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Fyodor DostoevskyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Russia, practicality is respected. A quiet, sensible general is more respected and valued than "inventors and geniuses" (250), for example. While the Epanchin family are "highly-regarded" (252) in Saint Petersburg, they have a reputation for being eccentric. Madame Epanchin is aware of this reputation, and she closely guards herself against eccentricity. She worries, however, about her daughters and their marriage prospects. In recent times, the thought of Adelaida marrying Prince Shch. and Aglaya marrying Evgeny have eased her anxieties. The past few days have brought her anxieties flooding back, however. Aglaya is distraught after her mother received a "cursed anonymous letter" (254) which revealed that Aglaya corresponded with Nastasya. Madame Epanchin regrets bringing Myshkin to her house to make him discuss the matter. The concern about the uncontrollable Aglaya lingers in Madame Epanchin's mind as a group of people gather in the Epanchin's "luxurious" (255) dacha. The group begins to discuss literature and politics. Evgeny Pavlovich and Myshkin talk about liberalism in Russia, which they believe is not suited to the country as it is "an attack on the existing order of things" (257). Evgeny uses the example of the nihilists which visited Myshkin to point out the ways in which morality is perverted among the young liberals. The subject of the nihilists makes the group think of Ippolit, who is still very ill.
After the conversation turns heated, Myshkin backs down. He apologizes for his inability to express his more abstract thoughts and his "inappropriate" (262) gestures. Aglaya is annoyed by Myshkin's reticence. She believes that he is a better person than the rest of them and that they should not argue with him. Koyla teases her about her apparent affection for the "poor knight" (263) Myshkin, forcing her to hurriedly say that she would never marry such a man. Myshkin calmly assures her that he had no plans to ask her to marry him. The response makes the other guests laugh, including Aglaya. The group decides to visit the park. At the park, the group spots three women. These women are surrounded by a loud group of male admirers. Myshkin, to his horror, realizes that one of the women is Nastasya, who breaks away from the group to speak to Evgeny. She wishes to inform him that his uncle has recently been struck by scandal: he was caught stealing government money and, as a result, "shot himself" (268). Evgeny is too shocked to respond. His friend interjects and insults Nastasya. He tells her that she should be whipped for saying such a thing in public. In response, Nastasya snatches a "thin, braided riding crop" (269) from a nearby person and whips the man. Before the man can strike her back, Myshkin steps between them.
Back at the Epanchin home, Aglaya speaks to Myshkin. She is concerned that, after the incident at the park, Evgeny's friend may challenge Myshkin to a duel. She believes that the man will blame Myshkin and demand that they fight, so she tries to give Myshkin advice. She insists that he must "shoot several times a day and learn to hit the mark without fail" (272). She becomes frustrated when he laughs in response. As she leaves, she slips Myshkin a note. General Epanchin approaches Myshkin to discuss the incident, though Myshkin is too distracted to really follow the conversation and he is accused of "not listening at all" (272). The General is surprised that Evgeny's uncle could but caught up in such a scandal but mentions that Aglaya has already refused Evgeny's offer of marriage. According to the General, Aglaya believes that Nastasya wants Aglaya to marry Myshkin, which explains her attempts to undermine Aglaya's rival suitors. Myshkin and the General part ways. Myshkin reads Aglaya's note. She asks him to meet her in the park the next morning. Feeling great affection toward Aglaya, Myshkin kisses the note. Keller finds him and offers his help in any potential duel, saying that he is "ready to sacrifice [himself] and even to die, if necessary" (275). His words make Myshkin laugh; he does not believe there will be a duel. Myshkin goes to the park and wanders around in the dark, thinking about Aglaya. Rogozhin approaches him with a message from Nastasya. She wants to meet Myshkin. Rogozhin refuses to apologize for trying to stab Myshkin, even though Myshkin has already tried to forgive him. Rogozhin knows that Myshkin loves Aglaya, but he knows that Nastasya is in love with Myshkin. Rogozhin does not "like" (278) Myshkin but he loves Nastasya, who has told him that she will only marry him once Myshkin has married Aglaya. Myshkin is unenthused. He believes that Nastasya is "not in her right mind" (280). However, his mood changes when he remembers that, with midnight imminent, his birthday has nearly arrived. He invites Rogozhin to celebrate with him.
Myshkin and Rogozhin return to the dacha. They are surprised to find a "noise and numerous" (280) crowd of people already present, all drinking champagne in honor of Myshkin's birthday. Keller organized the party based on an off-hand comment from Myshkin that he had forgotten about. Myshkin relaxes and talks to the guests. Among them, Evgeny approaches and asks to talk after the party. Soon, they begin discussing philosophy again. Lebedev shares his opinion that mankind is as interested in self-destruction as it is interested in "self-preservation" (286). To prove his point, he tells a story about a murderous cannibal in the 12th century who was driven to his crimes by a terrible famine but later confessed to a priest, even though he knew he would be severely punished. Lebedev examines the "psychological and juridical condition of the criminal" (289) and says that the story shows how strongly people in this era believed in their religion. They were capable of remorse, he says, unlike the atheistic criminals of the present day.
