34 pages • 1 hour read
Leslie FeinbergA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
With nowhere else to go, Jess turns to her old friend, Gloria, from the print shop. Gloria is now a single parent, living with her two young kids, Scotty and Kim. Jess quickly bonds with them, filling in as a babysitter or nanny whenever Gloria needs parenting support. Meanwhile, Jess and her friend Grant further consider the issue of steroids. Both are nervous about it but feel it is the only recourse that they have. They go to see a doctor, who offers them hormone shots if they pay him $2000. He is dismissive of their questions and it is clear that they are to administer their own shots and will not be back in to confer with him about any issues or side effects. Before her facial features change or her voice begins to deepen, Jess decides it is time to move and start over, this time as a man.
Jess is ecstatic the first time she is able to pass as a man at the barber’s shop. Jess also gets a job at a new plant, where she passes as male. By a quirk of fate, she runs into Gloria and the kids. Scotty and Kim recognize her and are thrilled to see her, asking “Do you still love me” (174). Jess answers, “More than ever” (174), but Gloria is horrified by Jess’s transition and tells Jess to get away from them and stay away from them.
Jess gets a job as a mechanic and life seems more sedate now that she passes for male. Still, she worries about being harassed by the cops, and being stopped and asked for her license, which marks her as female. Because of this, she decides to undergo breast surgery. The medical procedure is brief, with her regular doctor not even attending and offering no follow-up care. Once she is finally recovered, she calls her friend Edwin, only to learn that Ed has committed suicide. Disconsolate, Jess rushes to Theresa’s house and another woman opens the door. Jess turns away, feeling empty and alone.
On the job, Jess befriends an older man, Ben, who has had a checkered past and needs someone to talk to. Ben’s troubled youth culminated in a brief stint in jail; Ben tells Jess this one night, at a bar. He talks about his life in present day, as well, and worries about his daughter, who has Downs Syndrome. Jess is acutely aware that Ben wants her to reciprocate and tell him more about herself, but she doesn’t.
Jess meets an attractive waitress, Annie, at the local spot where Jess goes for coffee and a danish. Jess finds it strange to be able to flirt or ask someone out in public and for others watching to not be offended. Annie agrees to a date and Jess quickly gets to know Annie’s daughter, Kathy. Without Jess revealing anything more about her identity, the two of them sleep together. Jess decides to end their relationship when they attend a wedding and Annie lashes out about some “faggots” who are also there (195). Jess is shocked and appalled and ends the relationship quickly.
Jess’s union organizing continues at her new job, where she is well liked and feels secure, now that she is passing. She makes friends with a fellow organizer, Bolt, and is excited when her old friend Frankie shows up on the job as a new recruit. It remainsa happy reunion until Frankie introduces Jess to her lover, a woman named Johnny,whom Jess already knows. Jess is sure at first that there must be a mistake because Frankie and Johnny are both butch lesbians. She tells Frankie she can’t understand, and Frankie asks her to accept it, even if she can’t understand. Jess refuses to do so.
Another old friend also appears: Jess’s fellow union organizing associate, Duffy. Duffy is thrilled to see Jess and begins to sing Jess’s praises to the other employees. It is then that he makes a serious blunder, using the wrong pronoun when he is describing Jess. When he calls Jess “she,” Jess knows her time at that job is done.
At the grocery store one day, Jess runs into the woman she once lusted after, Edna. The two catch up and they both admit to feeling like ghosts, Jess because she is passing as a man and Edna because she feels she doesn’t have a clear place in the women’s liberation movement. They are both alone and find solace in each other. Their relationship becomes sexual and Jess begins writing her poetry and bringing her flowers. Edna ends the relationship, saying she needs time to be alone.
After leaving Theresa, Jess has nowhere to go and returns to Gloria, who helped her out long ago, when she first needed a connection to the gay and lesbian community while still in high school. Jess’s relationship with Gloria’s kids is a purely uplifting experience, as they love and accept her without question. Jess regrets leaving them and worries that they will feel she has abandoned them, but also feels that as she transitions, she should seek out a new life and space for herself.
Along with her friend Grant, Jess gets hormones from a doctor who is clearly not interested in monitoring the women’s health or progress as much as counting the money for the shots. It isn’t long before Jess is able to pass, and she feels a sense of exhilaration over how easy life suddenly seems. When strangers approach her, it is not to question or harass her anymore. Jess is still concerned about the cops and what would happen if she were stopped on the road and asked to show ID that labelled her as female. This worry is what prompts her breast surgery, a procedure during which she again given clearly inferior medical attention. Shortly after her surgery, Jess learns that her friend Edwin committed suicide and feelsso distraught and overwhelmed she runs to Theresa’s house. When another woman opens the door, it is plain to Jess that Theresa has moved on and that Jess will need to do the same.
Jess makes some interesting connections in this section of the narrative, all of which underscore the complexity of her identity. She has a short-lived romance with a waitress who turns out to be vocally homophobic, not realizing that Jess herself is passing. Jess also connects with an older male co-worker named Ben who is eager to share his painful life stories. With a younger male co-worker, Bolt, Jess further hones her labor organizing skills. She also reconnects with Duffy, who accidentally refers to Jess by the wrong pronoun and costs Jess her job. In her anguish, Jess turns to Edna, whom she is still attracted to. Their romantic liaison is abruptly ended when Edna tells Jess she just needs to be alone.