53 pages • 1 hour read
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E.D. is asleep in her room when she is jolted awake by a sudden commotion. Alarmed, she hurries out of her room and runs into her mother, who fears something has happened to Destiny. As they step outside the house, they see Randolph confronting a tall, thin man with a ponytail. E.D. notices her father’s wrecked car and realizes an accident has occurred. Everyone starts shouting at once, including Hal from his bedroom window, until Zedediah intervenes and steps between the two men. The young man introduces himself as Jeremy Bernstein, a writer sent by a literary journal to interview Sybil Jameson. Sybil explains she had forgotten about the interview, and when Randolph admonishes her for her forgetfulness, she expresses her frustration at the lack of family support while grappling with the most challenging project of her career.
Randolph complains that his car is wrecked, and he’s supposed to be at his meeting in 20 minutes. Archie, however, assures him that the car is still drivable, as only the bumper and headlights are affected. Sybil snaps at her husband, “Keep your precious appointment and leave the rest of us to clean up after you” (50), but he ignores her frustration. Archie points out the damage to Bernstein’s car, and the latter breaks down in tears. Lucille consoles him and offers him lodging in one of their guest cottages for the night. E.D. turns around and notices Jake leaning against a tree, wearing a smug expression that suggests he finds the situation amusing. She muses that “car accidents must be right up there with fires for excitement” (52).
Jake sits at the dinner table, eyeing the vegetables from Lucille’s garden with disgust. Only Zedediah, seated at the head of the table, is served meat. Sybil apologizes to Bernstein, explaining that Randolph forgot to do the grocery shopping. Jake wonders what kind of food is served at the Juvenile Hall. Bernstein explains that he writes for a magazine that covers “the literary geniuses of our time” (53), and Zedediah skeptically says he doesn’t think Sybil’s detective stories could be classified as such. Bernstein then hints at Sybil’s new project, which he believes will be a literary masterpiece.
In conversation, Zedediah refers to Sybil as Debbie Applewhite, and she flushes. She then clarifies that her parents named her Debbie, but she’s been Sybil Jameson for nearly 20 years, and Applewhite is only her married name. Bernstein, who was unaware of the family’s surname, recognizes other members whom he admires—Randolph as the theater director, Zedediah for his woodworking, and Lucille as the poet. He describes their family as “an artistic dynasty” (56). Sybil expresses annoyance, indicating that she believed Bernstein was there to interview her, not her family. When Bernstein inquires further, she shares about Destiny’s talent in visual arts, Hal’s exploration of new artistic avenues, and Cordelia’s skills in composing and choreographing ballet. Bernstein tells Jake that he’s fortunate to be included in such an educational environment and says he wants to reach out to a friend in television to propose a show centered around the Applewhite family. Later, as the adults continue their conversation, Jake and E.D. are tasked with doing the dishes. E.D. remains silent but aggressively clatters the plates together, leaving Jake to wonder why she is upset.
E.D. slams the door to her room and throws herself on the bed. She resents her mother for not saying one word about her. Feeling like “the invisible Applewhite,” she thinks that “she [wants] out of this family” (59). She looks up at the posters of rock stars on her ceiling, and she compares herself with Cordelia and Hal, who are too artsy to openly embrace mainstream interests like rock music.
Fuming with frustration, she acknowledges her lack of artistic talent but takes pride in her organizational skills and level-headedness. She thinks that she “[is] going to be able to cope with the real world when she [gets] old enough to go out into it on her own” (59). She sees herself as the only one using the Creative Academy to actually study and get an education. She is tutoring Destiny so he won’t end up as ignorant as Cordelia and Hal. Disgusted by her family’s spotlight-seeking nature, she wishes she wasn’t an Applewhite.
It’s 5:30 am when the noise of an electric coffee grinder awakens Jake. He tries to ignore it and go back to sleep, but Destiny bursts into the room, cheerfully asking him to show him how he styles his hair into points. Jake is irritated but eventually complies, feeling increasingly tempted by the thought of Juvenile Hall. He showers and shows Destiny how he gels and combs his hair into its porcupine points. Archie announces he’s heading off for his morning Tai Chi. Lucille is still asleep, and Jake instructs Destiny to return to the house with the dog, Winston. However, Destiny insists on staying, and they have breakfast together. Destiny tells Jake that sometimes he likes to spend the whole day in his pajamas, and Jake reflects that “it wouldn’t be possible for Destiny to grow up to be a delinquent—there didn’t seem to be any rules for him to break” (63). As Jake eats his cereal, he realizes that the milk they are using comes from the goats.
