43 pages • 1 hour read
Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nine-year-old Trisha MacFarland and her brother Pete are in the back of their mother Quilla’s car, on their way to hike a section of the Appalachian trail. Trisha wears a Red Sox jersey with the number of her favorite player, relief pitcher Tom Gordon. The narration states that in half an hour, Trisha will be lost in the woods. Her ordeal will begin when, needing a break from her family’s constant fighting, she will step off of a trail to relieve herself without alerting them. Quilla and Pete have had a rocky relationship since Quilla’s divorce from their father, Larry, a year ago. Quilla won custody of both children and moved them from Malden, Boston to Sanford, Maine. The 13-year-old Pete is bullied at his new middle school, and he resents his mother for making him change schools.
Attempting to restore a positive family dynamic, Quilla takes the children on many impromptu weekend outings. Pete always complains about these outings, and Trisha adopts a falsely chipper demeanor to compensate for his rudeness. As Quilla and Pete argue “about their dislocated life” (13), Trisha slips into a fantasy about Tom Gordon. She and her father are both huge Gordon fans and she privately finds Gordon stunningly handsome. Trisha has only confessed her crush to her best friend Penelope “Pepsi” Robichaud and her doll, Mona. Staring at her Red Sox cap adorned with Gordon’s autograph (a gift from her father), Trisha imagines meeting Gordon in Sanford Park. By the time they pull into the parking lot, Trisha is lost in her daydream, “unaware that there [are] teeth hidden in the ordinary texture of things, and she [will] soon know it” (14).
Unloading supplies from the car, Quilla and Pete stop fighting long enough to give Trisha hope that everything will be alright. As the group starts down the trail under an overcast sky, however, they resume their argument. Trisha prays to God that something will show up to distract Pete, but nothing arrives. Pete and Quilla ignore Trisha’s many attempts to intervene.
After a while, the trail splits into two branches: North Conway and Kezar Notch. Trisha announces that she has to pee, but Pete and Quilla ignore her as they head off along the North Conway fork, still arguing. Exasperated, Trisha walks a little ways down the Kezar Notch trail and steps off the path in the direction of the North Conway fork. She can still hear Quilla and Pete arguing—later, she will recall Pete shouting “—don’t know why we have to pay for what you guys did wrong!” (21). Trisha walks down a small ravine until she’s sure she isn’t visible from the trail anymore. When she is done, she is struck by “the worst idea of her life” (23)—to take a shortcut and go forward instead of backtracking to the Kezar Notch trail. Confidently, she thinks that there is no way she will get lost.
Trisha climbs up the opposite side of the ravine, heading for the main trail. The slope is steeper on this side, and after ten minutes of hauling herself up she feels “the first minnowy flutter of disquiet” (25). She should have arrived at the North Conway branch by now, but she cannot hear the sounds of hikers on the main trail anymore. A mirthless voice in her head informs her that she is lost, but she brushes off the thought and increases her pace. She comes to a fallen tree that is too high to climb over and has to shimmy under it, briefly brushing up against a large snake, which sends her scrambling in panic. It is raining by now, and Trisha slips and falls to the dampening forest floor.
After collecting herself and walking a little further, Trisha can no longer tell if she’s going in the right direction. She returns to the fallen tree to orient herself. As she walks back toward where she thinks the trail is, mosquitos swarm her, but she remembers that her mother once told her slapping at them only makes things worse. Another piece of Quilla’s advice comes to mind when she spots a checkerberry bush and recalls her mother’s assertion that the berries are not only harmless but tasty. Trisha eats a handful of checkerberries and walks on until she reaches a cluster of ferns halfway up a small hill, where she pauses to listen. She hears various sounds—rattling branches, whining mosquitoes, cawing crows—but no human voices. Trisha begins to cry and calls out for help in “the wavery voice of a little kid” (38).
After fifteen minutes of yelling to no avail, Trisha puts her head down and sobs. She tries to reassure herself that Quilla and Pete will have noticed her absence by now. Hoping to avoid becoming “what her mother [calls] A Public Spectacle” (42), Trisha walks faster, unaware that she is turning further and further away from the Appalachian trail and into “deep second-growth woods” (42). When the trail does not appear, she descends into panic, no longer following a straight path or listening for human voices. She starts sprinting, sustaining scratches from the surrounding vegetation. In her panic, she narrowly avoids running off a cliff that suddenly appears before her, managing to stop at the last second by clutching the trunk of a nearby tree. As she looks over the cliff, she experiences a vivid vision of herself falling over the edge and dying with her throat punctured by a branch. After several minutes she loosens her grip on the tree, but as she begins to step back from the drop, black spots begin to form on her vision and she faints.
These chapters introduce the reader to Trisha McFarland, the novel’s spirited nine-year-old protagonist. On the surface, Trisha is a typical all-American kid—she lives in the suburbs, loves baseball, and goes on sack-lunch outings with her mother and brother. It’s clear from the start, however, that her family dynamics are far from perfect. Her parents are divorced and her brother Pete grapples with the new separation within their family. He and Quilla are always at each other’s throats, and Trisha feels like “weak glue” trying to hold them together. She tries to smooth over their fights burying her own feelings and acting falsely cheerful. Beneath her happy façade, she too is struggling. The constant arguing causes Trisha to feel neglected and invisible. She feels like no one is looking out for her, a suspicion that is later confirmed when her mother fails to notice her leaving the hiking trail.
Trisha’s daydream in the car gives the reader a glimpse into the way she uses her robust imagination to escape the unpleasant realities of life. This trait will later prove useful during her time in the woods. Her car daydream foreshadows the way her imagination will later allow her to stave off feelings of loneliness and fear by immersing herself in an inexhaustible fantasy world.
From the novel’s first sentence, it is clear that Trisha will soon be lost in the woods. King employs an omniscient third-person narrator who is already aware of the entirety of Trisha’s story. This perspective lets the reader in on knowledge that Trisha herself doesn’t have yet, heightening the feeling of suspense when Trisha unknowingly makes bad decisions.
Trisha’s troubles go from ordinary to extraordinary when she wanders off the path. From the moment she feels the first “minnowy flutter” of uncertainty, King places her in a new and menacing world. Here, the theme of Trisha’s relationship to the natural world appears for the first time. Everything in the woods seems hostile, from the branches that look like severed arms to the bugs which swarm incessantly around her. Her situation feels immediately dire as she is placed at odds with her unfamiliar and unwelcoming surroundings.
King structures The Girl Who Loved Tom Gordon around a game of baseball, Trisha’s favorite sport. The first chapter, before Trisha gets lost, is titled Pregame. In Chapter 2, “First Inning,” Trisha steps off the path. The chapter titles insinuate that Trisha’s “game” truly begins when she leaves the safety of the Appalachian Trail and will end after the completion of the ninth inning, leaving the reader to wonder whether she will win.
Initially, Trisha tries to stay calm after realizing that she is lost. Her breakdown at the end of Chapter 3, “Second Inning,” reminds the reader that she is a child—a mature child, but nonetheless a child trapped in a scary situation. Her fear is worsened by a cold voice that appears in her head, speaking every doubt and worst-case scenario. Trisha engages in dialogues with this voice, telling it out loud to shut up. Her interactions with her own inner critic are another example of her active imagination and the way it helps her to process her circumstances.
By Stephen King