52 pages • 1 hour read
Robert GalbraithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In The Cuckoo’s Calling, Galbraith depicts a range of characters who are involved in different types of media. Models, actors, designers, musicians, and film directors populate the book, displaying various levels of readiness to help solve Lula’s murder. In ruminating on Lula’s death and exploring the relationships she had with the people around her, Galbraith emphasizes the consequences of fame.
Lula’s efforts to navigate the world before her death show some of the difficulties associated with fame. The paparazzi followed her compulsively, taking pictures of her and buying stories from those who knew her. While most of the people in her life considered this an unfortunate part of fame, Deeby Macc notes in an interview, “That’s what they do to success: they hunt you down, they tear you down. That’s what envy does, my friend. The motherfuckin’ press chased her out that window” (63). Of the celebrities who populate her life, Deeby is the only one who identifies the paparazzi as part of the problem. Because people are jealous of her fame and fortune, they want to learn information about Lula to the point that she gets no rest or peace from the constant media presence. Their obsession with her causes her to lose faith in her relationships, impacting her ability to relate with others. Further, it leads Lula to physically isolate herself, moving into an apartment where she felt safe from the paparazzi, a move that is representative of her varying emotional distance.
John’s crimes represent another negative part of fame: obsession with money. John embezzles money from one of the clients at his law firm after the stock market harms his inheritance, wanting to continue enjoying a life of luxury. He also harasses Lula for money, trying to cover up his crimes and support his lifestyle. John is not the first person to prey on Lula, for her biological mother also tries to exploit her for money and resources. She attempts to coerce Lula into looking for her other siblings, a bid that is unsuccessful. Even Rochelle uses Lula for her opulence, enjoying the gifts and outings Lula provides. Thus, Lula struggled to find people who cared about her for her, rather than the money and social standing she provided.
To a lesser extent, Strike also suffers from fame, though his is through the lens of his parents. His father is a famous rockstar and his mother a famous “supergroupie,” a term used to describe a super-fan who follows a musician or band around while touring. Strike’s case is unique in that he has limited interactions with his father and has no desire to build a relationship; for most of the novel, their only correspondences are through his father’s attorney, pressuring Strike to repay a loan. Despite their distance, Strike’s famous father grants him social flexibility. He can more conveniently establish relationships with affluent people, questioning them and getting insight into Lula’s case. This comes at the cost of curiosity, however, as he is often subjected to questioning that makes him uncomfortable. Strike finds more kinship amongst the common people than he does with his famous family, juxtaposing him against the others in the novel who are fascinated with celebrities.
Many of the relationships in the novel, across personal and professional contexts, are portrayed as being built on trust and then shattered by intentional choices, which establishes a pattern of betrayal.
Lula is the clearest example of broken trust in the novel, as her lack of trust for the people around her contributes to her death. Several people in her life describe how the paparazzi bugged her phone, listening to her conversations for news stories. Rochelle shares a time that Lula tested the people around her by giving them different lies and seeing which ones made it to the press to discover who was talking about her to reporters. This all contributes to a deep sense of unease that Lula navigated while interacting with her loved ones. Her inability to trust the people around her made her increasingly paranoid, and she kept information to herself out of a desire for privacy. Because she could not trust the people around her, she arranged to meet her biological brother alone, opening herself up to John’s insidious plot.
Lula was also subjected to a loss of familial trust. Her mother, while under the effects of drugs, admits that Tony believed John killed Charlie decades before. This revelation, paired with John’s obsession with getting money from Lula, exposes who John really is. Lula is noted to have called her uncle and brother repeatedly throughout the day, presumably to get answers about Charlie’s death, but her trust was betrayed once again as neither of them answered her calls or provided her with the answers she needed. Because her access to information was restricted, her distrust grew, leaving her alone in her adoptive family with no one to turn to. It is this isolation that led her to leave Jonah her possessions in her will, escalating an already tense situation in an action directly driven by distrust.
Lula’s isolation is juxtaposed by Strike’s increasing access to people who care about him and express interest in his well-being. The novel begins with a betrayal as he and Charlotte break up because of her lies, putting him in a position of isolation that is not unlike Lula’s. However, Strike increasingly discovers people he can rely on, despite his grudgingness to accept their help. As he reveals more about his situation to Robin, Lucy, and others who care about him, he is increasingly surrounded by those who seek to help him find his place in the world. This is seen most clearly through his relationship with Robin, as the novel ends with the continuation of their business arrangement because of her quick thinking and dedication to their work. While Strike is still far from sharing his traumas, the people around him earn his trust, opening the door to future connectivity. He is thus better prepared to start his journey to emotional and physical healing, represented by his final visit to the doctor’s office at the book’s conclusion.
