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77 pages 2 hours read

Jeannette Walls

The Glass Castle

Nonfiction | Autobiography / Memoir | Adult | Published in 2005

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Symbols & Motifs

The Glass Castle

The Glass Castle is an imagined solar-powered house made entirely of glass that Dad vows to build once he has enough money. It operates as an important symbol on two levels. On the first level, it represents Dad’s ideal life: sustainable, self-sufficient, and not reliant on any larger authority. For Jeannette, however, the symbolism runs deeper. The Glass Castle comes to stand in for all her hopes and dreams concerning her father. He may be an alcoholic, he may be woefully underemployed, and he may be destructive and cruel at turns, but as long as he still plans to build the Glass Castle, he has the potential to be the kind of loving provider she long expects him to become.

Over the course of the book, this illusion falls apart. One particularly dramatic erosion of Jeannette’s hope in her father comes when Dad tells her to throw their mounting garbage piles into the hole she dug for the Glass Castle’s foundation. Over time, the Glass Castle comes to symbolize failure for Jeannette, while for Dad it comes to represent his preference for dreaming up impossible projects in lieu of doing the hard work of lifting his family out of poverty. It also represents an increasingly frayed emotional tether connecting Jeannette and Dad, one that is severed permanently when Jeannette decides to leave Welch. She tells him, “Go ahead and build the Glass Castle, but don’t do it for me” (238).

Turbulence and Order

When Dad describes the heat emanating from the tops of the flames of the shack Jeannette and Brian set on fire, he characterizes it creating a boundary between turbulence and order. The concepts of turbulence, order, and the space in-between provide an instructive lens through which to consider the lives of the Walls family, and particularly Dad’s life. Given that Dad is more comfortable with chaos, whenever the family succeeds enough to come into proximity with stability—that is, to exist within that boundary between turbulence and order—Dad finds a way to sabotage it.

The scene at the zoo when Dad pets the cheetah and invites Jeannette to do the same is another moment of high adventure that nevertheless exists in that space between turbulence and order that is dangerous for the Walls. Finally, Jeannette recalls her Dad’s musings at the burning shack in the final line of the novel, writing, “A wind picked up, rattling the windows, and the candle flames suddenly shifted, dancing along the border between turbulence and order” (288).

Christmas

Over the course of the novel, Christmas tends to reveal a great deal about the dynamics of the Walls family. For example, the Christmas in the desert when Dad gives Jeannette the planet Venus because he cannot afford store-bought presents reveals the extent to which life still feels like a grandiose adventure for the Walls. Moreover, it shows that Dad is still able to present their lack of means in a way that charms and delights Jeannette. By contrast, the disastrous Christmas in Phoenix, when Dad destroys the tree and the presents during a drunken rampage, reflects the utter chaos threatening to destroy the Walls family if Dad does not make major changes. Finally, the Christmas in New York when Jeannette shames her father by giving him warm clothes reflects how the children’s fortunes have transcended those of Mom and Dad, emphasizing to Dad his failure as a provider. 

The Joshua Tree

While driving through the mountains of California, Mom stops to paint an ancient Joshua tree. To Jeannette, the tree is ugly, stuck in a “permanent state of windblownness” (35). However, when Jeannette finds a Joshua tree sapling and vows to protect it from the wind so it grows tall and straight, Mom chastises her, saying, “You’d be destroying what makes it special. [...] It’s the Joshua tree’s struggle that gives it its beauty” (38). This is but one of many ways Mom fetishizes struggle and uses it to justify her unwillingness to better nurture her children.

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