65 pages • 2 hours read
Elin HilderbrandA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Drawing from popular songs of the 1960s, the chapter titles in Summer of ‘69 help convey the era, themes, and character portrayals of the story. Antiwar protest songs like “Fortunate Son” (1969) and “For What It’s Worth” (1966) tie to Tiger’s deployment and Kirby’s activism respectively. Other counterculture references include “Born to Be Wild” and “Magic Carpet Ride,” both released in May 1968. These songs detail the importance of freedom from societal restriction, which several of the characters, especially Kirby, long for. Love songs like “Fly Me to the Moon,” popularized by Peggy Lee in 1960, and “Sunshine of Your Love” released by Cream in 1967, help enhance the love affairs of Blair/Angus and Jessie/Pick. “White Rabbit” (1967), “Nineteenth Nervous Breakdown” (1966), and “Mother’s Little Helper” (1966) symbolize addiction and its power, particularly because these songs title chapters in which Kate’s drinking interferes with her relationships. “Both Sides Now,” the last song on Joni Mitchell’s Clouds (1969), and Procol Harum’s “Whiter Shade of Pale” (1967) become chapter titles when characters confront the ups and downs of love and face reality over idealism. In this way, the chapter titles help securely place the action in the 1960s and also reflect the emotional events in the chapters.
Personal items that people wear or carry with them are important in the novel and serve as symbols for their growth. Blair carries a lighter inscribed with Joey’s proclamation of devotion, which allows her to see him as a potential romantic rescuer. Only when she realizes her own naivete—Joey can’t solve her problems with Angus—does she toss it aside. Tiger keeps his grandfather’s class ring from Harvard in his pocket “next to [his] heart [because it] makes [him] feel safe somehow” (17) but doesn’t tell people about it because he doesn’t want to “boast about [his] pedigree” (17). As Tiger grows more secure in his role as a leader and more comfortable with possibly dying during duty, he sends the ring to Magee as a promise ring. In this way, he assures her that he wants her to be part of his family history. Jessie, too, has two pieces of symbolic jewelry: the Tree of Life necklace from David and the gold knot necklace from Exalta. These necklaces are important symbols of Jessie’s conflict between Exalta’s wealthy, white, Christian background and her own Jewish heritage on her father’s side. When Jessie chooses her preference for her father’s necklace, she rejects the exclusionary policies of the Field and Oar Club set. While Jessie recognizes Exalta’s necklace as a valuable heirloom, and is glad that it’s returned when lost, Jessie isn’t willing to be tied to the status quo it symbolizes. As Exalta softens and becomes more understanding under Bill’s influence, the gold knot moves from a symbol of oppression to one that shows the progressive nature of change, a worthy gift for the future.
In 1961, President John F. Kennedy set the US goal of a manned lunar landing followed by a safe return to Earth. On July 16, 1969, Apollo 11 was launched into space. In Hilderbrand’s novel, this date coincides with Blair’s delivery of her twins. When the nurses bring champagne, Blair toasts, saying, “Here’s to the next frontier,” which she thinks “works on so many levels” (311). Historically, the moon landing symbolized the US’ embrace of a new territory to explore as well as the progress of scientific discovery. In the novel, it symbolizes the charting of new experience: the emotional growth that occurs for the Foley-Levins during this same week of July. Positive new frontiers are emphasized as Blair embraces motherhood, Jessie finds her own maturity, Kate confesses the secrets of her past, and Kirby stands up to Luke and redefines her relationship with Darren. Even the traditional Exalta changes on July 20, 1969, when Neil Armstrong steps onto the moon. As he proclaims that he’s taking “one small step for man, one giant leap for mankind” (360), Exalta solidifies her love affair with Bill. At the beginning of the novel, growth seems distant and far away, like a foreign planet, but like the astronauts safely navigating their mission, the Foley-Levins find fulfillment in their lives.
By Elin Hilderbrand
Brothers & Sisters
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Daughters & Sons
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Family
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Friendship
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Historical Fiction
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Marriage
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Mothers
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Romance
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