27 pages • 54 minutes read
Rudolfo AnayaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Censorship is the banning of cultural production (literature, music, film, etc.), either in part or in its entirety. Anaya’s essay focuses on different types of censorship: hierarchically-imposed and self-imposed. Regarding hierarchically-imposed censorship, Anaya comments that mainstream American society restricts Chicano expression through various means, including privileging the English language and other elements specific largely to white Western culture. Some prejudiced Americans have even taken to book burning. These tactics have led to self-imposed censorship wherein many Chicano authors limit their own creative expression to abide by the status quo.
A gatekeeper, or “keeper,” is someone who plays a pivotal role in determining what literature is widely accessible. Publishers and schools are keepers because they can use their power to promote or suppress literature; Anaya asserts that they use their power for censorship and to minimize Chicano expression. Such gatekeeping weakens the United States’ multiculturalism because only the privileged, uncensored voices and narratives remain available to the majority of the people.
Multiculturalism is a society’s embrace and promotion of different cultures. Anaya acknowledges that the United States is moving toward a multiculturalist society, but at the time of writing “Take the Tortillas Out of Your Poetry” in 1993, the United States still has not fully realized it. He points to English-only movements and book burnings as examples of the dominant culture’s attempt to maintain the status quo through exclusion. He believes that a full embrace of multiculturalism would lead to a proliferation of diverse voices, expanding the American literary canon in new, thought-provoking ways.
A tortilla is a staple in Mexican and Mexican American cuisine. Traditionally it is made of corn, but the United States Southwest commonly uses wheat flour. It is prominent in dishes such as tacos, burritos, enchiladas, quesadillas, flautas, and more. Anaya uses the tortilla as a marker of Mexican American identity throughout the essay by aligning it with notions of language, particularly Spanish and bilingualism, and as a part of a larger Mexican American experience.
The publishing industry encourages authors to write for the so-called universal reader. That is to say, an author’s work should speak to readers from different backgrounds, such as age, gender, or race. Anaya believes that the publishing industry uses the idea of universal readership to justify rejecting Chicano literature when they argue that it’s too specific to one group. Anaya counters that Chicano literature is universal because it is about the human condition.