47 pages • 1 hour read
Jon RonsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter 11 begins with the story of Lindsey Stone, a caregiver for adults with learning difficulties in a program called LIFE. Stone and her fellow caregiver, Jamie, had a running gag where they would take pictures of each other mocking specific circumstances, like smoking in front of a “No Smoking” sign. While on a trip to Washington, DC, Jamie takes a picture of Stone giving the middle finger to a sign that reads “Silence and Respect” at Arlington National Cemetery, where American military veterans are buried. The picture is posted to Facebook and goes viral. People are outraged by the lack of respect she is showing veterans and Stone gets rape and death threats. She is also fired from her job at LIFE. Eventually, Stone gets another job caring for children with autism, but she still lives in fear that her employer will Google her and find out about the photo and the ensuing outrage.
Ronson then tells the story of writer Graeme Wood, who is following a fraud case of his former Harvard classmate Phineas Upham when he notices that many of the websites and online news stories about him seem designed to make Upham look like a dedicated philanthropist rather than someone who had faced charges for financial misconduct. With a little digging, Wood learns that the coverage was orchestrated by the company Metal Rabbit Media which does “black-ops reputation management” (207). Wood puts Ronson in touch with Bryce Tom of Metal Rabbit Media, but Tom doesn’t respond. Instead, Ronson connects with Michael Fertik, who runs a different reputation management company. Ronson arranges with Fertik to give Stone free reputational management services, so Ronson can observe how the process works.
Later, while hanging out at billionaire Vanessa Branson’s Marrakesh palace, Ronson runs into death row lawyer Clive Stafford Smith. Ronson tells him he is working on a book about public shaming and asks Smith if shame is the “default position” (220) in the court system as well. Smith says it is, particularly when the opposing attorney wants to discredit an expert witness. Ronson wonders about the effects of building an institution, the court system, around shame.
After his conversation with Smith, Ronson signs up for a workshop for potential expert witnesses in the court room. The trainer, John, discusses ways that the opposing attorneys will try to shame the witnesses, to make them look less credible, and ways of resisting this shame. For example, John recommends the witnesses look at the judge when responding to questions, rather than at the interrogator. Later, they do a mock cross-examination. Ronson acts as the judge while a marine metallurgist named Matthew is examined. Matthew gets flustered and embarrassed during the questioning, and Ronson catches himself for judging the way Matthew folds under pressure.
Ronson then turns to the story of a Scottish teenager named Linsday Armstrong, who was sexually assaulted. Ronson, who was in touch with Armstrong’s mother, prints part of Armstrong’s cross-examination, where the opposing counsel shames her for the skimpy underwear she was wearing at the time of her assault. The boy was found guilty, but Armstrong killed herself three weeks after the trial. This leads Ronson to wonder if there is “a corner of the justice system” (228) where shame is not employed as a tactic.
The chapter begins with a man walking into a restaurant in New York City’s Meatpacking District and yelling at a child to “STUDY HARD AT MATH” (229). The man is former governor of New Jersey Jim McGreevey. Ronson discusses McGreevey’s past as a rising star in the Democratic party. While on a campaign trip in Israel, McGreevey met a man named Golan and fell in love; McGreevey was not openly gay at the time, due to the political environment. McGreevey won the governorship and gave Golan a special appointment in his cabinet. When the local press found out about it, McGreevey fired Golan and threatened to sue the press. McGreevey then came out as gay and resigned his governorship.
Ronson then shifts to tell the story of psychiatrist James Gilligan, whose research led him to the conclusion that violent criminals act out because of their deep shame and low self-esteem. As a result of their humiliation, they shut down emotionally, which makes Ronson think of how Jonah Lehrer felt when faced with the Twitter comments during his apology. Based on his research, Gilligan creates therapeutic prison environments where the prisoners can “eradicat[e] shame” (240) and improve their self-esteem, and they were highly successful at improving prisoner behavior. Eventually, many of the programs were shut down, but former governor Jim McGreevey runs one at the Hudson Country Correctional Center in New Jersey.
