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26 pages 52 minutes read

Nadine Gordimer

Six Feet of the Country

Fiction | Short Story | Adult

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Literary Devices

Irony

Irony manifests in the plot as well as between the characters. In the story, the Black employees attempt to maintain their established cultural traditions through the burial of the young man, but they are forced to operate within the mindset and apathy of the white populations, something that becomes even more salient when they discover the wrong body in the coffin. They also realize they spent months’ worth of their salary only for the body never to be recovered, leading to the protagonist remarking how the only one to not lose money was the undertaker, who had done his job, and that the whole thing was “a complete waste” (20). Additionally, Petrus’s beliefs concerning his white employers are ironically disproven when the protagonist cannot retrieve the body through his own power, even though Petrus earlier believed that “white men have everything, can do anything” (13). The protagonist’s belief in his “triumph” of living in the country and escaping the problems of the city is also disproven by the end, as the corrupt political system affects even the farm, which he is powerless to stop.

Point of View

The protagonist is nameless, but the story is told from a white viewpoint in apartheid South Africa. This allows Gordimer to explore the ramifications, and especially the nuances, of white apathy toward the Black population. The narrator is in a uniquely mediated position—though he feels definite disgust for apartheid authorities and even disdains apartheid itself, his narration betrays his unconscious attitude that he believes he is still “superior” to his Black employees. By so exposing the protagonist’s layered consciousness, Gordimer underscores how prejudice can exist even without being overt or outright hostile. The narrative point of view also dramatizes the white protagonist’s increasing sense of powerlessness, which creates irony insofar as readers might initially assume that a white character would be categorically magisterial in the context of South African apartheid. As a white person, the protagonist does exercise some power when it comes to having the body exhumed, but he is also powerless to find the actual body when it goes missing. As the reader witnesses the protagonist’s helplessness against these injustices, the dilemma emphasizes the formidable nature of the corrupt political system; though South Africa was never ruled by a dictator, elements of apartheid were essentially totalitarian.

Plot Twist

The plot twist occurs when the deceased’s father discovers that the body in the coffin does not belong to his son. However, a greater plot twist occurs when the protagonist is unable to locate the body of the young man, demonstrating that even the white population isn’t as powerful as the political mindsets dominating the country. The protagonist suddenly loses the power that a white character would have been expected to maintain in this context. With the twist of the body being misplaced, Gordimer does not offer the characters closure but rather makes a point concerning how both separated parties suffer when one is stripped of its autonomy and freedom.

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