logo

60 pages 2 hours read

Roald Dahl

The BFG

Fiction | Novel | Middle Grade | Published in 1982

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Themes

The Victory of the Underdog

Sophie and the BFG, despite their relative powerlessness, triumph over incredible odds to imprison the nine man-eating giants. Significantly, both characters adhere to the trope of the underdog in their respective worlds. Sophie is a friendless orphan and she reassures the BFG that “no one is going to be worrying too much about me” (38). This suggests that, as well as having no family—“‘I don’t have a mother and father,’ Sophie said. ‘They died when I was a baby’”—Sophie doesn’t have close friends, either (38). Furthermore, the woman who runs the orphanage, Mrs. Clonkers, is cruel and vindictive. It is apparent that Sophie has no allies in her world.

Similarly, the BFG is an underdog in the Giant Country. He explains to Sophie that, “I is the titchy one. I is the runt” (36). The other giants derisively call the BFG a “ruddy little runt,” a “troggy little twit,” a “shrivelly little shrimp,” and a “mucky little midget” (74). As well as taunting him, the nine giants routinely throw, kick, and beat the BFG. In abusing the BFG, the giants “spread out quickly in a large circle, each giant about twenty yards from his neighbor, preparing for the game they were going to play” (74). The way the giants quickly spread into a circle, without needing to discuss or plan their actions, signifies that this is not the first time this has happened and it is a commonly played game among the nine bullying giants. When Sophie asks the BFG whether they would ever, “really hurt you,” the BFG responds with, “I isn’t ever trusting them” (76). This illustrates that the BFG worries that the other giants could and might “really hurt” him. The audience is positioned to feel sympathetic for the BFG’s plight; he is the object of systematic and cruel bullying by the other, bigger giants, and constantly feels unsafe. He also must endure the guilt and discomfort of watching the nine giants departing every night to kill and eat humans, a practice which he believes to be “wrong and evil,” as he tells the Bloodbottler, though the BFG is not large or powerful enough to intervene in the practice (61).

Together, Sophie and the BFG succeed in both the world of humans and the world of giants. Using Sophie’s ingenuity and the BFG’s dream-mixing skills, they manage to bring the Queen of England into their mission of defeating the man-eating giants. Sophie and the BFG’s victory—imprisoning the nine man-eating giants in the 500-foot-deep pit—saves countless lives. Roald Dahl demonstrates that underdogs can be powerful despite others’ perception of their powerlessness, especially when they harness their individual strengths and skills and rely on their trusted friends.

The Power of Friendship

Dahl celebrates the power of friendship and shows that it can bring isolated individuals the gift of acceptance and love, adding a positive impact to their lives. He also depicts, through Sophie and the BFG’s scheme, that friendship has the power to change the world. Sophie’s relationship with the BFG grows through the course of the novel. Initially, she is terrified of the BFG, as is illustrated in figurative language which characterizes her overwhelming fear of him. Fearfully, she begs not to be eaten: “‘P… please don’t eat me,’ Sophie stammered” (25). Fortunately, she learns that she is in the cave of the Big Friendly Giant, who is different from his more violent counterparts.

From this point, the friendship between the two develops as they get to know each other, learning more about each other’s experiences and points of view. The BFG’s growing emotional investment in Sophie is clear in how moved he is at the story of her cruel orphanage mistress, Mrs. Clonkers:

‘The filthy old fizzwiggler!’ shouted the BFG. ‘That is the horridest thing I is hearing for years! You is making me sadder than ever!’ All at once, a huge tear that would have filled a bucket rolled down one of the BFG’s cheeks and fell with a splash to the floor (39).

Sophie’s growing interest in the giant, and her appreciation of his strange and creative manner of speaking, is apparent in the fact that she “was quite moved by this curious statement” when he tells her about his wish to “pick peachy fruits in the early morning from the back of an elefunt” (41).

The friendship between Sophie and the BFG is cemented in their plan to stop the cruel and man-eating ways of the other nine giants. Sophie’s growing affection for the BFG, and her gratitude to him for participating in the plan, is characterized in Chapter 15: “Sophie kissed him on the tip of his thumb. ‘I knew you’d do it!’ she said” (124). The BFG returns this loving gesture when the two are outside the Queen’s window, as he shows his affection, “suddenly, unexpectedly, the BFG leaned forward and kissed her gently on the cheek. Sophie felt like crying” (146). Sophie’s emotional reaction to the gesture illustrates the love she feels for the BFG in return.

Sophie and the BFG become a found family for each other, living next to each other on the grounds of Buckingham Palace. They are rewarded for the success of their scheme to stop the nine giants’ murderous rampage in being given a peaceful life to enjoy together, and their friendship becomes familial as Sophie reflects, “[she] loved him [the BFG] as she would a father” (207).

The Joy of Silliness and Imagination

Dahl celebrates silliness and imagination through the character of the BFG, who epitomizes these values. The BFG’s silliness is expressed through his love of drinking frobscottle and whizzpopping. His enthusiasm is underscored in his exclamations: “‘A whizzpopper!’ cried the BFG, beaming at her. ‘Us giants is making whizzpoppers all the time! Whizzpopping is a sign of happiness. It is music to our ears! You surely is not telling me that a little whizzpopping is forbidden among human beans?’” (67). Whizzpopping brings the BFG great joy, as shown by “a look of absolute ecstasy […] spread over his long wrinkly face” just before “the heavens opened, and he let fly with a series of the loudest and rudest noises Sophie had ever heard in her life” (68). The BFG’s silliness brings Sophie joy and amusement: “Sophie burst out laughing. She couldn’t help it” (68).

The endearing silliness of the BFG is also conveyed through his hilarious manner of speaking. When examining a nightmare, the BFG declares, “It is also a bogthumper and a grobswitcher! It is all three riddled into one! Oh, I is so glad I is clutching it tight. Ah, you wicked beastie, you!” (84). The seriousness of this impassioned speech is belied for Sophie by the BFG’s manner of expression, which includes garbled words.

The BFG’s love of imagination is characterized by his love of dreams. He has thousands of jars of dreams, annotated carefully with details of the dreamer’s potential experiences, such as, “I IS ABEL TO JUMP OUT OF ANY HIGH WINDOW AND FLOTE DOWN SAFELY,” “I IS CLIMBING MOUNT EVERAST WITH JUST MY PUSSY-CAT FOR CUMPANY,” and “I HAS A PET BEE THAT MAKES ROCK AND ROLL MUSIK WHEN IT FLIES” (110-11). The BFG spends much of his life traveling the world and distributing dreams to children, which demonstrates how much value he places on the joy of disappearing into an imaginative experience.

On a broader level, the character of the BFG, and the fantastical adventure which he and Sophie go on, foregrounds Dahl’s own famed imagination. Dahl himself shares the BFG’s values of a love of silliness and imagination. This is illustrated in the storyline of a 24-foot giant with a love of whizzpoppers and dream catching who, with the assistance of a girl who rides in the hollow of his ear, convinces the Queen of England to help him catch giants.

blurred text
blurred text
blurred text
blurred text