43 pages • 1 hour read
Holly Goldberg SloanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes discussion of pet death and grief.
Short begins seven weeks after the death of Ramon, Julia’s dog, and dogs feature prominently across the novel as a motif that marks how Julia is Processing Grief. At the start of the novel, when Julia’s grief is fresh, she’s “looking all the time for Ramon” (4). She has kept Ramon’s collar, his dog tags, and a wooden carving of him; her parents are concerned about her holding on to these things, a reflection of their concern over Julia’s lingering grief.
Julia is sitting outside “looking up at the sky while thinking about Ramon” when she learns that she has been cast as a Munchkin (19). This foreshadows how her time in the play will interrupt her grief, ultimately helping her move through it. In the weeks leading up to the first show, Julia meets Coco, the terrier who will play Toto in The Wizard of Oz production. The terrier’s presence represents how the memory of Ramon stays with Julia alongside her new memories, even though she is moving through her feelings about his death.
At the end of the novel, Stephen Boyd congratulates Julia after the last performance and invites her to his house to meet his new rescue dog, Phyllis. Rather than resent Stephen’s new dog, Julia is excited to meet Phyllis and doesn’t immediately begin thinking of Ramon. Julia can now live in the present and engage with new relationships and new dogs. In the final scene, Julia gives her wooden figurine of Ramon to Shawn Barr, signaling how far she has come in processing her grief—both over the loss of Ramon and over the end of the play’s run.
Julia’s father makes family scrapbooks, and Julia connects this practice to the role that documenting an experience plays in sealing which parts of the experience are remembered. Julia therefore decides to start her own scrapbook so that she can memorialize her unique perspective on the summer. The scrapbook is both a symbol for Julia’s growth through the summer and the container for smaller symbols—like Ramon’s hair and the popsicle from Mrs. Chang—that Julia selects after important moments in the novel. The scrapbook transforms when Shawn Barr chooses to give Julia his script notebook from the production, and she realizes, “[T]his [the script] is my scrapbook of the summer” (294). These bound reflections of one character over the course of time represent The Power and Purpose of Theater as a place of transformation and personal growth.
The first costume pieces that Mrs. Chang creates for the production are Julia’s Munchkin shoes. The shoes symbolize both Julia’s relationship with Mrs. Chang and her attitudes about the play. At first, Julia absolutely does not want Mrs. Chang to make her shoes for the show, much as she did not want to get to know Mrs. Chang or even be in the show itself. The minute Julia sees the shoes, they exceed her expectations; Julia says, “I want to take these shoes and not just wear them: I want to hug them” (84). By the end of the scene, Julia and Mrs. Chang dance and laugh together, recalling Julia’s investment and excitement by the end of her first rehearsal.
When Julia arrives at rehearsal with her Munchkin shoes, Shawn Barr praises her initiative and makes her the lead Munchkin dancer. On her first day with this new title, Julia chooses to leave her Munchkin shoes at home “so as not to point out that [she’s] the person who showed ‘initiative’” (107). This reflects Julia’s hesitance to fully step into the leadership role that Shawn Barr has given her. At the end of this rehearsal, Julia is not only more comfortable in her role but also planning to ask Mrs. Chang to make costumes for all the other Munchkins as well. Julia’s journey from apathy to excitement to hesitancy and finally to acceptance in regard to her Munchkin shoes reflects her larger journey with the play.
By Holly Goldberg Sloan