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G. K. ChestertonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Flambeau reveals that he believes the most beautiful of his crimes is one that he committed at Christmas. He explains that he always tries to style his crimes around important seasons and days, and he modeled this Christmas crime to match the aesthetic of Charles Dickens’s A Christmas Carol. The story then flashes back to that Christmas, when young Ruby Adams is joined by her lover, John Crook, a journalist and socialist, whose sarcastic quips about politics slightly bother her. They are joined for Christmas by her father, Colonel Adams; her godfather, Sir Leopold Fischer; her French-Canadian uncle James Blount; and Father Brown. There, Sir Fischer gifts Ruby three diamonds, which he states are called the “Flying Stars” because they have been stolen so many times (50). Blount receives a letter informing him that the famous French comic actor Florian wishes to see him on business. With some trepidation, he asks the colonel’s permission to allow Florian to join them. When Florian arrives, Blount proposes that they stage an old-fashioned pantomime play for Christmas, expressing his dislike for the fairy-tale-like plays that have grown more popular recently. Ruby dresses as Columbine, Crook dresses as the Harlequin, Colonel Adams dresses as Pantaloon, and Florian dresses as a policeman.
The group performs the play with a few audience members, and as the play concludes with the Harlequin beating the policeman, Sir Fischer worriedly tells Father Brown that the Flying Stars are missing. He then accuses Crook of stealing them because he is a socialist, but Father Brown says that that is unlikely. He argues that the thief would be more likely to denounce socialist ideas publicly while holding them privately. Noticing that Florian is not moving, Father Brown learns that Florian is truly a policeman and that the thief used chloroform to knock him out. He then realizes, after asking about the death of Colonel Adams’s wife, that the man who came with Blount is Flambeau. He spots Flambeau in a costume hiding in a tree. Father Brown convinces him to repent and abandon his life of thievery, arguing that by allowing Crook to take the blame for the crime, Flambeau risks ruining the life of an innocent, young man. Father Brown warns Flambeau that his life of thievery will eventually end in misery for him, giving examples of criminals who eventually suffered for their actions. Flambeau then throws the diamonds to Father Brown, who grabs them off the ground as Flambeau disappears.
One day in Camden Town, a Scottish man named John Turnbull Angus visits a confection shop and proposes marriage to the young woman, Laura Hope, who is working there. She rebuffs his proposal at first, believing that he is joking, but when it becomes clear that he is serious, she becomes uneasy and tells him that she must first confess to him a story about her life that she believes will make him reconsider.
When she was working with her father in Ludbury, two men—Isidore Smythe and James Welkin—each asked her to marry them. She had known both men for a long time and found them repulsive, though for different reasons. Welkin, in particular, unsettled her—he tended to keep to himself and did nothing with his time except taking long walks through the countryside alone. Not wanting to tell them that she found them ugly, she instead told them that she wanted to marry a man who was well established. To her surprise, both men immediately left town to seek their fortunes. Since then, Smythe has written two letters to her, the latest one only a week ago, informing her that he has been traveling and has made a fortune creating mechanical butlers, maids, and cooks. Welkin has not written to her, but she has felt his presence mysteriously ever since, and she is vaguely afraid of him.
Smythe soon arrives at the shop and informs Laura and Angus that he has been receiving letters from Welkin threatening to kill him if he marries Laura. Now, a sign has appeared on the outside window of the shop, reading, “If you marry Smythe, he will die” (63). Angus says that he is friends with a man named Flambeau who lives in Hampstead and might be able to help them.
The two men go to Smythe’s house in Himalaya Mansions nearby. There, Smythe shows Angus the latest letter, in which Welkin threatens to kill Smythe if he tries to see Laura that day. Angus has Smythe stay in his home while four men watch the building outside, including a policeman. He then goes to Flambeau’s home in Lucknow Mansions and tells Flambeau and Father Brown about the situation. They go with Angus to Smythe’s home, where Angus and Flambeau are shocked to find footprints from an invisible man and find that Smythe is missing. However, there is a blood stain, and Flambeau realizes that Smythe has been murdered. Angus imagines, in horror, the possibility that one of Smythe’s machines might have killed him. A policeman soon arrives, however, and informs the men that Smythe has been found dead in the canal with a stab wound in his heart. Father Brown asks if there was a light brown sack and says that if the sack is brown, then the case has been solved. He then tells Angus, Flambeau, and the policeman that Welkin went undetected when he killed Smythe because he was “mentally invisible.” In fact, it was Welkin who carried Smythe’s letters to Laura. When Flambeau impatiently asks who the invisible man is, Father Brown points out a passing mail carrier, who—upon noticing them—tries to run but is followed by police. As Angus returns to the shop to see Laura, Father Brown stays at the scene and talks with the apprehended Welkin.
Father Brown and Flambeau are staying in Scotland at Glengyle Castle to investigate the death of Lord Glengyle. They also take particular interest in the castle’s attendant, Israel Gow, a peasant who works there who seems to be deaf and have a mental disability. With the help of Inspector Craven, the two find curious items, including snuff, candle wax, metals for clockworks, and various precious stones. Father Brown expounds an elaborate theory that these items represent Glengyle’s interest in the aristocratic life of pre-Revolutionary France, but then he admits that he is only conducting a thought experiment and does not believe this theory. He explains that Glengyle was a thief, detailing how he might have used each item in his burglaries, before admitting that this, too, is merely a contrived theory and unlikely to be true. They then find religious pictures that have been damaged, including one with the infant Jesus missing his halo. The poor condition of the Christian art troubles Father Brown. He wishes to gain a warrant and examine Glengyle’s grave and corpse, becoming suspicious that there might be some black magic or devil worship involved. He explains that ancient Scottish people likely worshipped demons, and Flambeau expresses concern that he will find Glengyle’s corpse in a bad condition. The three dig up the grave and find bones but then also see that the skeleton is missing its head. Father Brown decides that the three will sleep for the night and resume the investigation in the morning.
