65 pages • 2 hours read
Elizabeth StroutA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In March, Gloria Beach is found at a quarry “two hours south of Shirley Falls” (101). Her body floated out of a submerged car that was rented under Ashley Munroe’s name. There is no video from the car rental place, and Matt continues to be a person of interest in the investigation.
Only a few facts are known about Gloria’s life. Gloria was born and raised in a small northern Maine town and gave birth to a baby boy at 16. Although the father is officially unknown, Gloria’s journal indicates that it may have been her uncle. The journal also speaks of her mother’s alcohol use disorder and her father’s “deep embarrassment” of her. By 17, Gloria was living in a motel with her child, cleaning in exchange for a room and “pleasing” the owner.
Walter Beach, an accountant, met Gloria at the motel. They married a month later, and she and Thomas moved to Shirley Falls with him. Gloria dreaded sex and ate to appease her anxiety. She had two more children, Diana and Matthew, and went to work at the school cafeteria. She knew the children called her Beach Ball, which evolved into Bitch Ball. She couldn’t help being mean and hated herself for it.
Matt was diagnosed with leukemia when he was 10, and Gloria quit work to care for him. She decided that she would redeem herself through her care for him. Gloria’s husband left suddenly one day, and they divorced, though she remained the beneficiary of his life insurance policy. That is all that is known of her story.
Bob is smoking a cigarette outside and trying to avoid the smoke. He lied when Margaret asked him the day before if he was smoking again. Diana Beach calls, wanting to hire him. She gives him Matt’s phone number, but he gets no answer. Bob delivers Mrs. Hasselbeck’s groceries, and she asks him about the Gloria Beach case. She tells him that her son thinks very highly of Gloria’s son, Thomas, who has become a psychiatrist.
When Susan Olson sees the newspaper article about Gloria’s body, it shocks her. Later, she and Gerry talk about it over coffee. Gerry theorizes that someone put Gloria’s body in the car and sunk it. Gerry wants to ask Susan on a date, but something stops him.
Bob visits the Beach house where Matt and Gloria lived together. He still isn’t sure why he agreed to take the case but knows it has something to do with the fact that he’d thought he’d killed his father.
When Matt answers the door, his innocence immediately strikes Bob. Matt tells Bob that on the day of Gloria’s disappearance, he went grocery shopping and came home 45 minutes later, and Gloria was gone. Two days ago, when Gloria’s body was found, the police came. They were nice, he tells Bob, but they took his computer. Matt says the only harmful things on his computer are letters that he wrote himself, venting about his mother when she aggravated him. When Bob asks if they took his cell phone, Matt says he doesn’t have one because he doesn’t have anyone to call.
Matt has found Gloria’s will, although he hasn’t shown it to the police. He shows it to Bob, who realizes that Matt will inherit his father’s life insurance policy, the house, and his mother’s savings of $50,000. Bob tells Matt not to tell anyone else about the will yet.
Matt emphasizes that although sometimes his mother annoyed him, he loved her. She took care of him, and so he was committed to taking care of her. Diana and Thomas, however, hated her. Matt admits that none of them know who Thomas’s father was.
Matt gives Bob a tour of the house, and on the second floor, Bob is surprised to find Matt’s studio filled with paintings. All the paintings feature pregnant women, and Bob can see the skill and beauty of Matt’s work.
When Bob asks, Matt admits he has a rifle stored on the top shelf of his closet. He tells Bob that the last time it was used was when Diana killed a raccoon, but Bob suggests that Matt unload the gun. Matt tells Bob that he used to dread Diana’s visits because she and Gloria hated each other. He also mentions, before Bob leaves, that Ashley Munroe had been one of his models.
Lucy visits Olive to tell her a story. After a writing event in Washington, DC, Lucy met a man on the train. Their interaction was banal and pleasant, but the whole time, Lucy felt connected to him and was sure he felt the same. She realized that she loved him and knew that he loved her. At his stop, he collected his bag, and they said goodbye. Olive doesn’t understand the story, telling Lucy she has never fallen in love like that. Olive and Lucy are disappointed in each other.
Lucy tells Olive another story. When a cabbie in New York asked how she was, she answered honestly that she was tired. They shared a moment of commiseration, and when Lucy got out of the cab, he said, “God bless you” (129). Lucy felt it as a “benediction” and returned the sentiment. The interaction made her day.
