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Celia, a “wavy-haired 24-year-old” dressed in “her brand-new dress” (3) takes a long train ride to an unknown destination. She shares this “secrecy-soaked adventure” with “a small group of women” (3) who are likewise unaware of where their journey will end. As she moves further from the poor, declining mining town where she was born, she wonders “Where am I going? What will I be doing?” because, “for her new employment and soon-to-be home, ‘secret’ [is] the operative word,” repeated so often that it “render[s] the most innocuous questions audaciously nosy” (4).
Celia accepts that “secrets [are] secrets for a reason” (4). Besides, in a country where “war permeate[s] every aspect of existence, from sugar, gas, meat rations to scrap metal drives and the draft,” how can “she or anyone heading to a good, safe job complain?” (5). Like Celia, the other “women on the train [have] been told that their new jobs [serve] one purpose only: to bring a speedy and victorious end to the war” (7). Taking the job is “how Celia [is] doing her part” (7) to contribute to the war effort.
Celia had taken a job in the civil service working for the State Department in Washington, DC with a salary far exceeding her previous earnings as a secretary. She then transferred to a job in New York City, to work on “the Project,” knowing only that she was contributing “the war effort” (9) and “quickly became accustomed to the secrecy in her secretarial post” (10). One day her boss told her that they were relocating but that she could not know the destination. He asked if she would be willing to move. The offer was for “a good job, a well-paying job” and Celia decided that there “were worse fates than a bit of secrecy” (11). At the time, women were entering the workforce in considerable numbers, and, with two brothers fighting overseas, Celia was driven by a sense of allegiance.
Having accepted the new role, she now finds herself arriving at the train station in Knoxville, Tennessee. With others, she is driven along country roads “toward a place that officially [does] not exist” (14).
Flashing back to 1942, a group of men meet at the secretive, ceremonial summer encampment, Bohemian Grove. Among them are scientists including Nobel Prize winner, Ernest O. Lawrence, high-ranking military men including “the General” (16), and other officials. They gather to discuss purchasing large amounts of “Tubealloy” (17), the Project’s secretive name for uranium, and a large stretch of land in East Tennessee. This land will become “Site X” and receive “more than half of the $2 billion eventually appropriated for the Project” which has the goal of “enriching Tubealloy to serve as fuel for the Gadget” (17) that the group believes will bring an end to the war.
The Gadget itself will be built on Site Y in Los Alamos, New Mexico. With the sites secured and “plans for gargantuan plants of never-before-imagined size and scope,” all the Project needs are “enough bodies to fill them” (19).
Site X is renamed the “Kingston Demolition Range” (23) and current residents are ordered to vacate the area at short notice and with incomplete reimbursement. It is estimated that “around 1,000 families and 3,000 people” are moved from the homes but “the real number of the displaced may have been much higher” (25). Construction begins in late 1942 and “construction workers and scavengers make their way through vacated lands, finding books, photos, shoes, pans, tools, and more lying abandoned in the dust” (28). Within a year, three plants code-named Y-12, X-10, and K-25 are being built at what is then dubbed Clinton Engineering Works (CEW).
Those evicted from their homes now have to “compete with new workers arriving to the area in droves, drawn from other big regions in the South by news of upcoming construction jobs” and many find themselves “applying for work at the project that had evicted them in the first place” (28). Toni Peters, a young woman influenced by the cultural shift encouraging women to enter the workforce, is a local determined to get a job at Site X. She suspects that “something big” is happening and is determined to learn what (20). Like the other locals, Toni knows that this is “not your run-of-the-mill wartime factory … not with the nonstop comings and goings” (20). Although “packed train cars” and “convoys of overloaded trucks” make deliveries to the site, it doesn’t seem as if any wartime commodity (“no tanks, no munitions, no jeeps”) ever come out (20).
An official photographer, James Edward “Ed” Westcott, captures the life of the town in photographs that reflect a “pioneering spirit and the expressions of newfound camaraderie among those for whom family and home [are] far away” (31). For Toni, it feels as though “adventure could be right around the corner” (31).
