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43 pages 1 hour read

Mark Shulman

Scrawl

Fiction | Novel | YA | Published in 2006

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Character Analysis

Tod Munn

Tod is the eighth-grade protagonist of the novel who is writing his story in journal entries to confront the consequences of his actions. Although Tod is an anti-hero and unreliable narrator, he claims that he is being honest in his writing. At school, Tod is known for being a thief and a violent and fearful bully, and at first, he seems proud of his reputation. He gets into trouble with his friends, and he has something mean to say about everyone. He is angry at his teachers, peers, and the school environment, where he is constantly at odds with the armed security guards. At home, Tod lives in poverty with his mother and her husband, Dick. Tod’s mother is always busy trying to make ends meet with her job as a tailor, while Dick works in landscaping. They both force Tod to help with their work and put Tod’s wages toward household expenses. Tod refuses to speak about his father, although his entries suggest that his father left the family when Tod was younger. Tod’s home is cramped and cold. He is always hungry and looking for his next meal. Tod’s hunger is easy for others to ignore or ridicule because he is large. This has led to issues with low self-esteem, which is redirected outward to bullying other students. Frustrated with how he is treated at home and school, Tod’s has become aggressive, hateful, and darkly sarcastic.

Nevertheless, through his journal entries, Shulman characterizes other sides of him. He is secretly observant and intelligent, always making the honor roll with high grades even though he plays dumb for everyone else. He helps Bernie by protecting him from other bullies, doing his homework, mending his coat, and showing concern for Bernie’s sick mother. He admires and protects Luz’s work, and he keeps his word by helping with the play’s costumes. He shows concern and respect for Mrs. Woodrow. In the end, the narrative reveals that Tod has been cyberbullied himself, and Tod confesses that he only bullies wealthy, mean kids for their money so that he can eat. Therefore, Tod’s aggression is portrayed as a cry for help and part of his struggle to survive. Although this doesn’t justify his behavior, by the end of the novel, the narrative highlights that Tod has been pigeonholed into the stereotype of the “big bully.” His teachers and peers assume and expect the worst of him without caring about his motives, so Tod has bitterly played this role. When he finally gets recognition for his work with the costumes, Tod is vindicated and more confident. Cutting ties with his old friends Rex and Rob, as well as developing his relationships with Luz and Mrs. Woodrow, helps him not feel so hopeless about school. He ultimately learns that he doesn’t have to be what others tell him that he is, and his character development follows an arc of redemption.

Mrs. Woodrow

Mrs. Woodrow is Tod’s guidance counselor who fulfills the mentor archetype. She has intervened to make sure that Tod doesn’t go to juvenile hall for destruction of school property. Instead, she has Tod write in a journal in detention every day while his friends do yardwork outside. Mrs. Woodrow is no-nonsense and straightforward. She doesn’t coddle or manipulate Tod. She directly encourages his skills in writing and storytelling, and she appreciates his dark humor. She confesses that she saw something different in Tod that made her advocate for him: He interpreted a school sign in a humorous, ironic way. Therefore, she is one of the only adults in the story to take an interest in Tod and view him as more than a stereotype. She is the mouthpiece for the novel’s moral about giving underprivileged children a chance and taking time to learn about their behavior.

While the beginning of the novel is filled with Mrs. Woodrow’s marginal notes and responses to Tod’s writing, eventually she takes a more silent role. In this way, she becomes an invisible sounding board for him, helping Tod express himself in a new and productive way. As the reader for his entries, Mrs. Woodrow is also a stand-in for the reader of the novel itself. In addressing her, Tod addresses the reader directly, making the novel more intimate. Thus, Mrs. Woodrow is a plot device which helps the narrative get inside Tod’s mind while helping him understand himself better. In the end, Tod’s bullies receive justice because of Mrs. Woodrow’s interference and belief in Tod’s honesty. Tod even begins writing in his own separate journal thanks to Mrs. Woodrow’s influence. 

Tod's Friends

Tod’s friends Rex, Rob, and Bernie play an integral part in Tod’s characterization. He calls them his “droogs,” and he assumes the role of their leader. When Tod claims at first that he alone is responsible for reining in their troublemaking tendencies, his unreliability as a narrator means that it is ambiguous whether this is the truth. However, over the course of the story, the narrative does portray Tod trying to keep them in line, especially in the end.

Rob is wealthier than the others. He doesn’t fit in with other kids of his socioeconomic class because he enjoys stealing. He socializes with the “droogs” because they align more with his interests and demeanor. Because he has more money, Tod resents him and doesn’t understand why Rob is so unhappy. Rex lives in poverty like Tod, but Tod claims that Rex is moody and unpredictable. He surprises Tod by being familiar with bible scripture. This suggests that Rex’s family raised him to be religious, but poverty has made him bitter toward the idea of a loving God. Rex enjoys smoking, violence, cars, chaos, and stealing as well. The irony of two of Tod’s “friends” turning out to be the antagonists in the end demonstrates that people aren’t always who they seem, just like Tod turns out to be more than the stereotypical bully.

Bernie is Tod’s oldest and closest friend. He is scrawny, poor, and once enjoyed starting fires until Tod made him stop. Bernie’s mother is ill, which Tod assumes is the reason for Bernie’s frequent absences; he later finds out that Rex and Rob have been bullying him. Bernie is loyal to Tod until the end and is the friendliest of the “droogs,” warning Tod about Rex and Rob’s plans to sabotage the play and frame them. Tod feels protective of Bernie and treats him like a younger brother.

Overall, the “droogs” highlight Tod’s character development. He has never fully trusted Rex and Rob; he sees them more as people to control so others don’t get hurt or as people to support his aggressive desires. Bernie reveals Tod’s compassionate nature underneath the bully bravado. Bernie is Tod’s foil: weak where Tod is strong, skinny where Tod is hefty, and more openly vulnerable where Tod puts on pretenses.

When the boys’ real names are revealed in the end, this further shows Tod’s role as an unreliable narrator and the storyteller in control: the reader only know what he tells them. Because Tod has suggested that Rex, Rob, and Bernie are their names, it is only when their true names are revealed as Donny, Scott, and Doug, respectively, that the narrative clarifies that their nicknames are humorous plays on how Tod classifies them in his mind.

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