The following morning, Father Brown meets with the men. Upon seeing Gow working in the garden, Father Brown marvels at his skill in tending the potato plants. He then tells Flambeau and Inspector Craven that Gow is not as deaf or mentally disabled as he appears to be. He suspects that he stole Glengyle’s head from his grave for the purpose of black magic. Flambeau explains to Father Brown that when he was a criminal, he would quickly make up stories and, due to his impatient nature, always did everything promptly, even dentist appointments. At this, Father Brown makes a self-deprecating joke about his slowness to realize that Gow’s actions were not crime but honesty. He recalls the local rhyme about the aristocratic Ogilvie family—“As green sap to the simmer trees / Is red gold to the Ogilvies” (71)—to explain that the Glengyles gathered and hoarded wealth, acting as misers. Glengyle had taken in the peasant Gow as a manservant after he arrived from a village far away to send him a telegram, and then he trained him in his work before leaving him as the heir to his wealth. Thus, Gow likely took the skull for what gold teeth he might find. Outside, Flambeau sees Gow digging at the gravesite.
The second section of the collection establishes a narrative shift. While Flambeau has been an antagonist in the previous section, Father Brown has now convinced him to abandon his life of crime. From the end of “The Flying Stars,” Flambeau begins to help Father Brown solve crimes, providing the collection and the series with a deuteragonist who compliments the detective protagonist. The second section also shows side characters from the differing cast in each story taking more active roles in helping Father Brown solve the cases, with John Crook, Sir Fischer, and Colonel Adams helping him find the diamonds in “The Flying Stars,” John Turnbull Angus helping Father Brown and Flambeau catch James Welkin in “The Invisible Man,” and Inspector Craven helping the two uncover the mystery of Israel Gow and Lord Glengyle’s relationship in “The Honor of Israel Gow.”
Father Brown develops as a character in the second section. In “The Flying Stars,” he persuades Flambeau not only to return the diamonds but also to stop thieving. He also shows a level of vulnerability and human error in “The Honor of Israel Gow” when he confronts the strangeness of the items in the inventory and the disappearance of Glengyle’s skull from his grave. His religious faith leads him to suspect black magic and devil worship, and he becomes visibly shaken and disturbed by the case. It is only when Flambeau mentions his history of crime and telling stories that Father Brown realizes that there must be some logical reason for Gow’s taking of Glengyle’s items and skull. He then gently mocks himself for his prior distress. This humanizes him as a character and shows that some of the crimes do get to him, especially if they are of an odd or disturbing nature.
Flambeau also grows immensely as a character in this section. He starts out in “The Flying Stars” as an active thief seeking to steal the Flying Stars and make money from it. When Father Brown warns him that he might ruin the innocent Crook’s life, however, Flambeau gives him the diamonds and leaves. Flambeau soon gives up stealing completely, and by “The Invisible Man,” he is now working with Father Brown as an amateur detective. He helps complement Father Brown, being a man of action who occasionally helps Father Brown stay grounded, such as in “The Honor of Israel Gow,” while Father Brown helps him understand the intricacies of faith and human nature and how they influence the cases they investigate. This allows Flambeau to grow in his morality and faith throughout the rest of the section and the collection.
As Flambeau develops a sense of moral obligation, he also learns from Father Brown about The Psychological Approach to Solving Crimes. Rather than telling other investigators what has happened, Father Brown asks pointed questions to lead them toward the same conclusions that he has already drawn—using a version of the Socratic method of instruction. In “The Invisible Man,” he prompts Flambeau to consider what kind of person might be invisible even while in plain sight. The answer—a mail carrier—prompts Flambeau and others to consider the hidden boundaries of social class that structure English life and determine how people see (and fail to see) the world around them.
In “The Honor of Israel Gow,” even Father Brown himself becomes overwhelmed, superstitious, and fearful when events appear to defy rational explanation. This story offers a clear example of The Contrast Between Appearance and Reality, as Gow’s strange practices at first appear demonic before a more rational explanation appears. Father Brown’s religious faith leads him to consider supernatural explanations that others would view as impossible, but his psychological acuity eventually leads him to the correct, and more mundane, solution.
In “The Flying Stars,” the precious diamonds known as the “Flying Stars” serve as a motif representing The Duality of Human Nature, as they drive Flambeau’s transformation from a thief into a reformed criminal and assistant to Father Brown. He steals the diamonds, but Father Brown convinces him to give them back by appealing to his empathy, telling him that stealing the diamonds would lead to the innocent Crook being blamed for his socialist views. He then tells Flambeau that his days of crime will catch up with him. Flambeau takes this to heart and changes his ways.
The second section uses foreshadowing in both “The Invisible Man” and “The Honor of Israel Gow.” The closeness of the deliveries of Smythe’s letters to Laura and Welkin’s letters to Smythe foreshadows the reveal that they were delivered by Welkin. The presentation of the rhyme about the Ogilvies at the beginning of “The Honor of Israel Gow” hints at the true nature of Gow and Glengyle’s practices being about preserving wealth.
By G. K. Chesterton
Appearance Versus Reality
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British Literature
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Class
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Class
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Colonialism & Postcolonialism
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Good & Evil
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Guilt
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Revenge
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Truth & Lies
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