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55 pages 1 hour read

Dusti Bowling

The Canyon's Edge

Fiction | Novel/Book in Verse | Middle Grade | Published in 2020

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Part 2, Pages 235-295-Part 3Chapter Summaries & Analyses

Part 2, Pages 235-295 Summary

This summary includes the following poems: “Come Back,” “Wonderstruck,” “So Close,” “Twitch,” “Dead,” “Acceptance,” “Guilt,” “More,” “Complicated,” “Nightmare Rewritten,” “A Blur of Brown Legs,” “He Follows,” “Rewriting,” “Freedom,” “Desolation,” “Growth,” “Flying,” “Blackbird,” “Landing,” “Defeated,” “Strength,” “Together,” “Pulse,” “Hope,” “Closing,” “Fire,” “Mom,” Crescendo,” and “Still Fighting.”

Nora refuses to give up. She wants Dad and her to both survive and live fuller lives. Seeing a fox looking over the canyon’s edge, Nora is “wonderstruck.” She wishes Dad could see it—and when she looks down into the canyon, she sees him. He lays on a ledge five feet below the canyon’s rim, his arm twisted behind him—but he’s on the opposite side of the canyon. She shouts, but her voice is ruined from screaming the night before. Although she’s afraid to look, she must know if Dad is alive. She’s energized when she sees his fingers twitch. Without the rope, Nora knows she can’t climb down the canyon and up the other side to Dad. She remembers him saying she could probably jump the canyon.

Nora realizes that she now accepts herself. She felt guilty and selfish because her parents put her life ahead of theirs, and Sofía Moreno sacrificed herself for her boys by tackling the shooter; she died but saved everyone else and gave them a chance to live. Mary’s voice tells Nora that she and the others who hid from the shooter didn’t do anything to feel guilty about. Nora wants to do more with her life and needs to fight for it, though she knows that jumping the canyon will be “crazy” like the actions of her parents and Sofía Moreno in facing danger and not running away.

Another thunderstorm “booms” in the distance, and the noise (and blood from her and Dad’s wounds) manifest the Beast. Nora’s emotional walls collapse as she backs away from the edge to get a running start for her jump. She hears Mary telling her to have confidence in herself. The Beast sheds its insect-like shell, and Nora sees that it isn’t who she thought it was. She rewrites her nightmare, knowing she has grown and changed.

Nora runs toward the canyon, away from negative emotions and the Beast, and toward positive feelings, including hope. The Beast chases her, making defeatist comments, and Nora briefly doubts herself but then recognizes that the Beast is lying and she’s strong. She jumps, leaving the defeated Beast behind with a new boundary between them—a canyon rather than a wall. Nora feels Mom’s presence, helping her emotionally as she flies across the canyon. As she lands on the other side, Nora shatters her knee but is—triumphantly—“ALIVE.”

Nora thinks about the love that Danielle, Mom, and Dad have given her and the things they taught her. She hopes Danielle will someday be her friend again. Nora slides down to the ledge where Dad is. She searches his backpack and retrieves the flare gun. Although she’s fearful of the gun and doesn’t want to use it, she’s hopeful that if she sets a dead tree in the canyon on fire, it will alert pilots who are monitoring the approaching storm for lighting and wildfires that someone needs rescue. She shoots a flare from the gun, and the recoil makes her drop it into the canyon. Exhausted, she lays next to Dad and closes her eyes. When she smells smoke and hears crackling, she knows she succeeded. Nora dreams of being with Mom and Dad, sitting around a campfire. Mom tells her she loves her and is proud of her. A huge noise approaches and grows louder, and Nora feels the wind from a helicopter. She raises her arm to signal that they’re alive and is lifted out of the canyon into a bright light.

Part 3 Summary

Dad emotionally thanks Nora when she finishes reading from her notebook. He’s speechless for now but promises he’ll talk more about it later. Dad’s arm is in a sling, and Nora wears a brace on her leg and needs crutches. He jokes that they look pathetic, but Nora, smiling, doesn’t agree. Dad drives Nora to Danielle’s house. He offers to go to the door with Nora, but she refuses. He believes Nora can do anything. Nora believes that her life is now in three parts: “Before,” “After,” and “After After.” She’s optimistic about the future. Danielle answers the door and welcomes Nora inside.

