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50 pages 1 hour read

Kiera Cass

The Elite

Fiction | Novel | YA | Published in 2013

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Choice Among Competing Affections

As the device underlying the Selection, the theme of making a choice drives the premise of the book and raises several implications around the importance of making a wise choice. For Prince Maxon, the Selection, much like an elimination dating program, assembles diverse candidates so he might choose a wife from among them. The consequences of his choice are not only personal but also national, raising the stakes to select a suitable candidate. Amplifying the themes of choice and its consequences is the premise that, in her own version of the Selection, America also must decide who will be the object of their affections. She and Maxon feel competing attachments to other people, which allows exploration of the confusion and painful repercussions when the right choice isn’t clear. America’s struggle is not only romantic but symbolic of her broader conflict between the familiar safety of her past with Aspen and the uncertain but promising future with Maxon, representing a choice between two versions of her life.

Maxon and America’s investment in their relationship progresses in opposite trajectories, making their choices even more difficult. Maxon begins the novel certain that America is his choice, and he is only waiting for her to indicate her readiness in order to publicly commit. He secures the permission of both her father and his, clearing the way to make a choice that will determine his future wife as well as the country’s queen. But America’s doubt, resistance, and rejection of him after she believes he participated in Marlee’s public punishment causes Maxon to seek what he calls a backup plan, which is Kriss, who is clear about her affection for and devotion to him. Knowing she has real competition and is no longer Maxon’s clear favorite causes further hurt, jealousy, and conflict for America, which also keeps the plot device of the Selection moving by deferring a final choice. This progression highlights the miscommunication and mistrust that complicates their relationship, as both characters struggle to openly express their true feelings due to their own insecurities and fears of rejection.

America’s confusion results from the affection she feels for both Maxon and Aspen, with her new and growing attachment to Maxon creating opportunities she didn’t expect: She could become princess and, later, queen of Illéa. Her apprehension about the responsibilities of this position is a chief deterrent to being able to sort out her feelings, as she does not feel prepared for this role, though she begins to explore the possibility as the novel unfolds. America’s central conflict comes from the pull she still feels toward Aspen, her first love and the man that, at the before the Selection began, she believed she would marry. Her continued attraction to him makes her unsure of what she feels for Maxon, suggesting that, for America as well as Maxon, the candidates for the affection all offer different and desirable qualities, thus complicating matters. The love triangle motif emphasizes the necessity of personal growth and self-discovery, as America’s choice is also about choosing the kind of person she wants to become, not just who she loves.

When Maxon persuades her of his love and loyalty, she is willing to commit to him, as at the Halloween party and the conclusion, showing her ability to set Aspen aside. But when her faith in Maxon is shaken, America takes reassurance in the comfort and familiarity of Aspen, considering his promises of love and a future together. Whereas she began the book torn with doubt, by the time of her presentation on the Report, America plans to remove herself from the competition and knows that Aspen will be waiting for her on the other side; as she prepares to leave the palace, America tells Aspen that he is “the only thing” she has left (311). This highlights her fear of the unknown and her inclination to fall back on what feels safe, even when it may not be the best choice for her growth.

From another viewpoint, the action of the book is a long arc that eventually brings America and Maxon together, showing that Aspen is America’s Kriss—her backup plan. During their night in the safe room, when America and Maxon discuss their feelings for one another, Maxon says, “At least I can know for certain that, for one brief moment of our time together, you and I felt the same thing” (297). Once she is reassured of Maxon’s preference for her, America swiftly makes the choice to stay, fight, and win the Selection, suggesting that the confusion in her affections has been, to some extent, confusion between whether she wants to return to the familiarity of her known past or take the opportunity to forge a new future. Her trajectory moves from doubt to certainty, and she resolves to confirm Maxon’s faith in her and clear up his doubt as well, confirming the central premise that, in the contest between affections, ultimately one selection must be made. This resolution underscores the broader idea of self-empowerment and the courage to make difficult choices, signifying America’s maturation and readiness to embrace her future.

The Need to Protect the Vulnerable

America’s awareness of the plight of those of the lower castes, a prominent character trait in the first book of the Selection series, emerges as a theme in this second book as her consciousness of class structures and the consequences on peoples’ lives becomes an attribute that makes her stand out among the other Elite. This awareness signals her ability to be a considerate and just ruler and thus the logical choice to win Prince Maxon. Her empathy also sets her apart from the more ambitious and self-serving contestants, such as Celeste, who represent the upper caste’s entitlement and indifference to suffering.

Several episodes give America the opportunity to demonstrate this awareness. In the first book, during a rebel attack, America insisted that her maids come with her to the safe room where the royal family and the other girls of the Selection were sheltering. The incident is referred to in this novel as a signal of America’s difference from the other Elite, who are more focused on their own advancement; Celeste demonstrates this opposing quality of ruthless ambition. America’s consideration for the less fortunate continues to show in her care for the well-being of her maids and her choosing to listen to them, particularly their complaints about the limits of their caste situation. Having been born a Five and knowing what it would cost her to marry Aspen when he was a Six, America is sensitive to these concerns. After her public suggestion to eliminate the castes entirely, seeing them as an idea manufactured by Gregory Illéa that does little more than perpetuate unfair social systems, America is considered an ally by her maids, who see her as their champion. This act of rebellion in speaking out for systemic change also highlights her growth in realizing the broader implications of the caste system beyond her own experience.

