49 pages • 1 hour read
Richard PowersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story opens with a view of cranes flying and dancing. In the novel, cranes represent a number of things: history, nature, and primitive instincts untainted by the doubts and complexities of human consciousness. The red bare spot on their heads represents Mark’s head injury. He too has a bald spot after the brain surgery, and his mind is metaphorically laid bare.
In the language of myth, cranes are the link between heaven and earth. They represent good fortune as well as death and renewal. In some traditions, they act as psychopomps, escorting souls to the afterlife. It is among the cranes that Mark experiences his symbolic death.
Metaphorically, the cranes represent memory, specifically Mark’s fractured mind. They are described as descendants of dinosaurs, living fossils, pieces of past and future. Their migration stitches past and present together just as Mark is struggling to stitch his fractured consciousness. For example, when he says, “There are magnetism waves in my skull” (59), he is comparing his recovering consciousness to the magnetic field of the earth that birds use to navigate in their migrations.
In the novel, echoes symbolize how people resist changing their self-concept. In the Greek myth of Echo and Narcissus, Echo can only mirror others, never express herself, and Narcissus is unable to respond to anyone but himself. Initially in Mark’s recovery, he is able only to reflect or echo what he hears. Later, he becomes Narcissus, trapped in the never-ending spiral of self-regard and forcing others to play the part of Echo as they respond to him.
Mark creates echoes when other people’s attempts to give him feedback bounce off him. This is illustrated in his echolalia when he reflects back what is said to him without meaning. Later, when people try to correct his faulty interpretations of reality, their feedback bounces off him without changing him.
Mark’s Capgras syndrome causes echoes in his own brain. When the sight of Karin strikes the damaged connection between feeling and reason, the sight of her bounces off the damaged point like an echo and returns to his consciousness devoid of meaning. Mark also creates echoes in others, making them feel disconnected. Karin sometimes even starts to doubt her own reality.
The lack of an echo reflects an individual’s desire to change. For example, when Mark no longer reflects the identity Karin expects, her negotiations with him turn her into a different person. When criticism of Weber’s work no longer reflects his belief in his methodology, he loses his sense of self, which in turn alienates him from his wife.
This motif appears throughout the novel as an exploration of how humans make sense of the world. Weber observes that when feeling and reason conflict, feeling usually wins. The schism between Mark’s amygdala and frontal cortex illustrates the power of feeling to manipulate reason. Much of the story’s tension arises from Mark’s inability to correct his faulty beliefs. Every time he seems to finally realize what is really happening, he reverts back to his conspiracy theories.
Mark doesn’t entertain the idea that he might be wrong until his theories become so vast, confusing, and frightening that a simple brain injury seems comforting in comparison. The link between feeling and reason in Mark’s case is complicated by the possibility that Mark feels oppressed by Karin’s overprotectiveness and feels a need to escape her stifling selflessness. His willingness to accept treatment also coincides with his willingness to accept the false Karin as an ally. Undergoing medical treatment, which represents reason, he will finally be able to have an adult relationship with his sister.
By Richard Powers