Ippolit has been sleeping on a sofa. He "suddenly" (291) stirs from his sleep and calls out to the guests, drunkenly telling them all that Myshkin is now in love. Ippolit launches into an intoxicated rambling speech, in which he reiterates that he will die soon and that Myshkin has been kind enough to invite him to the summer dacha. Before he dies, Ippolit wants to read a manifesto to the guests. He flips a coin to decide whether he should read the manifesto, titled "My Necessary Explanation" (295). In the manifesto, Ippolit describes how his opinion of Myshkin has changed. He once hated Myshkin, but now, after a series of bad dreams, he has become more interested in people. Through Koyla, he has been trying to learn more about humanity with a "greedy interest" (299). He studied his neighbor, whose child died due to a lack of money and heat. Ippolit now wants to live a full and happy life.
Ippolit continues to read. He describes how he has recently met a disgraced doctor who is in Saint Petersburg to undo the scandal which now plagues his name. Ippolit offered to use his political connections to help the doctor and he is pleased that the man's name is now clear. He is happy that he "inadvertently contributed" (305) to clearing the man's reputation. Now, Ippolit is no longer a nihilist. He can see how a person's actions can bring about meaningful change in the world. Ippolit reveals that he and Rogozhin have been meeting. In Rogozhin's house, Ippolit was shocked by the painting of Jesus Christ in the tomb, especially the painting's portrayal of "infinite suffering" (309). The painting made Ippolit reflect on the way in which even the best men can be broken by pain and death.
Ippolit finishes his speech by announcing his plan to commit suicide. He wants to shoot himself as sunrise in the park in Pavlovsk, "so as no to trouble anyone in the dacha" (312). This suicide will allow Ippolit to end his life on his own terms. He admits that he believes in an afterlife, but he cannot respect any "higher power" (313) that would demand that he humble or humiliate himself in life. He would rather kill himself now than wait two weeks for his illness to end his life. The only power he really has left is the power to die. The guests are shocked, horrified, and scandalized by Ippolit's speech, especially when he announces that he already has the small pistol with which he plans to kill himself. Lebedev tries to take the pistol from him. Ippolit gives Lebedev the gun case, but the pistol is already in his pocket. Ippolit runs from the room and tries to shoot himself in the head; the gun is not loaded properly, so it does not fire. Ippolit collapses into a hysterical mess. The other guests gather him up and take him to bed, then "hurriedly" (319) leave. After the party, Myshkin walks through the park where he is set to meet Aglaya. He feels tired so sits on a bench and falls asleep. His "anxiousness" (321) affects his dreams about Nastasya; he imagines that she has committed a heinous crime. Aglaya wakes Myshkin from his sleep.
After being woken up by Aglaya, Myshkin tells her the "whole story" (322) about Ippolit's dramatic suicide attempt. He believes that Ippolit was desperate to be told that he was loved. Aglaya is moved by Myshkin's empathy toward Ippolit, believing that he has some kind of divine gift for kindness toward people. No one except her mother is able to act in this way, she believes. Aglaya confesses to Myshkin that she wants to "run away from home" (325), as she feels trapped. She criticizes Myshkin for his pursuit of Nastasya, who has been suggesting to Aglaya that she should marry Myshkin even though Nastasya is in love with him. Aglaya asks for Myshkin's help in running away, but he initially dismisses her plan as absurd. She is surprised. She does not understand how he could write her such an affectionate letter then not want to help her. Myshkin believes that Aglaya has mistaken his letter for "a love letter" (326). He admits that he feels something for Nastasya, though he is not sure that it is love. He describes how Nastasya is convinced that she is beyond redemption, so she tortures herself and can never be happy. The discussion angers Aglaya. Her outburst is interrupted by the arrival of Madame Epanchin. Aglaya runs away from the park, announcing that she will be "eloping from the house" (331) to Ganya. Madame Epanchin insists that Myshkin return home with her to explain the situation.
Madame Epanchin takes Myshkin to her dacha so that he can explain the situation with her daughter, Aglaya. Myshkin admits that Aglaya invited him to a meeting, but he does not reveal the "important matter" (332) that they discussed. With Myshkin unwilling to talk, Madame Epanchin allows him to leave. Myshkin returns to his own dacha, where he speaks to Vera, Lebedev's daughter. Vera asks Myshkin not to send Ippolit away after his incident. Myshkin assures her that he has no such plans to do so. He speaks to Koyla about how Ippolit was watched closely during the night. Lebedev enters and complains to Myshkin that someone at the party stole his wallet, causing "the disappearance of four hundred roubles" (335). Though Lebedev suspects that General Ivolgin stole his money, he pretends as though Ferdyshchenko is his chief suspect. Myshkin extracts Lebedev's real suspicions and promises to try to resolve the situation with General Ivolgin, so long as Lebedev promises to "act quietly" (341) and tell no one of the matter.
