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53 pages 1 hour read

Elena Armas

The American Roommate Experiment

Fiction | Novel | Adult | Published in 2022

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Chapters 4-8Chapter Summaries & Analyses

Chapter 4 Summary

The narrative shifts to Lucas’s perspective, as he upbraids himself for the “corny, original, and unnecessary line [that] left [his] lips before [he] even knew what was hitting [him]” (31). He is briefly distracted by Rosie’s beauty, but she pushes him to answer if he slept in the diner after leaving Lina’s apartment. He tries to distract her with flirtation, saying, “I bet I was a sight to behold”—to which she replies, “You kind of were [..] if you’re into sleepy, drooling men” (32).

As Rosie is still concerned for him, Lucas suggests she stay for coffee. He reluctantly explains that he is missing his credit card, so he couldn’t afford a hotel room. Rosie apologizes, but Lucas assures her that he does not blame her. She explains she was in the nearby bakery and shares the sausage rolls intended for her father. Lucas, a devotee of food, waxes poetry about the sausage rolls. He notices Rosie seems flustered.

Lucas asks Rosie if she still works with Lina, and when she hesitates to answer, he suggests they each answer five personal questions in order to get to know each other. Rosie asks Lucas about his recent travels, and he explains that he was in the Southwest before coming to New York, where he will depart for Spain after three months (as he lacks a visa). He then asks Rosie who the rolls were for, and she explains her trip to Philadelphia and her anxiety at having to talk to her family. He asks why the rolls are necessary, and Rosie reveals she quit her job to write a novel—and is terrified of disappointing her father, who celebrated her success as an engineer.

Rosie reluctantly explains that her chosen genre is romance and then realizes she does not need to defend a genre she adores. She also stops herself from revealing that her writing has been stagnant. (She reveals this to Lucas when she is eight weeks away from her deadline.) Rosie asks about Lucas’s plans and why he missed Lina’s wedding but accepts his short answers, sensing deeper pain. They are interrupted when Rosie’s phone rings, with news that her father fell and injured his hip. She rushes for her train, laughing as Lucas makes a joke. Lucas realizes he is smitten.

Chapter 5 Summary

On the train back from Philadelphia, Rosie reflects on her visit. Olly did not accompany her, and their father’s worries about him prevented her from telling the truth about her new job. She is flustered at the idea of seeing Lucas (as he is currently staying at Lina’s apartment), as she feels vulnerable after admitting to her imposter syndrome.

Rosie arrives at the apartment to find Lucas made dinner. She reminds herself that she will leave soon and not see him again, but her stomach growls and Lucas insists she eat. Lucas admits he appreciates her company after months of traveling alone. Rosie is impressed with his cooking, which he explains is a longtime practice and source of joy. The two banter, with Lucas explaining that Lina frequently tells the family that Rosie saved her from a horse. Rosie explains that the horse in question was only a carriage horse loose in Central Park. She says she is not a heroine, just an “engineer turned romance writer” (52), and reflects on her identity given how new she is to writing for a living. She believes she has not earned her new life, but Lucas voices his admiration for her decision.

Rosie nearly chokes when Lucas says his other hobbies involve “far less clothing” than cooking, and she drinks a glass of wine to stop coughing (54). Lucas asks why she needs more wine, and she is reluctant to burden him—but he assures her that supporting attractive women is no hardship. Charmed, she admits to worrying about Olly. Lucas, seemingly speaking from experience, tells Rosie that all secrets come out eventually and that Olly will find his way. He then urges Rosie to watch Netflix with him. She falls asleep, and when she wakes, Lucas assures her that he poses no danger. She responds, “I know you noticed I was tipsy and that’s why you insisted I stayed” (60). Rosie is delighted to discover Lucas is watching her favorite vampire drama. She eventually reveals her writer’s block and looming deadline, but Lucas reiterates his faith in her. As Rosie drifts off, she wonders if she would have found the same rapport with Lucas if they had met at Lina’s wedding.

Chapter 6 Summary

Lucas wakes from a nightmare of drowning. Unbeknownst to Rosie, a recent leg injury has impaired his balance and ended his surfing career. He takes inventory of his surroundings and is distracted by a sleeping Rosie, still captivated by her beauty. Lucas envies her focus on writing compared to his own aimlessness.

Lucas showers, recalling that Lina’s apartment has no doors except in the bathroom. In a towel, he realizes, “Rosie was just checking me out” (64). She pretends she was observing the wave tattoo on his ribcage. While drawn to Rosie, Lucas plans to suggest they share Lina’s apartment, which would make a sexual relationship unwise. He convinces Rosie to stay with him while her apartment is being repaired; he is willing to sleep on the couch and give her the bed.

Lucas’s sister, Charo, video calls from Spain, and he fears something is wrong with his beloved dog, Taco. He calms down when Taco joins the screen. He takes the phone to Rosie to introduce her to his family, and she reacts to his proximity. Lucas avoids telling Charo that he is no longer surfing. Charo, a notorious gossip, is surprised to see Rosie with Lucas early in the morning. She suggests Lina would be interested in them spending time together. To excuse herself, Rosie pretends to hear the smoke alarm. Lucas catches the scent of her shampoo and reminds himself that she is “off-limits. [He’s] in no place or shape for any of this” (74). He prepares breakfast.

