83 pages • 2 hours read
Henry FieldingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
A muff is a woman’s fashion accessory, usually made of fabric or fur, shaped in a cylinder into which the hands may be inserted. While decorative, its main purpose was to warm the hands, and it was a popular part of a lady’s wardrobe in the 18th century. Sophia’s muff serves as an extension of herself in the novel and becomes a symbol of her love for Tom.
The muff serves the early purpose of making Sophia and Tom’s feelings known to one another, for Mrs. Honour tells Sophia that she saw Tom kissing the muff, and then tells Tom how Sophia thereafter cherishes the item. At the inn in Upton, Sophia leaves the muff in Tom’s empty bed as a sign that she is relinquishing her affections. The muff therefore becomes a stand-in for Sophia herself when Tom laments the missed opportunity and the Squire accuses him of hiding Sophia somewhere. That this fashion accessory should become a symbolic device also hints at how closely Sophia’s value is tied to her beautiful appearance.
The many inns and hired lodgings in the novel speak to the reality of accommodations in the 18th century, especially for travelers, visitors, and those who could not buy property of their own. The evolution of Tom’s lodgings also signifies his journey toward maturation. In his youth, he is sheltered by Allworthy’s generosity, while as an active young man, he spends as much time at Squire Western’s house as his own: a presage to his future with Sophia.
When he is first cast out of Allworthy’s house, he lies on a riverbank, outdoors and in the wild, and thus his utter lack of lodging shows the lowest state of his distress. As his journeys commence, the inns become progressively more accommodating. Similarly, his night visiting the Man on the Hill is a side journey that shows Tom what his fate could be if he does not manage to reintegrate into society, and when he hires a room at Mrs. Miller’s in London, he is brought into a proper domestic circle and realizes what home life could be for him. When he chooses to forego these lodgings for bachelor premises with Nightengale, where he will not be reproved for entertaining lady callers, Tom ends up in jail, and that particularly disastrous place of “lodging” is the one that finally forces him to reflect upon his poor choices and vow to make better ones in the future. By improving his life and winning Sophia, Tom ultimately gains a home that is his own to govern, complete with wife and children. While the hired lodgings represent the stages of his coming-of-age journey, acquiring an estate of his own signifies his maturity and secure social standing in terms of both class and wealth.
Throughout the novel, money signifies independence and the ability to support oneself, and each character’s class is indicated by the manner in which he or she earns or possesses money. Gentlemen earn their incomes from the estates they own; gentlewomen are supported by fathers, husbands, brothers, or sons, turning to trade only when they have no other options. Lower classes work for a wage; at this level, the men work as laborers and the women frequently work as domestic servants.
Within this context, Sophia’s pocketbook represents her independence: the means to escape her father’s home and expectations. When she loses her pocketbook, she also loses her autonomy she must rely on her friend, Harriet Fitzpatrick. When Tom restores the pocketbook, he also restores Sophia’s freedom of choice in her marriage: a right which she continues to exercise.
For Tom, the 500 pounds that Allworthy gives him is all the inheritance he ever expects to see. George’s theft of this patrimony therefore leaves Tom to fend for himself by his own wits, and this he does, for better or worse. The eventual recognition and reclamation of the 500 pounds suggests that it is not Tom’s qualities alone that can determine his status. It requires equality in station and an inheritance of his own to make Tom an eligible marriage partner for Sophia.
By Henry Fielding
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