In 1934, German geochemist Ida Noddack questions the conclusions of an academic paper by Italian physicist Enrico Fermi. Fermi had been doing work “bombarding elements all the way up the periodic table with neutrons to see how they behaved” (33). Noddack believes that his work is inconclusive and does not go far enough, and she writes a paper in response. This paper is “both ignored and on occasion mocked,” but Noddack is prescient in proposing that it is possible to split the nucleus of an atom (34).
Kattie’s husband had moved from their home in Alabama to work Clinton Engineering Works (CEW), sending money home for their family. He learns that there is a job for Kattie, too, at the ever-expanding Project. She lands work as a janitor, and she is upset to leave her children behind—she had been told that they “were not welcome at this new place, not if your skin was black, anyway” (37). When she arrives, Celia is horrified by the mud which is “like a raw pit of gummy earth” (37). Determined not to ruin her new shoes, Celia refuses to leave the car and is carried across the “a sopping sea of mud” by the driver (37). She is given two identification cards to be worn at all times and finds a place in to stay in dormitory W-1.
When Toni attends her interview, she tells Mr. Diamond that she can take dictation, but they soon discover that their respective accents make it difficult to understand each other. Despite this, she gets the job. Jane also finally receives word that her application to work as a statistician has been approved. The process has been long: aside from the interview, there had been an investigation in which men, possibly from the FBI, conducted a thorough background check. Jane had wanted to study engineering at the University of Tennessee but was told that “We don’t matriculate engineering as a major for females” (44), and she ended up the studying statistics. She aced the course and had any number of job offers, settling on the position at CEW so she could stay close to her widower father.
Executive Order 8802, passed in 1942, declared that there would be no racial discrimination in the defense industries and the Fair Employment Practices Committee was established to “address discrimination in wartime industries” (46). However, Tennessee is still a Jim Crow state and, while the federal government could have established the town as “a completely desegregated zone,” it didn’t, and black residents are “primarily laborers, janitors, and domestics” living in segregated areas (47). This policy prevents J. Ernest Wilkins Jr, a respected University of Chicago scientist from working at the Project. Kattie moves into the black area of the town, and as a black resident she is not permitted to live with her husband.
White and unmarried, Celia is in a different position. The town is full of “many, many, oh-so-many young, single men” (51) and decides to play the field. Bringing in all these young workers is a challenge since job advertisements have to be so secretive, but the “excellent pay, dorms, cafeterias, and low rent” are enough to entice workers and educated soldiers. Celia’s days are filled with work, including covering for Lieutenant Colonel Vanden Bulck’s personal secretary. In this role she meets General Leslie Grove. He is head of the Project, although Celia does not know this and is warmly invited to call him GG.
In 1938, scientist Lise Meitner, exiled from an increasingly hostile Germany, receives a letter from her colleague Otto Hahn still working in Berlin. The letter requests help understanding data from the experiments Hahn and Fritz Strassman have been carrying out with Tubealloy. Analyzing the data, Lise effectively discovers nuclear fission. The US government and military soon begin “an ‘all-out’ effort to work on unleashing this new power” (62) which will shortly result in the formation of the Project. In this way, “Ida Noddack’s theories and Lise Meitner’s explanations had resulted in a chain reaction of their own….” (62)
Although new employees are allowed to move into housing, they cannot start their jobs until all clearances and tests have been passed, which, depending on the job, can take some time. While they wait, many of them spend their time in a common area known as the “bull pen.” Virginia’s paperwork has been misplaced so she spends her time in the bull pen where she is “thrust into the unexpected role of teacher” (66), trying to “come up with interesting and impromptu lessons” (67) for the other new employees. Eventually one of the regulars reveals that he will be head of a division of workers at Y-12, and he offers her a new job in human resources rather than the lab to which she was originally assigned. She accepts in order to finally leave the bull pen.
Fresh out of high school, Dot spends six weeks “back in class again,” being trained to work “those darn machines” (68). The Project is particularly keen to employ high school girls from rural areas, “feeling young women were easy to instruct” and “did what they were told” (69). At first Dot finds the security protocol daunting. When she first spies “the guards and the fences and the Wild West-looking, mud-covered, half-built town that had sprung up in the Cumberland Foothills, she [thinks], If I had enough money I would turn around and go back home!” (70). She works through these feelings, however. Having recently learned that her brother Shorty is missing in action while serving in the Navy, she finds her job to be “a way to help end the war that [has] taken Shorty from her” (71).
