50 pages • 1 hour read
Annie DillardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Dillard describes her trip to the Napo River in the Ecuadorian jungle, accompanied by three North Americans and four Ecuadorians. The jungle is an extraordinarily beautiful place, and Dillard feels at home there: “This will do, I thought. This will do, for a weekend, or a season, or a home” (71). At night, Dillard loosens her hair from braids so local children can play with it. She overhears one of the North American men describing his high-powered job back in civilization, marveling at what he’s doing “in a tent under a tree in the village of Pompeya” but also wondering why he would want to go back (73).
Dillard details the wide river and the wildlife living around and underneath it, including anacondas, crocodiles, and stingrays. Dillard marvels at the “extraordinarily clean people” who live by the river and bathe multiple times a day (74). The river stays 90 degrees, and sometimes villagers will plunge themselves in at night to stay warm. Though the jungle is beautiful, unseen dangers also lurk within: jaguars, cannibalistic tribes, and oil equipment. Dillard and her group travel the water on canoes. At a school in a local village, Dillard and the other North Americans sing the children “Old MacDonald Had a Farm.” Dillard concludes that the Napo River “is not out of the way. It is in the way” (77), a place of inexpressible beauty and peace.
As Dillard explores the Napo River, she marvels at its beauty and mystery, noting how it “catches sunlight in the way a cup catches poured water” and comparing it to “a bowl of sweet air, a basin of greenness, and of grace, and, it would seem, of peace” (77). Dillard’s descriptions of her time spent in Ecuador are tinged with reverence and suggest the place is idyllic. However, Dillard also notes the inherent dangers connected to life on the river: anacondas that “are reputed to take a few village toddlers every year” (73-74), piranhas, jaguars, and missionary-killing Indian tribes.
For Dillard, the beauty of the Napo River does not exist despite these dangers, but because of them. Dillard describes traveling down the river on canoes and dipping her fingers in the water; even knowing the water holds piranhas and electric eels, she believes “it would be worth it” (76). Aware of the threat posed by the underwater life, Dillard nonetheless wants to enjoy the unique and rare exquisiteness surrounding her, heightened by the risk involved. For Dillard and her companions, the uncivilized jungle is an escape from society, work, wealth, and even safety. To truly enjoy her surroundings, Dillard must relinquish the security promised by civilization and surrender herself to the wild.
By Annie Dillard