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H. P. LovecraftA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novella begins with a quotation by Charles Lamb, taken from his essay “Witches and Other Night Fears.” Lamb explains that fictional monsters are expressions of older, less understood terrors that exist beyond the realms of human comprehension.
Dunwich is an isolated village in rural Massachusetts. Anyone passing through Dunwich has the impression of “massed mold and decay of centuries” (675). In previous eras, people’s strange dislike of Dunwich was blamed on witches. Since 1928’s titular horror, however, there is another explanation for people’s reticence, though the authorities have hushed it up. The people who remain are marked by physical and mental difficulties. For centuries, Dunwich has been home to dark magic practitioners. These days, there are strange noises and foul odors in the area around the village that science cannot explain. Dunwich is much older than surrounding communities, and ancient burial pits have been discovered in the area, though some ethnologists believe that the remains are ethnically European.
The novella begins with Wilbur Whateley’s birth in a farmhouse on the outskirts of Dunwich on February 2, 1913. He was born on Candlemas, a traditional Christian holiday, though Dunwich does not refer to the holiday as such. His mother is a “somewhat deformed, unattractive albino woman” named Lavinia Whateley (678), and they live with her father, Old Whateley, who has long been rumored to be obsessed with magic and witchcraft. No one in Dunwich knows the identity of Wilbur’s father. Lavinia has a reputation as a daydreaming loner. On announcing the birth of his grandson to the village, Old Whateley makes strange allusions to the mysterious nature of Wilbur’s father.
After Wilbur’s birth, the Whateley family begins buying cattle, which confuses the people of Dunwich. Though Old Whateley buys many cows, the size of his herd never seems to increase. Many of the cattle seem to suffer from malnourishment and terrible wounds. At the same time, Wilbur matures at an astonishing rate. On the night of Halloween, a neighbor spots Wilbur, still not one year old, seemingly running up Sentinel Hill with his mother. They are both naked, the neighbor believes, and running toward a giant fire. By 11 months old, Wilbur has learned to speak. His unique accent and strange tones beguile the people of Dunwich, though they remark on his “exceedingly ugly” appearance. Dogs instinctively distrust Wilbur.
Old Whateley continues to buy more cattle, though the herd’s size remains unchanged. He also makes extensive alterations to the family home, expanding many rooms but boarding all the windows. Gathering together his old, decaying books, he insists that his rapidly maturing grandson will make better use of them than he ever did. A strange smell emanates from the old family toolshed. Tremors in the ground and noises in the hills are noticed throughout Dunwich.
People notice a “dawning look of evil” on Wilbur’s face as the boy becomes more withdrawn and obsessed with his grandfather’s books (682). Every dog becomes agitated and aggressive near Wilbur and the Whateley home. Lavinia rarely speaks to anyone. When Dunwich struggles to provide soldiers for the military during World War I, attention falls on the Whateley family. Stories are printed in newspapers about Old Whateley’s obsession with magic and Wilbur’s strangely rapid maturation, and the sudden interest in the Whateley family surprises the townspeople. The townspeople are amused by the articles reporting that Old Whateley always pays for his cattle with “gold pieces of extremely ancient date” (683).
Though rumors of cattle sacrifices and strange noises in the Whateley house spread through Dunwich, the local people hesitate to call the authorities because they want to remain isolated. By 1923, Wilbur is only 10 years old but seems to have matured into a full-grown man. He and his grandfather make extensive renovations to the family home.
Old Whateley talks often about his imminent death. He praises the local birdlife. In 1923, Wilbur fetches the Dunwich doctor, Dr. Houghton, to help his grandfather. Dr. Houghton notices the “uncanny” noises in the house and the many birds gathered on the windowsill. With his dying words, Old Whateley tells Wilbur to “open up the gates to Yog-Sothoth with the long chant that ye’ll find on page 751 of the complete edition, an’ then put a match to the prison” (684). He encourages Wilbur to continue the renovations to accommodate something that, like Wilbur, continues to grow. He warns Wilbur not to allow the being to grow too much before summoning Yog-Sothoth. Old Whateley dies. Wilbur laughs to himself.
By this time, Wilbur has built up reputation as a scholar and corresponds with librarians at institutions with old books. He is disliked in Dunwich. People associate him with a number of young people disappearing, but Wilbur intimidates witnesses and pays them off with his grandfather’s ancient coins. He grows distant from his mother, who becomes afraid of him and what he is trying to do. On Halloween in 1926, giant flocks of birds gather at the Whateley home and more strange noises are heard in the hills. Lavinia Whateley disappears. By 1927, Wilbur has grown to seven feet tall. People notice that he is expanding his family home even more and that he is living in a shed nearby. They are reluctant to ask him about the disappearance of his mother.
The first chapter of The Dunwich Horror is focused on establishing place and character rather than plot. H. P. Lovecraft introduces the village itself before the main characters, showing that the perspective of the townspeople is an important element of the narrative. In the first sentence, the narrator indicates that the town is only typically found by people who have taken a “wrong turn.” The further descriptions of the town’s infrastructure indicate that Dunwich inspires a feeling of “dubious safety” and a sense of the “decay of centuries” (675). In this fashion, The Dunwich Horror frames the eponymous village as naturally disposed toward a malign, dreadful form of evil that is inseparable from the geography itself. By framing the town of Dunwich as a hidden oddity, prone to malevolence, the novella plays on the theme of Cosmic Horror. Just like the Old Ones exist in a dimension beyond the comprehension of humanity, the village of Dunwich exists slightly beyond the scope of American understanding.
By establishing the village of Dunwich as a hotbed of dread and evil, the introduction of the Whateley family functions as a manifestation of the local atmosphere rather than something wholly unique. Old Whateley is a dark magic practitioner, but he embodies the spirit of Dunwich as much as anyone else. Even if he is obsessed with “wizardry,” he is accepted by the Dunwich community as a vestigial element of local living. He is an iteration in a long line of Whateley magicians and practitioners of dark arts, while his strange daughter and their odd rituals are part of the provincial color. Just like the people of Dunwich ignore the “hideous screaming” that comes from the Whateley home, they ignore the presence of magic or malevolence in their community. This makes Dunwich the perfect place for the emergence of the uncanny Wilbur Whateley. The boy who matures at a very advanced rate and who drives every dog in the village into a furious rage is well-suited for life in a town that is so acclimatized to dread and misfortune. The people of Dunwich are so invested in their difference from the rest of the world, so involved in their own sense of malformed community, that they are willing to tolerate the strange so long as it does not bring outside attention. Wilbur and his family are the foremost expressions of a fundamental malice at the heart of Dunwich.
The Willful Ignorance of the people of Dunwich reaches a peak in Chapter 4. The townspeople tolerate Lavinia’s apparent disappearance and the strangeness of her family in the name of an insular existence that does not attract attention from the press and the larger public. The structure—in which the narrative closes in on the town, the Whateleys, and then Wilbur—amplifies the sense of isolation and suggests that the community itself is complicit in the events: The horror belongs to Dunwich rather than to just one family. In this respect, there is a sense of inevitability about what is to come. The people of Dunwich live in a dreadful place and they tolerate the family that most embodies this. Because they value their isolation and separation more than their moral sense, they place themselves in a position where the destruction of the village is inevitable. The narrative structure suggests that the true horror of Dunwich is that the people of the village did nothing to prevent the horror from taking place.
By H. P. Lovecraft