Security is certainly tight. There are the guards and fences that intimidate Dot and the background checks and clearances that hold up Virginia and the others in the Bull Pen. There is a prevailing sense that “someone [is] always watching” (65) and “empty chairs routinely [appear] with no explanations given” (64). Rumors circulate about people being dismissed simply for telling outsiders insignificant details about the town and that there are undercover FBI agents throughout the populace. Helen actually meets some of these undercover officers. Returning home after another day in the bull pen, she is visited by two men in dark suits who ask her to play close attention to what people around her are doing and saying and to write down “names, dates, locations,” and topics of discussion. Helen realizes that she is “being recruited to spy” (73).
Meanwhile, scientists manage to cause “the world’s first ever self-sustaining nuclear reaction” (76) and the Project builds “a reactor that [will] use Tubealloy to produce another new and highly fissionable element, Element 94” (78).
The Rowan family move to CEW believing it to be “a land of opportunity and of purpose” (81). Colleen is not impressed by the conditions—the mud, the lack of sidewalks, the endless queues for showers, food, entertainment—though her mother insists that “this is where we need to be” and encourages an attitude of self-sacrifice for the war effort. The Rowans stay in Happy Valley, a late residential addition that sprung up next to K-25 to house its thousands of workers.
Constructing a residential area like Happy Valley is difficult. The construction company is given limited information about the scale of the project and the work conditions result in a “25 percent turnover rate” (85). Accommodation ranges from three-bedroom houses to small communal hutments, though housing is still in short supply. Colleen’s immediate family divide themselves among the houses of extended family members already working at CEW before eventually securing a place in one of thousands of identical trailers. Although it has only a double bed at each end and a kitchen in the middle, the trailer sometimes houses eleven people and has no toilets or running water. Work continues on housing; it is estimated that a house is built every 30 minutes.
Kattie is woken by a flashlight as a guard enters her hut yet again. The guards are “a very regular presence in the black hutments” and man the barbed wire fences around “the Pen” (90), the area where the black women are housed separate from black men. Black men are never allowed into the Pen, and although women are allowed to visit the men’s huts, there is a 10pm curfew. There were originally plans for “an entire Negro Village, one that would have resembled the main Townsite with construction like the white homes, separate but essentially equal” (91). However, as demand for houses grew, the area was requisitioned for white families. The Lieutenant Colonel in charge of the program justifies this by claiming that “Negroes didn’t want the nice houses […] Negroes felt more comfortable in the huts, that was what was familiar to them” (91). Facing poor housing conditions, spousal separation, and discrimination, black people also receive terrible food in the canteen. Since food poisoning is not unusual, Kattie is determined to “figure out a way to cook in her hut, out of sight of the guards, rules or no” (93).
Elsewhere, thousands of single white women are closely monitored in their dorms with no cooking, gambling, alcohol, or male visitors allowed. Any sexual activity is severely punished. However, for those who had attended college, these dorms have a “familiar feeling” (95). The College Women’s Club organizes socials and provides a babysitting service for the town’s families, which also gives them a chance to “sit in a real living room and play a game of bridge or relax in mixed company without fear of running afoul of dorm regulations” (95). In this respect, CEW is “in many ways an outpost best suited to the young, those for whom enthusiasm trump[s] exhaustion and the sense of adventure [outruns] hardship” (96). For others, the environment is extremely difficult and the Chief Psychiatrist finds a lot of people “in a perpetual state of edgy exhaustion” (96), exacerbated by the fact that workers cannot discuss their worries or their workday with spouses or roommates. It is difficult to “foster community from scratch amid nonstop deadlines, round-the-clock work schedules, and a high turnover of residents and laborers” but “women [bring] a sense of permanence. Social connectivity. Home” (97).
The challenge for the Project is “not securing enough raw Tubealloy; it [is] transforming that raw Tubealloy into fuel for two different models of the Gadget” (99). This process takes place across different sites, and CEW is a key part of the process, eventually housing four plants responsible for handling Tubealloy. Three of these plants concentrate on enriching Tubealloy by separating Tubealloy 235 from Tubealloy 238 through three different processes: electromagnetism, gaseous diffusion, and liquid thermal diffusion.