Chapter 7 Summary

Rosie reflects on her new living situation: She is still drawn to Lucas but alarmed at the idea of paying for temporary housing. She assures herself that their arrangement as roommates will be brief. Rosie is still struggling with writing. Her first book was born out of her own desire for love and affinity with her heroine, an unwitting time-traveler hoping to find happiness. The second book, a sequel, proves to be a struggle.

Rosie is distracted by a nearby noise. She finds an elderly neighbor in the apartment, Adele, attempting to move a loveseat. She offers to help but soon realizes she has no idea where the intended destination is. Adele is skeptical of Rosie’s strength but then seems to have a cognitive lapse, no longer recognizing her. Lucas arrives, offering his help. Lucas moves the furniture and remains unflappable when Adele addresses him as “Mateo.” Adele insists Rosie and Lucas join her and that her daughter will come as well.

Later, Rosie alludes to Adele’s likely dementia, reflecting on how painful her situation must be. She wonders if Lucas is in the US to escape a “broken heart” of his own, and he assures her, “[N]o one broke my heart, Rosie. I don’t think anyone ever got the chance to” (82). He was drawn to Adele because his own grandfather struggled with Alzheimer’s disease. Rosie and Lucas embrace, and Rosie feels further drawn to his sensitivity.

That night, Rosie fights her attraction as she and Lucas watch television together. After she agrees to take the apartment’s bed, Lucas chats with her as they drift off. He asks about the progress of her book. Rosie avoids a definite answer, simply saying it is unfinished; she also balks at explaining her existential crisis. Lucas wishes her good night in Spanish.

Chapter 8 Summary

In the crowded streets of New York, Lucas reflects on his own existential crisis. He has lost his sense of purpose, his surfing career, and dreads returning to his family without a new plan for his life. He returns to the apartment only for Rosie to almost run into him. She is on her way to see the damage to her apartment. Lucas decides to ignore his leg pain and accompany her, as she is nervous about interacting with her unfriendly landlord.

Lucas takes in Rosie’s apartment, struck by her attention to comfort and detail. He finds himself resenting Rosie’s landlord and the young contractor’s interest in her. He is also angry when he realizes the entire ceiling is damaged, as Rosie previously described it as a crack. When Rosie tries to downplay the situation, her landlord scolds her for not taking his property seriously. When he threatens to evict her, Lucas intervenes, saying, “I suggest you stop talking altogether” (100). Rosie stops him before the men come to blows.

Rosie briefly entertains the idea of staying in her own apartment during the repairs, uncomfortable with Lucas’s concern and how much she is inconveniencing him. She gives up on the idea when the upstairs neighbor interrupts and is clearly not wearing underwear beneath his bathrobe. Lucas tells her to stay with him for the day, as she can get back to writing tomorrow. Rosie confesses that she has barely written and cries in frustration: “There might be more than a couple of things that are wrong. But I’m Rosie. I’m supposed to keep my shit together” (103). Lucas embraces her, assuring her that emotional release is necessary. He recalls his grandmother throwing a spoon at him for denying his feelings. Rosie wants to know what precipitated his emotional breakdown, but Lucas instead invites her back to the apartment.

Chapters 4-8 Analysis

As the plot progresses, Armas introduces Lucas’s perspective to underscore his and Rosie’s mutual attraction and similarities. At this point, their initial attraction is partly rooted in forced proximity, which Armas emphasizes in moments of tension when they are in pajamas or bump into each other in a small space. Lucas disarms Rosie quickly, resulting in her disclosing her lies to her family and doubts about her new career. His reluctance to share his own stories, and explain his absence from Lina’ wedding, introduces the theme of Risk-Taking, Loss, and Recovery. He feels absent from his own life, disconnected from everything he once knew. Lucas is drawn to Rosie but warns himself against pursuing her, not merely because they are roommates but because he feels unworthy of romance given his recent struggles (i.e., his injury and loss of his surfing career). His easy empathy for Lina’s neighbor Adele, who is unmoored by her dementia, establishes his kindness and the way his own suffering has made him willing to support others. While he has yet to share his own stories, he always extends empathy to Rosie.

Armas introduces Lucas’s affinity for food early on, revealing that he does have passions beyond surfing. Rosie’s appreciation of his cooking, and his support of her writing, underline their shared creativity and positive energy—even while struggling with their respective issues. As such, sharing meals becomes a marker of their growing bond. In addition, their shared love of vampire dramas and Rosie’s defense of the romance genre (despite her hesitation to label herself as a writer) underline the emotional and social power of stories to create bonds between people. These references to the romance genre are metaliterary, as if Armas herself is defending her chosen genre in the face of potentially skeptical readers and larger society—which often reduces romance to self-indulgent, shallow stories catered to women and women alone.

Lucas’s chivalry, his desire to protect Rosie from her troubles (most recently, her flooded apartment and the threatening men in it) and assurance that she is safe with him (in the same apartment, despite being strangers), read as his “audition” to be her love interest in the novel. However, she needs less physical protection and more a safe place (or person) to discuss her feelings: Lucas’s willingness to be her confidant is more valuable than his willingness to confront threatening men. Armas thus implies that Lucas may need to reevaluate his self-worth in order to be the partner Rosie wants and deserves. Rosie, for her part, faces her writing more openly, implying that her vulnerability with Lucas may be what she needs to fully embrace the risks and joys of a creative life.

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