Ronson visits the therapeutic prison center with McGreevey to observe the environment and interviews one of the inmates, Raquel. He learns that she lost custody of her children due to child abuse and is facing charges of attempted murder of her son. In a follow-up interview some months later, Ronson learns that she is given a lesser charge and is eventually offered a job working at the halfway house where she was living after prison.
In these chapters, Ronson explores Justice and Redemption in depth. His analysis here is primarily focused on redemption within the criminal justice system, but he connects it to the possibility for redemption from public shaming via reputation management. In his discussion of reputation management, Ronson also digresses to meditate on the nature of traditional reporting, such as the kind he and Moynihan do, and how it is ambiguously related to public shaming.
The story of McGreevey is particularly important as a case study of public shaming and the possibilities for redemption within Ronson’s framework. Ronson only provides McGreevey’s side of the story. As presented by McGreevey, the former New Jersey governor gave a “concocted job” in his cabinet to an Israeli man named Golan with whom he was having an affair. When the story was reported by the traditional local press, Golan threatened to sue for sexual harassment, leading McGreevey to resign his position and come out as gay. In a later interview with Haaretz, Golan portrays the situation differently. He claims that McGreevey subjected him to “physical and verbal” sexual harassment while governor and that he was fired when he rejected McGreevey’s advances. He notes that the incident ruined his reputation: “I was portrayed as a ridiculous character” (Haaretz, August 19, 2004) After these events, McGreevey reentered the story running a therapeutic prison center in New Jersey, helping inmates overcome shame and low self-esteem in order to re-enter society. While this is not explicated in Ronson’s discussion of the case, it is implied that McGreevey has a unique understanding of the pain of being publicly shamed as a result of one’s actions and therefore it is particularly fitting that he has a position helping others who have faced similar circumstances.
Ronson notes that many of these therapeutic prison centers have been shut down, as the criminal justice system is more often interested in perpetuating shame in others rather than overcoming it. In society, shame is often viewed as a tool for encouraging people to change their behavior. In his interview with psychiatrist James Gilligan, Ronson learns that shame is often the cause of criminal behavior rather than an effective deterrent of it. Gilligan notes that the shame caused by secrets leads people to act out. While Ronson does not explicate this, it is implied that this analysis has possible bearings on McGreevey’s circumstances: Was he driven to make poor ethical choices as a result of the pressure and shame he felt living and working in an antigay environment?
Ronson’s coverage of Raquel’s redemption arc as a result of participating in the therapeutic community indicates that he feels the criminal justice system can rehabilitate people in a way that mob justice cannot. However, unlike in the other cases of shaming Ronson covers, where he presents both sides of the story, in the cases of McGreevey and Raquel, he only provides their accounts of the facts. Further, as Ronson’s participation in the expert witness workshop demonstrates, the criminal justice system typically uses shame as a tool. Ronson does not comment on his decision to cover these cases one-sidedly, which means he is not focusing on whether McGreevey and Raquel deserve a chance at redemption. Rather, he is looking at the ability or inability of the justice system to use its resources for redemption rather than shaming.
Next, Ronson explores reputation management as a mode for achieving redemption after public shaming as a result of social media and/or criminal activity. Like in the traditional criminal justice system, the possibilities for redemption are wildly unequal based on class. In the traditional justice system, wealthy people can hire sophisticated lawyers who are solely focused on their cases while lower-income individuals may have to use public defenders or not have a lawyer at all. Similarly, wealthy people are able to afford the expensive services of reputation management firms, whereas middle- or lower-income people cannot. Ronson learns that these services cost hundreds of thousands of dollars and describes them as “a shaming-eradication service that only the super-rich could normally afford” (217). Ronson’s exploration here shows that the possibilities for any kind of redemption are limited to those with privilege, be it gender-based or socioeconomic. Those with neither, like Lindsay Armstrong, are subjected to shaming that can have live-ending consequences even if they are innocent.
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