Story of O

Is there a meaningful distinction between erotica and pornography? Discuss in the context of the sexual acts described in the novel.

To what degree is Story of O an ahistorical text, and to what extent is this a deliberate choice by the author? Discuss in connection with clothing and the absence of cultural or political references in the novel.

Consider O’s remark that being at Roissy felt like a dream that she could wake up from. To what degree is it possible or desirable for the sadomasochistic project to escape the world of fantasy?

Consider the irons and marks that Sir Stephen has imposed on O’s body and his rationale for doing so. What is the role of consent in this action? Can O be Sir Stephen’s “property” if her submission is founded upon her own agreement?

Consider the novel’s structure, particularly its “alternate” beginnings and endings. Why does the published novel end so abruptly? What is the main message of the novel’s ending, particularly as it relates to sadomasochism?

Consider the role of both dominant and submissive roles and gay and lesbian desire in the novel. Does Story of O reaffirm conventional gender norms and sexual orientations, or subvert them?

To what extent is the feeling of humiliation affected by perceived differences of social status? Consider in the context of O’s “humiliation” in front of minor characters in the novel like Pierre, Norah, Eric, and Nathalie.

Consider the role of Jacqueline in Story of O. To what extent does she represent the element of ordinary life that remains uncorruptible by O and the world of Roissy?