logo

43 pages 1 hour read

Linda Sue Park

Project Mulberry

Fiction | Novel | Middle Grade | Published in 2005

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Cultural Context: Sericulture and Embroidery

Content Warning: This section references wartime violence and sexual assault.

Sericulture, or the study of silkworms and silk production, originated in China about 5,000 years ago and spread to Korea around 200 BCE, at least in part due to Korea’s placement along the Silk Road. Silkworms (Bombyx mori) are attracted to mulberry leaves via a chemical called cis-jasmone; the silk produced from their cocoons is not only aesthetically appealing but broadly useful, being both strong and suitable for warm and cold temperatures. Traditional Korean clothing, called hanbok, is made from silk (often colorfully dyed).

Korean embroidery also has a rich and colorful history, and silk thread embroidery is common. When using silk, Chinese, Japanese, and (North) Korean embroiderers often use poonsasil, “thread that is not twisted when it is extracted from a cocoon, allowing artisans to create realistic works, though [...it] can be easily damaged” (Park, Sang-Moon. “This Master Embroiderer Uses Every Stitch to Restore and Promote the Craft.Korea JoongAng Daily, Korea JoongAng Daily, 3 Dec. 2020). During the Joseon Dynasty (1392-1910), embroiderers for the royal family used a unique technique called jaritsu that involved twisting multiple silk strands together into a single thread.

Embroidery was not limited to women. By the latter half of the Joseon Dynasty, women, especially upper-class women, were restricted to the inner areas of the house, called gyubang. There middle- and upper-class young women learned embroidery, as it was associated with “feminine virtues” (McCormick, Sooa Im. “Exploring Gender Roles in the Creation of Korean Embroidery Arts.CMA Thinker, Cleveland Museum of Art, 6 Aug. 2020). These women embroidered rank badges. Women and girls also trained for 15 years at the royal embroidery studio to make embroidered folding screens in collaboration with (male) court painters, who provided designs and color schemes. Male embroiderers later emerged due to the demand for these folding screens. They established professional workshops in Anju, Pyeongan Province (known for its high-quality silk thread), and partnered with monochrome ink painters to create their own embroidered silk folding screens for the elite. Unlike women, however, male embroiderers used “long stitches in thick untwisted silk threads” rather than the “small and tight stitches in fine twisted silk threads” used by women (McCormick).

The silk embroidery tradition continues to the present day, though like many traditional arts, it is less popular than it used to be. For visual examples of some of the embroidery (historical and contemporary) that might inspire Julia in Project Mulberry, see this online exhibit.

Historical Context: The Korean War

Known as the “Forgotten War” in the United States, the Korean War (1950-1953) was complicated for everyone involved. The American military had only racially integrated in 1948. Therefore, POC/BIPOC (especially Black) and white soldiers were no longer (supposed to be) segregated, though this took longer to put into actual practice than it did on paper. On the home front after World War II, Americans preferred to focus on cultural and entertainment developments rather than warfare abroad. Many “forgot” about it, even as friends and loved ones were fighting overseas. It would not be until the Vietnam War (1955-1975) that Americans would see, for the first time, the horrors of war via television.

For Koreans, the war was far more devastating. Koreans had suffered many atrocities under 35 years of Japanese colonial rule (ending with Japan’s defeat in 1945 at the end of World War II); these included forcing Korean girls and women to serve as “comfort women” to the Japanese military. These experiences continue to affect Korea-Japan relations today.

When Japan left Korea, the Japanese predicted the Soviets (and communism) would soon lay claim to the peninsula and therefore chose a leader calculated  to gain Soviet approval (Holland, Elisa Joy. “Massacre at Nogun-Ri.Asia Society, Asia Society, 2022). The United States, fearing communist expansion, sent its own puppet leader, Syngman Rhee, but entered Korea with little understanding of the country’s (and its people’s) situation. Once the Soviet- and US-backed regimes had divided Korea along the 38°N parallel (creating what are today North and South Korea), conflict continued to spread. Even before the war officially began in 1950, the Jeju uprising in 1948, a subsequent US-supported counterinsurgency campaign (which resulted in a massacre), and the 1950 South Korean massacre of political prisoners and “suspect” citizens further traumatized an already traumatized people.