The opening chapters cover the background of the Project, its formation, and the arrival on site of its workers. As such, it introduces us to several central characters as well as key themes and motifs. The first character introduced is Celia. Like many of the employees, she is a young, poor, rural woman. One of the key themes of the book is women in the workforce. With so many men away fighting, “women’s roles in the workforce were expanding exponentially” (11) at this time. This is, after all, “the era of Rosie the Riveter, when a song by Redd Evans and John Jacob Loeb [gives] voice to more than one million women who [have] already joined the workforce” (30). However, there is more at play here. CEW’s choice reflects not only the limited number of men available for employment but also a conscious choice: they wish to employ “high school girls, especially those from rural backgrounds” because they believe that “young women were easy to instruct” (69). In this way, the high level of employment of women at CEW reflects both a challenge to, and a reinforcement of, existing gender roles.
Celia’s experiences also introduce another key theme: secrecy. As she embarks on a “secrecy-soaked adventure” (3), travelling “toward a place that officially [does] not exist” (14), she reflects on how little she knows about her job or even where it is located. Indeed, she finds the whole experience so security-conscious that it “render[s] the most innocuous questions audaciously nosy” (4). Importantly, like many others, Celia simply accepts that the “secrets [are] secrets for a reason” and thinking otherwise would question her government and country during a time of war, something few people seem prepared to do.
Other characters also experience the high security surrounding the Project. After applying for a job as a statistician, Jane is investigated by men, who may be from the FBI, who interview her “high school teachers, college professors, neighbors,” asking “What kind of girl [is] this Jane Halliburton Freer? [Is] she wild? […] And what about that family of hers? Any rotten apples there?” (43). Virginia’s experiences offer yet another reflection of the Project’s security when she ends up waiting for clearance in the bull pen, “stuck in limbo, the kind that exist[s] for those lacking appropriate paperwork—and in triplicate” (63). Often these delays are used to “to screen people’s behavior” (64) adding to the list of ways in which one might be fired from one’s job and to the overall sense of surveillance.
Celia’s feeling that there are “worse fates than a bit of secrecy” (11) provides an interesting insight into the motivations of the workers. Most workers tolerate the security measures for a two key reasons. First, they appreciate the opportunity to work “a good job, a well-paying job” (11). More important, however, is the desire to contribute to the war effort. With security so high, many people do not actually know much about their jobs when accepting them but are simply told that they are helping “to bring a speedy and victorious end to the war” (7). Taking the job is “how Celia [is] doing her part” (7), something that gives her a sense of “Purpose, Duty” (11). Having family fighting overseas motivates this sense of wanting to contribute as seen in Dot’s reflection that her job gives her “a way to help end the war that had taken Shorty from her” (71) or in Colleen’s mother’s insistence, “We should do this, not just for us, but for Jimmy. For the war” (82).
In some respects, the fact that the town is always evolving and was intended only as a temporary project to help bring the war to an end is difficult for its residents, as in Celia’s horror at the “raw pit of gummy earth” she encounters (37). However, the unusual origins and structure of the Reservation also help residents cope with the hardship, as seen in the way it encourages “pioneering spirit” (31) and in Colleen’s mother’s reassurance that “It’ll be just like camping […] It’s only temporary” (82). In this case, we also see another significant result of changing attitudes toward women in the workforce for, although is difficult to “foster community from scratch” in this temporary, difficult setting, the women are relied upon to create a sense of connection, familiarity, and warmth. As such, in this setting, men are in charge, but women create “an irrepressible life force” beyond military control (98).
Detailing Kattie’s experiences allows the author to explore the site from the point of view of a woman of color. The rigid segregation of the town, and the inferior facilities and treatment of its black residents exemplify the irony of the town’s collective spirit of wartime can-do effort. Kattie contributes as much as anyone, yet she is treated as a second-class citizen. Similar to how black soldiers were treated while fighting overseas, the black workers of CEW are regarded as inferior and are subject to discrimination and humiliation despite their valuable contribution to the war effort.