Part 2, Pages 235-295-Part 3 Analysis

Nora faces and overcomes her worst fears in this closing section, bringing the book’s themes—Healing From Trauma, The Keys to Survival, and Finding the Courage to Live—to completion. Symbols of walls and canyons continue to inform the theme of Healing From Trauma as Nora finally confronts the Beast. The motif of writing is powerful in these pages as she rewrites her nightmare and reframes her future.

Nora’s decision that she wants to live, wants Dad to live, and wants to live fully and joyfully rather than in fear (as she has during the past year) reveals her emotional growth. Whereas previously Nora was at times ambivalent about her life, she now looks forward to the “After After”—moving past the negative emotions that she has refused to release to maintain her protective wall. Nora now feels that her life is worth fighting for and realizes that she has “more” that she wants “to do with [her] life” (252). Nora chooses to live rather than just exist as she has since the tragedy.

In the haiku “Acceptance,” Nora summarizes Mary’s guidance that self-acceptance is critical in healing from past trauma. She at last internalizes Mary’s messages that Nora is strong, resilient, and innocent of wrongdoing. She achieves self-acceptance by releasing her feelings of guilt. Nora had felt selfish for living while others died to protect her or give her the opportunity to survive. Nora finally recognizes that hiding from the shooter wasn’t wrong. In “More,” she comments that she has “found” herself and rejects defining herself as a “victim,” asserting that she’s “more / than what one person did to [her]” (252).

Nora now believes in her own strength, and she’s empowered to face the Beast, whom she discovers isn’t who she expected to see. Because the Beast has a camouflaged exoskeleton—just as the shooter Nora saw in her nightmare had “camouflaged / legs and boots” (75)—and because Nora refers to the Beast as a male, the implication was that the shooter was the Beast Nora feared. Now, the narrative conveys that the Beast is part of Nora herself—an expression of her self-criticism and negativity. As she jumps across the slot canyon, her inner Beast attempts to undermine her newfound confidence, but she defeats it through self-belief, fulfilling the theme of The Keys to Survival by asserting her ability to survive both the external challenges of the harsh desert environment and the painful internal challenges associated with trauma and PTSD. Nora allows her walls, built from pain and fear, to crumble, and she creates a healthier boundary: a canyon. “Defeated” visually reflects Nora’s separation from the Beast. The word “canyon” is spelled vertically, in large, bold, capital letters with part of each letter whited-out from top to bottom, depicting a canyon within the word.

Nora finds new energy in her positive connections to Dad, Mom, and Danielle, who have each taught her valuable life lessons, such as survival skills, the power of writing, and baking snickerdoodles. Most importantly, they all love her. Love replaces Nora’s anger. The security of knowing Mom will “always be with [her] / in [her] head, in [her] heart, in [her] poems” gives Nora strength (276).

The motif of writing, important throughout the novel, informs the theme of Healing From Trauma. Nora empowers herself by rewriting her nightmare, understanding that she has grown and changed since her “first draft.” The “blur of brown legs” that saves Nora in her rewrite are her own legs as she jumps across the canyon (265), becoming as brave as her parents and Sofía Moreno, who sacrificed their own safety for hers. In running toward her fears rather than away, Nora finds herself becoming like the blackbird from the song her mother admired, gaining flight when she finally believes in herself. Nora truly shows that her walls are gone when she shares her poems with Dad after their ordeal. Nora is now comfortable sharing her feelings with him.

As Nora triumphs over her inner demons, she still struggles with physical survival, enduring hardships until the end. Her courageous jump across the canyon results in another significant injury. She continues to show her mental fortitude as she solves the problem of how best to attract the attention of fire-spotting planes. Although repulsed by the flare gun because guns represent the violence and whirlpool of negative emotions that she has endured, Nora has the physical and emotional courage to use the gun to shoot a flare and start the fire that saves them by alerting first responders to their location and need of rescue. Although, in previous sections, Nora hoped that someone would appear to save them and even wished for divine intervention in the form of a burning bush, she shows that she can save them on her own rather than relying on others or heavenly salvation. Nora sets the “bush” aflame herself, prompting their rescue and revealing her newfound strength and “self-efficacy.” By the novel’s end, Nora triumphantly demonstrates the theme Finding the Courage to Live: She has embraced a new outlook on life and is confident and excited for the future.

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