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Roald DahlA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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The BFG’s collection of thousands of jars of dreams signifies his altruistic nature. It also demonstrates his imaginative and open-minded approach to life. He is privy to and celebrates the secret and mysterious workings of the world, such as the nebulous dreams which are found in Dream Country. The BFG’s labels of the dreams include inventing a car that runs on toothpaste, and this alludes to the recurring theme, The Joy of Silliness and Imagination.
The BFG is motivated in this hobby because he loves to bring happiness to sleeping children. This characterizes him in complete opposition to the other nine giants in Giant Country and demonstrates the fact that he is a kind and compassionate character.
Whizzpopping, farting with so much force that a person lifts off the ground, functions symbolically on several levels. Whizzpopping represents the wonder of Giant Country—a place that most humans would not believe exists. Things that are seemingly impossible in the human world are made possible in Giant Country, where even the laws of physics can be reversed: Whizzpopping is achieved by drinking Frobscottle—a carbonated drink where the bubbles travel down instead of up. Whizzpopping highlights that the inhabitants of Giant Country also do not abide by the social norms and niceties of the human world. Sophie points out that humans can produce whizzpopps (farts) but that it is not considered polite. However, to the BFG, the sound of whizzpopping is delightful. The BFG’s love of whizzpopping symbolizes his unconventional, childlike, and joyous approach to life.
The scene where the BFG whizzpopps in front of the Queen further develops the theme of The Joy of Silliness and Imagination. The contrast between the Queen—a figure who commands respect and socially acceptable behavior from most—and the whizzpopping giant reiterates Roald Dahl’s incorporation of humor throughout the story. Whizzpopping makes fun of conventional British manners and suggests that many social rules around behavior are arbitrary; children like Sophie may get away with whizzpopping when they are younger, and even enjoy it, until they are told by adults it is rude and prohibited.
The cruelty of the nine giants, which is a recurring motif throughout The BFG, sets up the ultimate triumph of good over evil and The Victory of the Underdog. The reader is constantly reminded of the giants’ unimpeded access to bully the weaker and meeker BFG—taunting, throwing, and kicking him—as well as their habit of violently eating humans across the globe. The giants primarily target the BFG because of his smaller size and atypical giant behavior (e.g., his preference for eating snozzcumbers as opposed to humans), drawing parallels how human bullies are typically presented. The only way to stop the giants’ cruelty is for the BFG to form an alliance with the human world. When the giants are finally defeated, their imprisonment in a deep pit is not only practical, as their confinement saves many human lives, but it also serves as poetic justice: Their physical, isolated incarceration mirrors the emotional seclusion and loneliness that the BFG felt as a result of their cruelty.
By Roald Dahl
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