Olive comments that Lucy is lonely, and Lucy responds that everyone is lonely. Her stories, she says, are “stories of loneliness and love” (130). She believes that every connection is important and tells Olive that she feels a connection between them. Olive says she feels the same. After Lucy leaves, Olive calls Isabelle to tell her the story.
Carol Hall is the prosecutor on Matt’s case. Bob knows that she just had an unsuccessful case and will be out for a conviction. After Bob leaves Matt’s house, he calls Carol and tells her he is taking Matt’s case. Then he calls the police and tells them not to talk to Matt without him. He then arranges to meet Diana at his office the next day.
Bob finds Ashley Munroe’s phone number and calls her. She invites him to her house. Ashley and her baby are sweet and cheerful. She reiterates what she told the police: Her driver’s license and credit card had been stolen, and she was in labor at the hospital at the time of Gloria’s disappearance.
Ashley modeled for Matt for extra money when she was pregnant and had liked him, calling him “sweet.” She also tells Bob that Gloria screamed at her whenever she’d gone there, and she wouldn’t have blamed Matt if he killed her. Bob remembers that both his sisters, Susan and Olive, said the same thing.
That night, Margaret talks about her day but doesn’t ask about his. He finally tells her, but she doesn’t seem engaged, and this “caused a dreariness to rest in him” (137). When she questions whether he should be taking the case, Bob gets angry and wishes that he could tell Lucy about it instead.
Jim calls Bob in the middle of the night to tell him that Helen has died. Jim was with her at the moment of her death. Bob goes to Jim’s house in Park Slope, and being in New York feels different. It is April, and the forsythia is partially blooming. Jim’s children are there—Margot, Emily, and Larry—along with their children. It felt oddly celebratory, and Bob feels “out of place” (142).
That night, Bob sits with Jim in his study. Larry comes in crying and tells Jim that he “sucked as a husband to Mom” (142). Jim agrees, but when Larry turns to leave, Jim gives him the middle finger. Bob is incredulous, and so is Larry, who has seen the gesture in the hallway mirror. Larry calls Jim “a piece of crap” (143). After he leaves, Bob reflects that Larry was born to the wrong father. To distract Jim, Bob tells him about the Matt Beach case. When Jim hears about the life insurance policy, he tells Bob they “might be fucked” (144).
At his office, Bob waits for Diana Beach to arrive. He thinks about Matt and Lucy’s similarities, as they are both artists.
When Diana arrives, Bob realizes he wouldn’t have recognized her even though they went to school together. Diana doesn’t like coming home, but as their eldest brother, Thomas, has cut off communication, she is the only support Matt has. When Bob mentions Matt’s paintings, she gets excited, knowing how good they are. She can also testify to how Gloria yelled at his models, as she was there for a few of the encounters, but denies knowing Ashley Munroe.
Diana is a high school guidance counselor—her guidance counselor was the first person Diana told her story to, and the woman changed her life. Bob asks if it was hard when her father left, but Diana replies that she “loathed” him. She sees Matt’s life with Gloria as a “prison sentence.” Diana also tells Bob that she is divorced. The previous August, her second husband told her he was having an affair with her best friend, and the divorce was finalized the prior week.
After he meets with Diana, Bob sees Katherine Caskey downtown. He and Katherine had known each other for years, but recently, they discovered that they’d also seen each other as children in a moment that neither of them had ever forgotten. When Bob tells Katherine that Helen died, Katherine hugs him before leaving, and Bob reflects on how grateful he is for her hugs.
At Helen’s funeral, all three of her children give moving eulogies, but Larry includes a pointed dig at Jim. Pam rides with Bob and Margaret to the graveside service, and she and Margaret talk frankly about her recovery.
At Jim’s house after the funeral, Pam tells Bob about making amends as a part of her recovery. After speaking with her son, Eric, he came to visit. Although she felt awkward about him wearing women’s clothes at first, she’s gotten used to it. Pam and Ted are still living separately, and he and Lydia have never apologized to her.
Later, Jim tells Bob that he doesn’t want to be buried in the plot next to Helen—he wants to be cremated and have his ashes scattered “over the Androscoggin River in Maine” (161).
