51 pages • 1 hour read
Pam Muñoz RyanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Guards lead Queen Rosalinda and Señor Verde into the room followed by Señor Verde’s new assistant, Juan Pedro, and red-faced King Aveno. King Aveno has placed everyone under house arrest. Abuela screens Solimar from view, partially closing the door. Hidden, Solimar listens. Aveno will hold everyone hostage until King Sebastián agrees to sell him the land containing the oyamel forest. Aveno has spies and guards in Puerto Rivera to stop the king and prince from attending the alliance meeting with other rulers. Aveno knows that the weaker kingdoms will not challenge him. Señor Verde, distraught, apologizes for not realizing Juan Pedro was a spy.
Aveno wants to find Solimar. Abuela loudly says that she sent Solimar for her golden book. Guards fan out to search. Solimar understands that Abuela wants her to escape through the tunnel. She safely reaches the library tunnel and eavesdrops on Juan Pedro and Aveno. Juan Pedro overheard the women at Doña Flor’s house and knows about Solimar’s magic. Aveno wants to use Solimar’s gift to become more powerful. Aveno sends guards to Doña Flor’s house and down the caravan road. Solimar knows she must warn her father and Campeón. Lázaro and Zarita await her when she emerges from the tunnel.
Solimar runs to Doña Flor’s house ahead of the guards and tells the curandera what happened. Doña Flor explains that the Río Diablo is a faster way to Puerto Rivera than the mountain trail. Solimar can take Doña Flor’s small canoe down the river or carry it overland around the hazardous parts. Doña Flor gives Solimar a shirt, trousers, and a life vest made from kapok tree seeds, which will make Solimar unsinkable, but not unbreakable. Solimar must stay to the left when she reaches a wide expanse of water, and paddle ashore to avoid the waterfall. At the confluence of two rivers, she must go left to avoid an even more dangerous waterfall, and to reach the labyrinth of caves.
Frightened and uncertain, Solimar worries she will not know what to do, but she must try to save her family. Doña Flor advises Solimar to trust her intuition and her inner strength. Solimar has “something special deep inside [her]” that Doña Flor, the monarchs, Zarita, and Lázaro all sense (93). The sound of horses announces the arrival of Aveno’s soldiers, and Solimar hurries to find Doña Flor’s riverside boathouse.
Solimar finds the hut and Doña Flor’s small canoe. She hides her fancy quinceañera dress, feeling sad that she may never have the ceremony. Solimar hopes she is doing the right thing. She knows she must reach her father and brother. She paddles away, accompanied by Lázaro and Zarita. The river comes to a split that Doña Flor did not mention. Solimar doubts herself. Butterflies approach. Solimar holds out the rebozo and some butterflies emerge. Solimar hears ancient singing and the canoe moves to the right, following the butterflies. Solimar thanks the monarchs.
Solimar reaches the large lake and hears the waterfall ahead. She tries to paddle left to shore, but the current is too strong. The canoe is pulled to the edge. A wide net spans the river. The canoe slips under the net, goes over the waterfall, and crashes to pieces at the bottom. Solimar clutches the net as it is pulled ashore. There, a dark-haired boy, Rigoberto Ayala Bernal, or “Berto,” is overjoyed that the contraption of net and gears he calls “the Confiscator” has saved someone’s life. Berto is slightly older than Solimar. Solimar thanks him and pleads for help getting downriver. Berto agrees to listen but cautions that night is coming, and that they should talk somewhere safe.
Berto pulls on some ropes revealing a ladder leading to a boat-like platform built around the tree. The two ascend. The treehouse holds shelves for books that Berto pulled from the river. A second level holds a small kitchen area and partitioned space with a hammock mattress, all made from items Berto scavenged. Berto gives Solimar dry clothes. The two climb to a third platform shaped like a crow’s nest on a ship which looks out over the treetops. Berto calls it “the Crown.”
Berto points out his homeland, a distant valley between two mountains called Valle Granada, named for the pomegranates that are farmed there. Berto’s family still lives in the valley, which is unclaimed by the two neighboring kingdoms. Water is growing scarce in the valley, endangering the pomegranate crops and the peoples’ livelihood. Berto, a self-proclaimed “flume-ologist,” is investigating how to make a reservoir and channel water from the lake, sending it down through canals and flumes to his valley. Berto lacks resources but knows he must try because his family and homeland depend on him. Solimar understands how he feels.
