50 pages • 1 hour read
Richard SteeleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tom lets Myrtle in to see Bevil Jr. Irritated, Myrtle complains that Bevil Jr. appears ready to marry Lucinda. Bevil Jr. urges Myrtle to remain calm, explaining that he is not interested in Lucinda—which in turn offends Myrtle more, since he cannot bear to hear anyone speak ill of his beloved. Bevil Jr. corrects himself and compliments Lucinda, which also offends Myrtle, who now accuses Bevil Jr. of being in love with Lucinda after all. Bevil Jr. says he loves someone else, which calms Myrtle.
Bevil Jr. reveals that Cimberton—a fop, or conceited dandy focused on clothes, appearance, and conspicuous consumption—is Myrtle’s real rival. Lucinda’s mother has already engaged lawyers to arrange Lucinda and Cimberton’s marriage. Myrtle counters that Cimberton cannot marry without the approval of his uncle, Sir Geoffry. Bevil Jr. suggests that Myrtle disguise himself as one of the lawyers, Bramble, while Tom pretends to be the other lawyer, Target. Then, they can disrupt Mrs. Sealand’s plans by acting incompetently. Myrtle agrees. Bevil Jr. promises not to betray Myrtle, who leaves feeling uneasy.
Bevil Jr. decides to go see the woman he loves, Indiana; he worries she is upset about Bevil Jr.’s planned marriage with Lucinda.
Indiana argues with her aunt, Isabella, about Bevil Jr.’s intentions. Isabella insists that Bevil Jr. only wants to take Indiana’s virginity and embarrass her, but Indiana is confident that Bevil Jr. loves her as much as she loves him. Bevil Jr. has sent her money—why would he help her if he did not love her? Isabella, however, speaks from experience: Once, a man used her the way she fears Bevil Jr. will use Indiana, so Isabella is convinced that all men are devious. Before leaving, Isabella tells Indiana to maintain her honor and keep Bevil Jr. out of her bedroom.
Bevil Jr. enters. He and Indiana reminisce about the previous night. However, when Indiana questions Bevil Jr.’s use of the word “esteem,” hoping to push him into admitting he loves her, he changes the subject to opera. They discuss Crispo and Griselda; Indiana finds plays more impactful. A musician arrives and plays for them; Indiana is impressed that Bevil Jr. shows the musician respect despite their difference in class.
Indiana again tries to probe into Bevil Jr.’s feelings. What does he make of a hypothetical situation in which a man is supporting a woman financially? Bevil Jr. says the man could be acting out of self-interest: Even if he is not trying to have sex with the woman, he might simply enjoy the satisfaction of helping others. Indiana says this satisfaction makes the man even greater. Feeling passion, Bevil Jr. leaves to avoid acting on his emotion.
Isabella re-enters. Indiana admits she fears that Bevil Jr. only cares for her out of a disinterested enjoyment of helping others. Isabella is not convinced; she needs to find out more about Bevil Jr. and Myrtle.
In Act II, Bevil Jr. tries to navigate tense exchanges with Myrtle and Indiana without provoking either. Steele makes the choice not to escalate the drama, but instead to immediately quash on-stage conflicts. The result is scenes that model the efficacy of resolving differences without rancor, but undercut both the comedic and dramatic possibilities of the friends’ and lovers’ clashes and misunderstandings.
Myrtle is upset with Bevil Jr., who is dressed for the wedding with Lucinda, which he assured Myrtle would never happen. Myrtle is portrayed as unreasonable, taking easy offense in everything his friend says and purposefully misinterpreting Bevil Jr.’s meaning to put his words into the worst possible light. When Bevil Jr. asks Myrtle to help him get out of the wedding, Myrtle is upset at the implication that Lucinda is someone to “escape” from: “Sir, neither her merit or her fortune are below your acceptance” (340). However, when Bevil Jr. acknowledges Lucinda’s many attractive qualities, Myrtle is incensed anew, now accusing Bevil Jr. of loving Lucinda after all.
In response, rather than escalating the fight, Bevil Jr. shows Calm Restraint in Love and Friendship. Choosing his words carefully, he affirms Lucinda’s “good sense, wit, beauty, and virtue,” but adds that he is in love with someone “in whom these qualities appear to me more amiable” (340). Bevil Jr. keeps his composure, accommodating Myrtle’s desires without contest. Even when Myrtle refuses to trust Bevil Jr., Bevil Jr. does not rise to the bait and instead proclaims that he is grateful that Myrtle thinks him a good match for a marriage: “I am as much obliged to you for the cause of your suspicion as I am offended at the effect” (341). The implication of the lingering offense would not have been lost on contemporary audiences, who were aware of the prevalence of dueling as a dominant means of resolving arguments about male honor. Bevil Jr.’s reaction hints at the possibility of a duel with Myrtle, as both men keep insulting one another by accident, but the play refuses to entertain this possibility—dueling would have been the kind of theatrical content that Steele was writing against.
Indiana’s aunt, Isabella, is convinced that all men are libertines looking to ruin women’s reputations by having sex with them outside of marriage. This is what happened to Isabella herself; while the play does not explicitly state this, the implication is that Isabella never married because being “ruined” in this way made her unmarriageable. Thus worried about possible ulterior motives and aware of The Impact of Social Standing on Prospects, Isabella urges Indiana to confront Bevil Jr. and secure some promise of either love or disinterest. Though Indiana “will not doubt the truth of Bevil” (343), she does bring up the issue of love and motive: If Bevil Jr. is not going to seduce her outside of wedlock, is he helping her out of generosity or out of love?
Bevil Jr.’s amorous restraint proves to be a problem for his relationship. He wants to avoid promising Indiana marriage so that he will not break a promise in the event that he is forced to marry Lucinda. However, his insistence on disinterest hurts Indiana, who loves Bevil Jr. and wants him to return her feelings. They discuss their own situation via a hypothetical couple whose socio-economic imbalance makes any sexual relationship seem transactional. For the upright Bevil Jr., taking advantage of a woman who is financially dependent reduces an affair to an exchange with a sex worker: “I say, if he is allowed to delight in that prospect, alas, what mighty matter is there in all this?” (348). He insists that a generous man can help a woman without expecting sex. Indiana responds, “No might matter in so disinterested a friendship!” (348): Since she does not believe Bevil Jr. would seduce and abandon her, when Bevil Jr. insists on his disinterest, she thinks he means that he does not love her. The misunderstanding becomes an obstacle to Bevil Jr.’s romantic aspirations, one he cannot hurdle while repressing his passion for Indiana.
Appearance Versus Reality
View Collection
Books that Feature the Theme of...
View Collection
Books that Feature the Theme of...
View Collection
Challenging Authority
View Collection
Class
View Collection
Class
View Collection
Comedies & Satirical Plays
View Collection
Daughters & Sons
View Collection
Guilt
View Collection
Marriage
View Collection
Power
View Collection
Truth & Lies
View Collection
Valentine's Day Reads: The Theme of Love
View Collection