finally, the pocket watch, mentioned in the prologue, is an important object that will appear later in the story as well; in the context of what has been explored in these chapters, however, the significance of an object that tells time is to be noted, given that one of the book’s themes is history and identity. Though the fig tree’s life goes on, the lives of the men in the well stopped long ago. However, the glint of the watch and the underlying significance can be seen and understood by the tree, whose lifespan stretches far beyond the lives of the humans it shares space with. The timepiece has stopped, but the tree suggests the importance of the man who holds it to the story that is about to be told.

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