Solimar reveals her royal heritage and the current conflict with King Aveno. She urges Berto to be open-minded, then tells him about the monarchs, her rebozo, and her magical gift. Berto believes she hit her head and is delusional. Lázaro’s royal leg band and the shimmery rebozo are not enough proof for Berto. He needs to check a fishing net, and Solimar, to ensure his help, uses magic to tell him exactly what he will find in his net. When Berto returns, he is convinced. Zarita, quiet until now, also proves alarmingly convincing. Solimar promises to use her royal influence to help Berto realize his reservoir and flume project if he helps her. Berto jumps at the opportunity to save his family, Solimar’s family, the oyamel forest, and the monarchs.
Berto and Solimar will leave in the morning. Their journey to Puerto Rivera will take two days by boat and one day by land. Berto makes a pair of practical river sandals for Solimar. She contrasts them wistfully with her silver quinceañera shoes, which she would now gladly wear if given the chance. Solimar feels the weight of her responsibilities.
The foreshadowed conflict with King Aveno emerges, illustrating the differences in values held by Aveno, the antagonist, and heroes Solimar and Berto, who believe in The Importance of Conservation. Like Solimar, Berto carries similar responsibilities and proves to be a family man and an environmentalist. Solimar continues to show both her inner strength and her growing maturity as she braves the dangerous river.
King Aveno is fleshed out further as the novel’s antagonist. He is avaricious and resorts to violence to force King Sebastián to sell his land, revealing that he is motivated by money and power. Aveno has no moral qualms: He believes he is above the law. The queen notes, for example, that King Aveno is resorting to illegal “blackmail” rather than lawful “negotiation.” Aveno’s self-serving focus on affluence is evident in his physical display of wealth: He wears multiple rings, and even sports a gold coin around his neck like a talisman, showing his emphasis on money.
Aveno wants Solimar’s magic for self-gain: to suss competitors’ weaknesses, make lucrative business deals, and gain limitless power. King Aveno is Solimar’s ultimate foil. He does not care about getting along with his neighbors or the well-being of Solimar’s family or kingdom, and especially does not care about the environment or the future of the monarchs. Aveno will use magic even though it will cause the deaths of the weakened butterflies. Similarly, Juan Pedro shows how the lure of wealth—King Aveno is paying him more than King Sebastián—makes him act selfishly and unethically. The bad guys care more about themselves than other people, or the natural world around them.
Solimar and Berto’s good natures stand in striking contrast to the selfishness of King Aveno and Juan Pedro. Solimar cares about preserving nature: She willingly carries the responsibility of protecting the monarchs and their ancestral habitat. She recognizes their importance: The butterflies are integral to the well-being and prosperity of her kingdom.
Solimar has an incredibly important task. She knows that she must warn her father and brother to stop King Aveno from hurting her family—it is up to her to reach her father and “change the destiny of her kingdom” (113). Solimar fears for the well-being of her family and home. In spite of her fear, she finds her courage and braves the dangerous river trip. Solimar feels the weight of all her responsibilities but is unselfishly willing to risk her life for her family, kingdom, and environment. In this way, the novel shows that she is a worthy heroine.
Berto also holds the fate of his family in his hands. His water retention and transfer project must succeed for his family to keep their home and livelihood. Like Solimar, he takes responsibility for his family’s future. Berto also loves nature, shown in his rescue and release of the small animals he saves in his Confiscator. When Solimar asks if he will help her get to Puerto Rivera, Berto reveals that like Solimar, his family and the environment are priorities. Helping Solimar would help both of their families, and Berto reasons, not helping would make him complicit in what is tantamount to a crime. Berto and Solimar share similar humanitarian world views and positive values that are very different from those of King Aveno and Juan Pedro. In this way, the novel suggests that heroes are not just brave and independent, but protective of their family, community, loved ones, and the natural world.
Solimar displays both mental and physical courage as she braves the dangerous river. Although she experiences self-doubt, Solimar follows Doña Flor’s advice to trust her inner strength and intuition. Mentally, Solimar perseveres despite her insecurity, and she shows physical bravery in the face of potential death as she struggles to stay alive at the waterfall. In this way, the novel shows how people are not heroic because they lack fear, but because they persevere in spite of it.
Solimar’s never-give-up approach to challenges epitomizes Muñoz Ryan’s emphasis on female empowerment. Solimar also reveals her growing sense of maturity, represented in the contrast between her silver-heeled shoes and the sandals Berto makes her. While the shoes symbolize the safety and glamour of her past and royal family, the sandals reflect her resilience. They also give her a new perspective on her quinceañera. What she had viewed as a tedious, frivolous ceremony, Solimar now realizes has emotional and symbolic significance for her father and mother.
By Pam Muñoz Ryan