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73 pages 2 hours read

Julia Alvarez

The Cemetery of Untold Stories

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

Birds

In literature, birds are often used as implicit messengers between humans and the divine. This association fits Filomena, who is considered to be “un alma de Dios” (138) or “a soul of God.” Her daily devotion to the saints, her cleaning of the church, and her frequent philosophical conversations with Padre Regino reflect the habits of someone who is in frequent communication with the spiritual world. The avian imagery and associations with Filomena are further emphasized when she resists Brava’s suggestion to get a cat and asks Alma for a birdbath. Filomena cares for the birds, and her awareness of birdsong helps her to distinguish those sounds from that of the quiet, “birdlike voice” (76) of Bienvenida.

The bird symbolism also ties into Greek mythology, for Alma asks Filomena if she knows that “her name comes from an old story about a girl turned into a bird after her brother-in-law [Tereus] cut off her tongue so she couldn’t tell he had raped her?” (209). This is a reference to the myth of Philomel, who was turned into a nightingale. Filomena is stunned to learn that her mythological namesake had a similar experience to hers. In the myth, when Procne (Philomel’s sister and Tereus’s wife) finds out what happened to Philomel, she kills Itys (her son with Tereus) in revenge. The sisters pray to the gods, and Procne is also turned into a bird, a swallow. Filomena and Perla’s stories contain many parallels to this myth, for the child that Perla kills is Tesoro’s, and even Tesoro’s name sounds similar to Tereus’s. Significantly, the female nightingale does not sing, but swallows do. Perla enacts the role of Procne, but she turns silent like Philomel, whereas Filomena suffers the rape like Philomel but regains her voice and becomes the person telling stories at the end.

Dementia and Forgetting

“Dementia” is the umbrella term for a group of diseases that cause memory loss and cognitive impairment, especially in older people. Alzheimer’s is just one form of dementia. The pattern of forgetting can be different from one type of dementia to another. In some cases, a person forgets their past and identity, while others show evidence of short-term memory loss but retain clear recollections of the past. Various forms of forgetting form a motif in this story. Both of Alma’s parents develop dementia, but Manuel’s dementia is, in a literary sense, more of an inability to forget, for he becomes caught up in an endless cycle of regret for a past that he cannot change or escape. Similarly, Tatica’s dementia causes her to forget that she is a patient and not a worker, and the woman reminds Alma of her father’s final years, forcing her to wonder if and when the disorder will come to her and her sisters. For Alma, her untold stories are the memory loops in which she will eventually become stuck.

Forgetting also appears in the story in a nonclinical way, often in the form of willful forgetting or collective memory loss. For example, Perla attempts to forget what Filomena told her about Tesoro’s act of sexual assault. This feat takes effort, as “[e]very time the specter of her sister comes up, Perla throws another fistful of forgetfulness on the memory” (84). However, Alavarez also suggests that such forms of forgetting are harmful and ineffectual, for the story is lodged inside of Perla and surfaces in a deadly way when she is forced to confront living evidence of Tesoro’s betrayal. Perhaps most notably, Bienvenida is on the receiving end of collective forgetting, for Trujillo’s new wife removes Bienvenida’s name from all public places, effectively erasing her from history. Bienvenida would prefer to remain lost to memory, but the publication of her story keeps her from fading away forever.

A “Pearl of Great Price”

The phrase “a pearl of great price” comes from the Bible—Matthew 13—wherein the Kingdom of Heaven is likened to the pearl for which a merchant gives up everything to buy. This motif appears in various places throughout the story. When Filomena becomes jealous that Tesoro has all of Perla’s attention and calls her his “pearl of great price” (56), she demands that Perla give her her name back, as Perla (“pearl”) insisted on taking the name that was originally given to Filomena. However, Perla refuses. When Filomena learns that the phrase originally came from the Bible, she is even angrier at the thought that Tesoro would use Jesus’s words to seduce her sister.

Both Filomena and Bienvenida understand the sacrifice implied by the expression. For Filomena, her pearl is her religious faith. She recognizes this when Padre Regino tells her that “he who has faith has everything. As the Bible teaches, that is the pearl of great price” (66-67). Filomena believes that she must bear her losses in life as the price to demonstrate her faith in God. However, when Bienvenida uses the phrase, the pearl of great price is stripped of its religious connotations. She gives up most of her family in order to marry Trujillo, stating, “I have lost everything but gained this pearl of great price, el Jefe’s love” (116). Ironically, she will come to regret this decision when she realizes that El Jefe’s love is questionable and conditional, for it comes with the caveat that she overlook his many atrocities.

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