America also demonstrates her heart for the less fortunate when she publicly, and vociferously, objects to the punishment for treason meted out to Marlee and Carter Woodwork. America realizes that consigning them to caste Eight will severely limit any opportunities for their future; this is further condemnation. Though motivated in part to protect her friend, America’s resistance is perceived by others as speaking out more generally against an unfair punishment. America’s father confirms this when he writes to her: “[W]hen you ran for the stage, I’ve never been so proud of you in all my life” (105). He adds, “[Y]ou see clearly when things are wrong, and you do everything you can to stop it” (106). Further discussion among the girls of the Elite shows that some of them align with the status quo, while the queen shows she shares a similar conscience by confirming that she feels America acted, if not in a ladylike fashion, at least in a morally correct way. This approval from Queen Amberly suggests a hidden alignment in values, setting the stage for America’s potential role as the next queen.

This need to protect the vulnerable becomes the terms by which America rejects Maxon when she feels he doesn’t share the same goal. With the diary of Gregory Illéa, the increasing rebel attacks, and her observations on King Clarkson providing illumination on the way the country is ruled, America increasingly expresses the belief that those in power should work for justice and fairness for all. When she learns that Maxon shares this view—and that he not only worked to aid and protect Marlee and Carter but has been taking punishment from his father for speaking out on behalf of others—she shifts her opinion and once more feels it possible to harbor affection for him. This moment of shared values becomes pivotal in her decision-making process, reinforcing the idea that love and leadership must be rooted in empathy and justice. This alignment in the value of justice and the purpose of their position signals that both Maxon and America will be considerate rulers and that America is, beyond considerations of affection, the appropriate choice for princess for a society in which equality, personal freedoms, and opportunities are considered a moral as well as social good.

Rebellion Against Expectations and Authority

Alongside the theme of The Need to Protect the Vulnerable is the book’s slowly building argument that rebellion against unjust systems, beliefs, or expressions of authority are not only encouraged but also necessary. This theme unfolds across all three books in the series. What begins as America’s personal rebellion against the protocol and structures of the palace becomes a larger awareness that Illéa is built on unjust beliefs that need to be dismantled and reformed. Notably, America does not call for abolition of the monarchy but rather a revolution for the castes below, which suggests that rebellion should have certain limits or take place in stages. This selective rebellion shows America’s pragmatism and understanding of what changes are feasible, hinting at her potential to be a strategic leader.

Several types of rebellion unfold within the book, many of them connected to America. One expectation she dislikes but ultimately chooses to conform to is the gendered expectations on behavior and dress. Life in the palace operates along lines of traditional gendered expectations; the girls and queen spend their time in the Women’s Room, pursuing leisure activities, while Maxon, King Clarkson, and their advisors are engaged in meetings that determine affairs of state. The king and prince travel to New Asia in response to the problems of war; the queen stays home and, with the rest of the girls in the Elite, worries about them. America’s dissatisfaction with these roles is expressed in her aversion to the Women’s Room, of which she thinks: “Sometimes that room, huge as it was, made me feel claustrophobic” (137). Her discomfort in these confined, gendered spaces symbolizes her resistance to conforming to traditional roles and limitations imposed on women.

There is also the expectation that the girls of the Elite wear modest dresses, which are considered appropriate attire for females. America’s wish to wear pants is another aberration of hers, and a concession she makes to comply with expectations of a would-be princess; when America considers but then discards the idea of donning pants, she decides instead to “be a lady” (143). Her conformity to these gendered expectations shows that America is strategic about which battles she choose to fight to express her dissatisfaction with authority. She chooses, for instance, to make public her dissatisfaction with the castes for the presentation she makes for the Report. While, in one respect, she is staging a gesture she knows will get her kicked out of the Selection, which is her desire at the time, she also decides to “go out with a bang” (262) and vocalize her real feelings about the castes, which is that they are unfairly restrictive and designed to be punitive, not productive.

This theme of rebellion against the misuse of power is amplified in the increasing attacks from the rebels. The true aims of the different rebels, Northern and Southern, becomes a question the second book poses and which the third book in the series, The One, will answer. The Southern rebels, those who use violence to achieve their ends, want an end to the monarchy and are targeting, first, the royal family and, second, family members of the Selected, which are terrorist tactics. The Northern rebels, as America discovers, are looking for books—most likely, Gregory’s diaries. As she grows increasingly aware of the tyrannical grip that King Clarkson has on the country—and on his son—America becomes curious about what the rebels hope to achieve in the end, showing that she is more interested in justice than in preserving the status quo.

America’s own sense of rebellion finds a parallel in Maxon’s rebellion against his father when she learns the prince is quietly and strategically trying to oppose or undermine some of his father’s more restrictive policies. In this effort, Maxon demonstrates that he is the opposite of Gregory Illéa, whom America thinks is nothing more than “a power-hungry monster” (262). With America as his ally and partner, Maxon can become the founder of a new Illéa, suggesting that appropriate rebellion, for the appropriate reasons, could result in a greater social good.

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