The Korean War, which killed about 2 million civilians and split families apart, continued the devastation: The initial eight months of battle saw front lines all over the Korean peninsula, resulting in waves of refugees, captures and recaptures of Seoul, and aerial attacks against civilians themselves, such as the July 1950 No Gun Ri massacre by the US Army. The USAF dropped 635,000 tons of bombs and napalm on North Korea (more than was used in the entirety of the Pacific in World War II), which not only destroyed 75% to 90% of most cities in North Korea and killed 1.5 million North Korean civilians, but also severely damaged vital infrastructure.

While the Korean Armistice Agreement was signed on July 27, 1953, formally ending the fighting, the Korean War itself never truly ended, as the division of North and South Korea reflects the continuing proxy Cold War conflicts between the US, China, and Russia. Citizens of both North and South Korea bear psychological scars from the war, spanning generations. Military service—especially for men—is still a requirement in both Koreas, though the minimum length of service varies by country.

Mr. and Mrs. Song’s differing perspectives regarding diversity in the United States may reflect their personal/familial experiences in Korea. While the novel does not explicitly explain either character’s views, Patrick’s suggestion about the Korean War’s legacy and Mr. Song’s description of his own experiences hint at possibilities. Given the history of Japanese colonial rule as well, it would not be surprising if Mrs. Song’s experience (as a woman) was more negative than her husband’s (as a man).

Authorial Context: Linda Sue Park and the 1992 Los Angeles Race Riots

Linda Sue Park is a Korean American author of children’s books, including A Single Shard (2002 Newbery Medal winner) and A Long Walk to Water (a New York Times bestseller). Her parents were Korean immigrants to the United States. Park has two siblings, with whom she gets along quite well, and she grew up in Park Forest, Illinois (about one hour’s drive from Plainfield, where Project Mulberry is set). Park also established “Allida Books, an imprint of HarperCollins, [...] serves on the advisory boards of We Need Diverse Books and the Rabbit hOle museum project and created the kiBooka website [...] to highlight children’s books created by the Korean diaspora” (Park, Linda Sue. “Biography.Linda Sue Park, Linda Sue Park, 2022).

Park draws much of her inspiration for Project Mulberry from her own experiences, such as the kimchi incident referenced in Chapter 1. Historical events also influenced the novel, such as the “forgotten” Korean War (see above) and the 1992 Los Angeles Riots. The riots famously began with the assault of Rodney King (a Black man) by four white police officers who were subsequently acquitted. However, the fatal shooting of Latasha Harlins (a Black teenager) by a Korean shop owner, as well as burgeoning racial tensions between Korean immigrants—who knew little of Black history in the United States—and LA’s Black community also contributed.

As Park notes at the end of Project Mulberry,

I was fortunate to grow up in a family that believed fiercely in racial equality. However, as both a child and an adult, I witnessed many episodes of racism between Asians and blacks, going both ways. Most disturbing of all to me were the news reports of the violence between the two groups in New York City and Los Angeles in the 1990s. As with any problem, awareness and discussion are the first steps toward healing, and my hope is that this book might be one of those small steps (225).

Park offers up her own solution through Julia’s decisions and actions regarding her mother’s perceived prejudices toward Julia’s former teacher and Mr. Dixon: Julia maintains her own friendship with Mr. Dixon even after Project Mulberry ends, and she brings Kenny with her when she visits. This mirrors historical and contemporary solidarity efforts between Korean and Black communities in Los Angeles after the 1992 race riots (Kang, Hanna. “Korean American-Black Conflict During LA Riots Was Overemphasized by Media, Experts Say.” NBCNews.com, NBCUniversal News Group, 29 Apr. 2022).

blurred text
blurred text
blurred text
blurred text