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31 pages 1 hour read

Stephen King

Survivor Type

Fiction | Short Story | Adult | Published in 1982

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Background

Authorial Context: Stephen King

Stephen King was born on September 21, 1947, and was raised with his brother by their mother in Indiana, Connecticut, and Maine. His family struggled to make ends meet, and King often escaped his childhood reality by reading voraciously. King attended the University of Maine, graduating with a Bachelor of Arts degree in English. While a student, he was active in student politics and wrote some of his early stories, some of which were published in magazines. King continued to write and publish short pieces while pursuing a teaching career. When he secured a permanent position at Hampden Academy in 1971, King wrote in his spare time, gaining fame and recognition for his first novel, Carrie, in 1974. The financial hardship of King’s early life has been credited for his love of literature, his interest in the darker side of life experience, and his productivity as an author. In “Survival Type,” King explores the life choices of a character who seeks success after a modest upbringing, and the negative ways in which this character frames that upbringing.

Stephen King is often referred to as “The King of Horror.” He is an exceptionally prolific author in this genre, having over 200 short stories and 65 novels and novellas to his name (including seven works under the pseudonym Richard Bachman). Within horror literature, King has written works in the contemporary horror, suspense, science fiction, and fantasy sub-genres. Many of his works have been adapted into films, such as The Shining, directed by Stanley Kubrick, and Thinner, directed by Tom Holland.

Many of Stephen King’s works explore the topics of isolation, survival, and substance misuse. His novel The Shining depicts a writer in extreme isolation from society who reverts to excessive consumption of alcohol, leading to severe psychological decline. In Cujo, King addresses ideas of isolation and survival, when two people are attacked by a dog and trapped in their car. In the novel Gerald’s Game, the protagonist is handcuffed to a bed with the chance of rescue growing slim, as her husband lies dead on the floor of the bedroom.

In his notes to his story collection Skeleton Crew, King explains that he was interested in the idea of cannibalism when he conceived the plot for “Survivor Type.” He was unsure about the story’s credibility until he spoke with a retired doctor who confirmed that a human could indeed subsist on consuming the energy stored within the body. When King asked if a person in this situation would be overwhelmed by shock trauma, the doctor offered a response that became “with very few changes, the first paragraph of the story” (562).

Literary Context: Survivor Tropes and Their Subversion

“Survivor Type” draws on the isolation and survival tropes of traditional adventure stories, subverting them to create the shocking and unsettling effects characteristic of the horror genre. Several popular narratives of the mid-late 19th century told the stories of men or boys stranded or exploring in remote locations. The most famous of these are Robert Louis Stevenson’s Treasure Island (1883) and Ballantyne’s Coral Island (1857). These stories were characterized by a moralistic message that promoted the heroic nature of humanity, in particular the innate superiority of humankind over nature and of traditional masculinity. The huge popular success of these books has given them far-reaching influence on generations of readers and writers. They are still widely read today and shape much of readers’ literary expectations for survival narratives. “Survivor Type” critiques their heroization of individuality, traditional masculinity, superiority, and a simplistic presentation of good and evil.

Part of King’s subversion of heroism is influenced by an earlier work that subverted many of these tropes: Golding’s 1954 novel Lord of the Flies. King has stated many times that this work has had a significant and life-long influence on his writing. It is one of the first novels that King read as a child and is cited as drawing him into the horror genre as a reader and a writer. Lord of the Flies tells the story of a group of schoolboys stranded on an uninhabited island, following their attempts to create a social structure for themselves and their gradual descent into chaos and violence. It explores ideas of good and evil, civilization, and the tension between collaboration and competition in order to survive. Golding’s novel was a subversive and satirical response to Ballantyne’s 1857 Coral Island.

The premise, setting, themes, and plot trajectory of “Survival Type” are markedly similar to Lord of the Flies. Although Pine is alone on the island, his memories explore the conflict between individuality and collectivity, and challenge social perspectives of morality. Lord of the Flies and “Survival Type” are both realist allegories: narratives that can be read both on a literal level and as an extended metaphor for real life. On both levels, they explore the nature of humanity and instincts that are largely kept in check by the norms of civilization. In these ways, “Survivor Type” follows the subversive pattern of Lord of the Flies, adapting the adult hero survivor narratives of the 19th century to create horror in a similar way to Golding’s treatment of earlier boy-focused narratives.

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