Myshkin decides to read the letters sent by Nastasya to Aglaya, though reading them pains him. The letters cause him to slip into a "heavy dream" (342), in which nothing is quite fixed or certain. In the dream-like letters, Nastasya describes Aglaya as though she is the light of Myshkin's life and as though Aglaya and Myshkin are a single being. She desperately wants them to be married. Nastasya knows that Rogozhin loves her to such an extent that his love is practically hate. The "raving" (345) letters make Myshkin reflect. He tries to visit the Epanchin family, but they are either asleep or not at home. He wanders through the park while thinking, whereupon his thoughts are interrupted by Nastasya. She becomes emotional, dropping to her knees and kissing his hands. Myshkin asks her to stop but she demands to know whether he is truly "happy" (346). She turns away before he can answer. Rogozhin arrives and encourages the emotional Nastasya to get into a carriage. Rogozhin explains to Myshkin that Nastasya wanted to see him one final time. Myshkin worries that Nastasya has lost her mind, but Rogozhin casually dismisses the idea. He announces that he and Nastasya are leaving; he also asks about Myshkin's happiness. Myshkin admits that he is not happy. Rogozhin refuses to believe him.
Myshkin's honest, sincere disposition is often revealed when he interacts with people other that the Russian elite. Lebedev is an ambitious and obsequious clerk, a man who is tolerated rather than loved by the social elite. He is desperate to be accepted by the wealthy and powerful, though this very same desperation means that they are often immediately perturbed by his personality. Lebedev is a clever man, if not a good man. He has insightful opinions on religious texts, and he has memorized the fragmented social circles of high society. Despite his knowledge and insight, most characters only ask him questions for their own amusement. At the dachas in Pavlovsk, he becomes a figure of fun, a way for the characters to distract themselves on a warm evening. As the representatives of the elite ask him snide questions, however, Myshkin distinguishes himself in taking a genuine interest in Lebedev's view of the world. Lebedev does not do himself credit. The awkwardness of the situation and his desperation to impress mean that he stutters and falters through his conversation, prompting laughter from the judgmental guests. They snigger at his nonsense and pressure him into providing more. Myshkin's sincerity cuts through this cynical bullying. In doing so, he prompts Lebedev to speculate on the tension between self-destruction and self-preservation. His mediation on the subject is a subtle excoriation of characters like Nastasya, Ippolit, and Rogozhin, who cannot seem to navigate the need for self-preservation without destroying themselves and those they love. Lebedev's discussion illustrates the way in which Myshkin's personality can bring about the best of others, even in the face of a mocking, cynical world.
Just as Lebedev provides an ideological contrast for the social elite, Ippolit provides a personality contrast for Myshkin. As a sincere and hopeful young man, Myshkin embodies optimism. He wants to see the best in people and the best in the world, even if both people and the world have treated him with contempt. Myshkin is a man who has been betrayed by his body and his mind yet cannot bring himself to feel anything other than positively toward everything in his life. Ippolit has suffered in a similar fashion and has turned completely toward despondency. He hates his illness, and he resents that he has had his life taken away from him. While Myshkin responds to his health issues with a desire to improve the world, Ippolit responds with a desperate, tragic desire to reassert his agency. He wants to take back control of his life and dictate the terms of his own demise. In this respect, he views suicide as an extension of his agency over his life. By choosing how and when he ends his life, Ippolit hopes to win in the battle against the illness which has robbed his future. The bleakness of using suicide as a way to return purpose to a life ends tragically. Ippolit, through his own failure, does not commit suicide. His attempt to regain control over his life and his death is undone by his own inadequacy. He has no one to blame but himself. Ippolit wages a tragic war against a universe which he believes has treated him harshly, only to discover that his own inner self is equally as capable of failure. His self-loathing intensifies as he finds a new and tragic way to blame himself for the failures of the world.
The relationship between Myshkin and Aglaya is complicated. As if to illustrate this complexity, the characters are similarly confused by the reality of the situation. The Epanchin family constantly seek clarity about the situation while many characters depend on rumors to tell them what is happening. Even Aglaya and Myshkin seem confused by the practical nature of their relationship. Aglaya seems terrified to admit that she may love Myshkin, because she fears that he is in love with someone else. Her correspondence with Nastasya shows how she is seeking outside help to define the parameters of a relationship she does not truly understand: she is willing to turn to someone she loathes for advice about someone she loves. Nastasya urges Aglaya to marry Myshkin provide Aglaya with very little of substance. Rather than helping Aglaya, the letters are demonstrations of Nastasya's perpetual inner-conflict. She loves Myshkin but she does not deem herself worthy of his love. Her strange and aggressive actions are evidence of this internalized self-loathing: society has spent so long telling Nastasya that she is a fallen woman who is undeserving of respect that she has come to believe this. She does not believe herself to be worthy of Myshkin's love, so she leans even more heavily into her public reputation so as to convince herself and Myshkin that she is as disreputable and as dishonest as the world believes her to be. The letters do not help Aglaya, and they consecrate Nastasya's self-loathing, while also paining Myshkin by reminding him of how much he pities (and therefore, how much he loves) Nastasya. As much as she hates herself and as sincere as her letters truly are, Nastasya is accomplishing the opposite of what she wants. In trying to be more self-destructive so as to drive Myshkin away, she is actually being subtly self-destructive which only draws him closer and alienates the one woman who might be able to distract him from her.
By Fyodor Dostoevsky