On a walk, Bob tells Lucy about the car ride with Margaret and Pam. Lucy tells Bob about her most recent meeting with Olive and how they’d failed to connect. Bob wants to hear the stories she told and, afterward, tells Lucy that she is “something.”
Bob tells Lucy that Jim wants his ashes scattered on the Androscoggin River, and she says that makes sense because he is “[r]returning to the scene of his crime” (165). She feels sorry for Jim, who has spent his life keeping a secret that got harder and harder to confess. Bob tells Lucy that he feels relief with her that he doesn’t feel anywhere else.
In Part 2, Strout brings the mystery of Gloria Beach’s death to the forefront. In Part 1, the mystery of Gloria’s disappearance is one of the events running in the background of the characters’ lives until Gloria’s body is discovered. When Bob takes the case, he begins subtly investigating the case. Bob is a lawyer, which might normally make the novel a legal thriller. However, the lack of specific detail about the crime itself, the greater concern with the Beach family’s story, and a narrative that is more preoccupied with relationships than the crime puts the novel closer to the cozy crime genre. This, combined with Strout’s characteristic literary approach, results in an unconventional style of the mystery genre. While the mystery of Gloria Beach’s death does drive the narrative, it does so from the background. Strout chooses to focus on the every day, interior lives of the characters instead.
With this approach, Strout further develops The Importance of Perspective in Storytelling. The mystery aspect of the story delves not into the technical details of the police investigation but instead into the lives and relationships of the Beach family. Details about Gloria first emerge from Bob and Susan’s perspectives, which are based on their childhood memories of her as a mean cafeteria worker. Everyone in town knows Gloria as a bully, nicknamed “Bitch Ball.” However, Gloria’s children and her journals paint a more complicated picture of her character. Over time, Bob uncovers Gloria’s story, but the narrator reveals it first, reminding readers that Gloria had her story, just as all people do. The realization of Gloria’s true predicament comes in her own words: “The more frightened I become the more awful I behave. No one (and this is underlined three times) can hate themselves more than I do” (103). Lucy adds additional insight into Gloria’s behavior when she notes that “bullies are always frightened” (26). Gloria goes from being a flat character in the other characters’ minds to being a round character with a complex history and motives.
In Part 2, Olive and Lucy continue to probe their stories together, and their connection grows. Like Gloria, locals see Olive as a curmudgeon, but like Gloria, Lucy understands that any bullying behavior she exhibits is the result of being frightened and feeling vulnerable. Even when Lucy gets Olive to admit to their connection, Olive couches it in snarky language: “‘Well, phooey. I feel connected to you too. So there.’ She stuck out her tongue” (130). Although The Ebb and Flow of True Connection developing between Lucy and Olive is strong, Strout also illustrates how such connections can be tenuous. After Lucy tells Olive a particular story, they experience a moment of disconnection, which bothers and disappoints them both. However, Olive also shows her characteristic thoughtfulness—although she doesn’t at first understand the story, she doesn’t dismiss it either: “Olive sat for a very long time in her chair. It was really, really long time she sat there. And then she called her friend Isabelle and she said, ‘Have I got a story for you.’” (132). Olive’s reconsideration of the story reflects her still-intact respect for and connection to Lucy. Olive’s comment also raises the theme of The Importance of Perspective in Storytelling, as Olive will now retell Lucy’s story to Isabelle. This will raise questions of how the story will change when told from Olive’s point of view.
Strout also continues to center nature in the narrative, establishing both the passage of time and the elemental nature of The Ebb and Flow of True Connection. As the story continues, Strout marks the time by the forsythia, tracking its blooming in Maine and how much further along it is in New York. The blooming forsythia in New York that Bob notices on his visit is a concrete, specific marker of the passage of time. Strout also uses nature imagery to connect to this theme, as with the interaction between Lucy and the man on the train: “[W]hen I looked out the window and saw how swollen the rivers and inlets were with all the rain, I felt that he was noticing this too, and it was sort of like we commented on these swollen waters together” (126). Bob also feels his connections to people as elemental, comparing another person’s sadness to an outgoing tide moving through him. With this imagery, Strout highlights the natural, elemental nature of these connections both between people and within their environment.
By Elizabeth Strout