80 pages • 2 hours read
Amitav GhoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Antar is a man living in New York sometime in the future. He is nearing retirement, and works for the International Water Council as an analyst. He works from his home because his work is deemed inconsequential. Antar is one of several protagonists in the story, and his investigation of the disappearance of Murugan back in 1995 acts as the catalyst for how the story evolves over time. Antar grew up in Egypt as a boy, graduated from Patrice Lumumba University in Moscow, and eventually landed a job at Life-Watch as an analyst. Life-Watch was eventually absorbed by the International Water Council, which is how Antar came to work for them. Antar had moved to New York when he got the Life-Watch job, and together with his wife moved into the apartment he now lives in. However, his wife died many years ago, and many of his neighbors have since moved away. In fact, Antar has lived alone on the fourth floor for four years, until Tara moved into the apartment next door. Antar has therefore lived a rather lonely life for the past few years, save for his evening walks to the donut shop at Penn Station, where he has tea with the owner, and watches movies with regulars like Maria and Tara. However, this doesn't diminish Antar's importance to the story, as he represents both the beginning and the end.
Murugan, or Morgan, as he is sometimes referred to, worked for Life-Watch in the 1990s, until he disappeared in 1995. He was an authority on Ronald Ross, the man who discovered the cause of malaria. When Antar met him before he disappeared, Murugan was apparently still paying alimony to his ex-wife. Murugan is described as a tubby little man with a moonlike face, carefully trimmed hair and goatee, and a boxer's nose. He dresses immaculately. Murugan plays a pivotal role throughout the story because of his suspicion that an unknown person or persons manipulated Ronald Ross and those who stood in Ross's way of making his big breakthrough. Murugan forges the links between the characters and identifies the threads that connect seemingly disparate events. More importantly, through Murugan's efforts, his character reaches across time and space, linking New York with India and Egypt, and the late 20th century with both the late 19th century and the future.
Urmila is a young woman who works as a journalist for Calcutta magazine. Not long out of school, she lives at home with her parents, siblings, and extended family. Her income helps the family, but her family, particularly her mother, doesn’t see a future for her as a working woman. They expect her to give up her job and get married. Urmila, however, is a progressive woman, not afraid to go out and ask hard questions of the politicians she covers. Throughout the story, she acts as sounding board for Murugan to tell his version of the events leading up to and after Ross's discovery of how malaria is transmitted. She is friends with both Sonali and Mrs. Aratounian, and she has been doing research on some of Phulboni's early writings. Like Murugan, Urmila has been manipulated into participating in an experiment by unknown persons, in order to help Murugan arrive at certain conclusions. Finally, she has been chosen by the one Phulboni refers to as the mistress of Silence.
Sonali is also a writer for Calcutta magazine. It's the first job she’s had in years, having lived off her early fame as an actor and writer, and her mother's fame as a legendary stage actor. She’s older than Urmila and her father is Phulboni. Like Urmila and Murugan, she has been manipulated into participating in Phulboni’s agenda to uncover certain facts that push the three of them to discover certain truths. It is Sonali who tells Urmila about what happened to Phulboni at Renepur station, and it is Sonali who discovers Mrs. Aratounian performing a similar ceremony to the ceremony Mangala performed a century ago. Further, it’s Sonali who hears Mrs. Aratounian refer to Romen as "Laakhan." Her disappearance is what spurs Murugan and Urmila to search for her, and leads to their urgent efforts to find Mrs. Aratounian, because of what Sonali reveals. Maria is apparently another incarnation of Sonali.
Phulbani is a famous author who first came across the name Laakhan as a young man, when he was sent to Renupur as a representative of the Palmer Brothers company. Phulboni was once a close friend of Sonali's mother, and is the father of Sonali. It’s Phulboni who speaks of the secrets that lie in Calcutta, who refers to the mistress of Silence, and who has dedicated his life and writing to finding her. He was known to wander the streets of Calcutta at night, searching for this mistress. Phulboni wrote many stories, including a series of stories depicting Laakhan as a character who was constantly changing his identity and name.
Ronald Ross was a British poet, novelist, and scientist. Ross was born in 1857, in India, and awarded a 1902 Nobel Prize for his work with the malaria parasite. Ross’s role in discovering that malaria is transmitted via certain mosquitoes is central to the plot’s unfolding. However, it is not the historical account that matters, but Murugan’s view that there are discrepancies in the official account of Ross’s research, and that these discrepancies point to a secret history underlying his research on malaria. Ross is also important because he hires Lutchman to become his assistant.
Lutchman, also known by the name of Laakhan, is one of the novel’s antagonists. His character is elusive. Lutchman was a dhooley-bearer who worked for both Cunningham and Ross. Murugan has suggested that it was Lutchman who pushed Ross in the right direction, leading to Ross’s breakthrough on what causes malaria. It apparently was also Lutchman who gave Farley the slide containing pigeon's blood handed to him by Mangala. Grigson, a linguistic surveyor, believed Lutchman was from much farther north than he had let on, a place where his name was likely Laakhan. It was said that Lutchman had difficulty using his left hand.
Laakhan is the prime incarnation of Lutchman. However, he remains an unknown character. In the story, we never get to really know him. His name has been mentioned over the course of many events, in many locations for more than a century. He is also dangerous. He is said to be the young man last seen before Farley went missing. He was a young boy glimpsed at a train station not far from a hamlet in Egypt that was wiped out by a sudden malaria epidemic. Phulboni heard an inhuman voice call out his name, just after nearly being hit by a train. Sonali heard Mrs. Aratounian refer to Romen as Laakhan. Phulboni wrote a series of stories about a person named Laakhan, who constantly assumes a new identity and name wherever he goes. The only distinguishing feature about him is that his left hand has only four fingers and no thumb. Like Mangala, Laakhan is an immortal being with many incarnations.
Mangala first appears as a poor sweeper-woman, who D.D. Cunningham found, along with Lutchman, at the Sealdah station in Calcutta. She is also, like Lutchman, an antagonist in the story. In Farley’s letter, he describes how he witnessed Mangala informing the young man bringing the slides to Farley on which slides to take to him, clearly demonstrating significant knowledge about malaria, even though all others assume she’s had no schooling of any sort. Farley also mentions how Mangala appeared to have some form of authority over the young man. Later, Farley would observe a number of people prostrate themselves before her. Mangala is also the one who provides Farley with samples of malaria blood from dead pigeons that would prove that the malaria parasite is real and procreates. Similarly to Lutchman, Mangala is mysterious and dangerous. The fact that Farley disappears shortly after she shows him the virus is for Murugan no mere coincidence. Mangala, for Murugan, is the one who first understands the implications that the malaria parasite suggests: that she understands it is a means toward a form of immortality and that she will do whatever is necessary to accelerate the next step in the malaria parasite’s mutation. Murugan believes this because he sees Mangala as the person who put everything in motion. Mangala has several alleged incarnations in the story: Mrs. Aratounian, Mangala-bibi, Urmila, and Tara.
By Amitav Ghosh