41 pages • 1 hour read
Ana CastilloA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
The world of So Far from Godis one in which cultures, ethnicities, and religions collide and mix. There are the Native, or Acoma Pueblo, people, as well as those of Spanish and Mexican descent. Gringos, or white people, also filter into the equation. On the level of the text itself, this cultural mixing is apparent as the text intermixes Spanish with English. Both the characters and the narrator speak in this manner, thus giving a sense of the tenor of this community.
Though these cultures exist together, tension is still apparent. It’s better to have Spanish blood than Native blood, and the women in Sofi’s family, “despite her grandmother’s insistence that they were Spanish, descendants of pure Spanish blood all shared theflat butt of the Pueblo blood undeniably circulating through their veins” (26). Many people are a mixture of these cultures but perpetuate a subtle racism against the Native people, who are darker. So, too, are the white people encroaching on land belonging to Native and Latino people. Many can no longer afford to tend the farms, so the land is being bought up by white people with more money.
Catholicism and native religious traditions mix more fluidly in this community. This is a world in which Francisco can be both penitente and santero, and in which doña Felicia can believe in the Catholic God but also dole out folk remedies. In her attempts to cure Loca, doña Felicia draws on all possible healing traditions and tries, “every tratamiento known to the Rio Abajo curanderas, medicas from the montes, yerberas from the llanos, brujas de las sierras, gias from the pueblos—and men of that same profession, too” (233). Here, what matters most is to cure Loca. The origin of the remediesmatters less because they are all trying to accomplish the same goal.
Patriarchy is embodied by men’s actionsin this community, as well as the community’s social mores. Esperanza, Fe, and Caridad are all treated poorly and rejected by their boyfriends. The unspoken rule of this community is that a woman must have a man to be complete. Fe is completely undone when Tom breaks up with her, spending an entire year screaming. She becomes completely non-functional because her relationship ends. Similarly, news of her husband’s infidelity sends Caridad on a road of heavy drinking and casual sex until the night when she is violently attacked by unknown assailants. First emotional violence is perpetrated against her, then physical violence. She and Fe spend the next year in Sofi’s house, unable to care for themselves due to the actions that men in the community take against them.
Esperanza’s reactions to the men in her life are not quite as extreme. She also is rejected by her college boyfriend but goes on to have a career. However, she gets back together with him years later and turns down a job offer just to be with him, even though he treats her like, “a casual friend whom he prayed with and whom he made love with, but whom he could not call to ask on a given day how she was doing” (39). She does eventually break up with him after tolerating his emotional manipulation.
Male dominance does not act only on specific women, but rather infiltrates the thinking of an entire community. The narrator notes of a mythical figure, “La Llorona in the beginning (before men got in the way of it all) may have been nothing short of a loving mother goddess” (163). Here, the narrator shows that this trend of female oppression and destruction applies to even the myths of these communities. This suggests that these feelings are pervasive and exist on an essential level in So Far from God.
On a larger scale, patriarchal institutions destroy women’s lives. Esperanza is a woman who becomes successful despite her circumstances—she obtains a graduate degree and works as a television journalist. However, she is sent to Saudi Arabia where “so many men and women throughout the state had been shipped off in the last months because of the imminent global crisis” (47). Esperanza goes missing and is eventually pronounced dead. No one in Esperanza’s company nor the U.S. government will give her family any answers as to her fate. Here, the novel shows how, despite personal advancement, powerful, faceless institutions still have the power to destroy women’s potential. So, too, is Fe destroyed by an institution. She devotes everything to her job at Acme International, a giant corporation. After finding happiness in her marriage to Casey, her submission to this institution dictates her subsequent death. Though these women are able to get ahead in their careers and personal lives, the world of this novel suggests that a looming institution will enforce injustice upon them.
Similarly, the institution of Catholicism has the power to thwart women’s lives on a smaller scale. While this institution does not kill women, it does advance a doctrine of shame and repression when it comes to women’s bodies. After Caridad’s first abortion, “It would have been a terrible thing to let anyone find out that La Loca had “cured” her sister of her pregnancy, a cause for excommunication for both” (27). Both would have been removed from the Church as well as scorned by the community. Caridad is still judged by the community as a “puta,” or whore (135), because of all the sex she has after her breakup. The social mores of the community mete out judgment on women. In this way, it enacts a system of control that influences women’s actions.
The women of So Far from God endure continual abuse from men and patriarchal institutions. In some cases, such as Fe’s, women are completely destroyed by these aggressive forces. In other cases, though, women manage to subvert this dynamic and claim agency. Sofi is the primary example of this. Domingo brings chaos into her life, gambling away her possessions right after they marry as well as many years later, when he returns to their home. Sofi silently absorbs this injustice for years, but, when she is fifty-three, she decides to fix everything around her house that is in disrepair and to become the symbolic mayor of the city. She attempts to correct the imbalances within her own home, as well as those in the homes of others. However, Domingo continues to live off of her resources and gambles them away until she takes the ultimate action of divorcing him. Here, she claims ultimate agency by asserting that she no longer needs a man in her life after years of being deemed “la Abandonada” (218). She is not abandoned, but in control.After the death of her children, Sofi forms M.O.M.A.S, a place where women like herself can gather in a safe space away from these aggressive forces.
Though not all characters’ actions are as dramatic as Sofi’s, they still manage to complicate the power dynamic in other ways. Women like Loca and Caridad use healing and nurturingas a responseto the forces of violence and aggression in their own lives and the lives of others. Loca continually prays for Fe after she is jilted and Caridad after she is mutilated. Her prayers restore them to their former selves, proving the power of nurturing among these characters. After Caridad’s brutal attack, she gradually heals herself through healing others. She realizes her vocation as a curandera and finds peace therein. Even when she “dies,” she returns back to the earth. She jumps off the mesa of her own will with Esmeralda, not because of any aggressive force, as in her previous attack.
By Ana Castillo