Questions about family fill the novel’s plot as Lula searches for a connection with her biological family. As Strike relives her quest and interviews those close to her, he is often introspective about his own family and connections.
Strike’s background is fraught with difficulties and confusions. His mother was a “supergroupie” and his father is a rockstar, leaving Strike without stability or clear parental figures. He relays a nomadic childhood filled with instances of abuse and neglect, as his mother had a substance use disorder, and her transience meant there was little structure to his homelife. As a result, Strike is distant from his father’s side of the family and only maintains a relationship with his half-sister Lucy. Strike and Lucy’s responses to their childhood trauma vary. Strike shirked traditional family structures, deciding against children and partnering with a woman who shared his view. Lucy, however, stepped into a traditional nuclear family, resisting Strike’s viewpoint and “always miffed when he stated life aims that differed from hers, as though he were attacking her decisions and choices” (172). Lucy’s response to a tumultuous childhood is to internalize her experiences, focusing on traditional family formats as the ideal. Strike’s response is to understand that family only involves the people you want involved, a view that is broader and more generally accepting.
Lula’s internal conflict with family and belonging similarly builds on her uncertain familial structure. She lived with her biological mother until she was adopted by the Bristow family, who adopted her while they were grieving the death of their son, Charlie. Many interpreted Lula’s adoption as an intended distraction from Charlie’s loss, and as a child introduced into a grieving family, Lula struggled to know where she belonged. Because she was uncomfortable with her adoptive family, she sought out her biological family, wanting insight into her heritage and people she could trust. While searching for her biological family, Lula also created what is known as a “found family,” or a group of people whom she loved very much. For example, many people note that “Lula loved [G]uy like a brother” (113), and she participated in a promise ceremony with her partner Evan that was reminiscent of a marriage ceremony. These relationships reinforce Lula’s desire to find belonging in the world but are also contradicted by the experiences she had with these people that caused her to lose trust in them.
Lula’s search for family is complicated by her heritage. Lula is of both Black and white ancestry. Because she was raised by a white family in a predominantly white culture, Lula sought out her father’s side of the family in hopes to learn about her Black ancestry. It is through this pursuit that she successfully found her half-brother, establishing the connection she was so desperate to make. Her desire for family and identity, as well as her betrayal from her adoptive family members, culminates in her designing a will to support her half-brother. This symbol of familial love and intimacy drives John to kill his sister out of rage and greed. John’s actions demonstrate that growing up with a person and adhering to legal familial titles does not always equate to family. An individual can decide who is family and who is not in an instinctive manner, tied to emotion and a desire for connection.
Mystery novels can only be successful when the details of the crime are appropriately interspersed, creating tension and interest as the reader tries to solve the mystery alongside the protagonists. This is especially true in the case of detective novels because the detective often must overcome additional external forces, such as disbelieving police or negative press presence. Strike’s investigation of Lula’s death is complicated by the three months between the crime and his acceptance of the case, meaning that physical evidence is mostly restricted to photographs. He is thus reliant on witness testimony and the information the police give him, making his attention to details paramount for his success. His ability to solve the case shows that the proof is in the details, making the argument that a discerning eye and patience can open the door to understanding.
Strike uses his limited resources to trace the details of Lula’s case, matching what he hears with what he can prove. His attention to detail and thoroughness is contrasted with the police, whose investigation focused on details that were easily accessible. By taking steps like walking Derrick Wilson through the night of Lula’s death physically, searching for handbags delivered to Lula by Guy, and verifying the customized clothing gifted to Deeby, Strike confirms information that the police ignored. Proof of John’s culpability is found in the details surrounding Lula’s death, allowing Strike to bring John to justice.
This theme becomes more broadly applicable when examining the interpersonal relationships at work in the novel. For example, Robin uses context clues and minute details to learn about Strike, building on her own initiative to better understand her employer. This includes taking information given to her by those who know Strike and applying it to internet searches, gaining a broader perspective of him. While Robin never uses this information to manipulate Strike, she asks him direct questions and uses her knowledge to ensure a beneficial working relationship that ends in a longer partnership than originally established. Robin’s practical utilization of details shows what is possible in the real world if people utilize what is at their disposal.
By Robert Galbraith