In the schoolroom, E.D. is getting ready for a day’s work. She wants to focus on her teaching skills, and she’s planning on teaching Destiny about metamorphosis. Jake is slumped on his desk with Winston at his feet while Destiny asks him questions about his hair. They’re waiting for Randolph, the designated teacher for the day. He finally appears in his pajamas, complaining that the audition the night before was a disaster—there seem to be no good actors and singers for his play. He expresses anger toward Cordelia for her refusal to participate, labeling her as ungrateful. He asks after Bernstein, who’s in one of the cottages, and, before leaving, he tells E.D. and Jake to seek his assistance only if absolutely necessary, emphasizing the importance of independence because “that’s what the Creative Academy is all about” (66).
E.D. instructs Jake to research butterfly information on the computer while she begins crafting a papier-mâché caterpillar and chrysalis to illustrate metamorphosis to Destiny. Once she’s done, she tells Jake she will go look for a great spangled fritillary and asks him to keep an eye on Destiny. However, she has no luck, and soon she goes back empty-handed. She finds Destiny by himself while Jake is watching Cordelia in the dance studio. E.D. scolds Jake for neglecting his responsibility to watch over her brother, and he, in response, teases her about her unsuccessful attempt to catch the great spangled fritillary.
Chapters 7 to 11 delve into the theme of Individuality Versus Conformity. While artistic prowess is often a designator of individuality in society at large, within the Applewhite family, their non-artist child, E.D., stands out as an individual, but not necessarily in a comfortable way. Amid the vibrant backdrop of the Applewhite family’s artistic eccentricities, E.D. grapples with a profound sense of alienation. When Sybil enumerates the artistic talents of her children, E.D. is omitted. The serves as a stark reminder of E.D.’s perceived invisibility within her own family. She feels disconnected from the rest of the Applewhites, dubbed “an artistic dynasty” (56) by Bernstein. E.D. grapples with the weight of familial expectations, feeling the pressure to measure up to the artistic talent that defines her family. Furthermore, she perceives her relatives as self-centered and attention-seeking. She questions the value of the Creative Academy, recognizing the importance of acquiring practical knowledge to succeed in the real world. Her determination to pursue a meaningful education and share her knowledge with Destiny underscores her pragmatic and responsible nature. Therefore, within the Applewhite household, E.D. emerges as a figure striving to carve out her own path—one that diverges from her family’s artistic eccentricity.
The theme of Individuality Versus Conformity is also exemplified in E.D.’s mother, Sybil. Originally named Debbie, she changes her name because she deems Debbie too commonplace, expressing wonder at what her parents were thinking. Sybil actively seeks individuality by adopting a unique name to set herself apart and opts to be addressed by her maiden name instead of conforming to Applewhite. She resents Bernstein’s fascination with the Applewhites during what she thought was her interview, desiring recognition as a literary genius and longing to be the center of attention. This situation leads to conflicts between Sybil and Randolph, as she feels that she gets “absolutely no support from his family” (49) and is frustrated by his focus solely on his artistic pursuits.
Chaos is a recurring motif throughout the novel, closely intertwined with the creativity that flourishes within the Applewhite family. While all the Applewhites, except E.D., thrive in chaos due to their artistic nature, it often leads to tumultuous and comical situations. In Chapter 7, a car accident results in a commotion and a heated shouting match that reduces Bernstein to tears. Forgetfulness is another characteristic of the Applewhites. Sybil forgets about an interview because she is engrossed in writing, and Randolph overlooks essential tasks like grocery shopping. As an outsider to the family, Jake is astounded by the level of disorder. The loud noise of the electric grinder and Destiny’s insistent inquiries about his hair leave Jake contemplating whether Juvenile Hall might be a better option. Equating Wit’s End with Juvenile Hall highlights Jake’s feeling of imprisonment amid the chaos.
Randolph’s endeavor to direct the community theatre production of The Sound of Music presents a significant challenge for him and the Applewhite family. Cordelia refuses to participate, and he struggles to recruit talented actors and singers for the production. This obstacle is introduced as a central point of tension in the narrative. Unlike conventional stories with clear heroes and villains, the novel lacks such distinctions. Instead, the organization of the play emerges as a significant hurdle for the Applewhites to overcome.
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