50 pages • 1 hour read
Sarah WeeksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The chapter begins with a description of Polly’s final, brief conversation with Alice, in which she twice speaks her personal mantra: “Thank you very much” (1).
Polly loved baking pies from her earliest childhood. Ipswitch residents proclaim her baking abilities, encouraging her to open her own pie shop. Carefully apportioning her inheritance from her parents, Polly opens PIE, a tiny downtown shop where she gives away every pie she makes. Soon, her reputation spreads throughout the nation. People bring her ingredients so she can bake and share pies.
When her sister Ruth has a daughter, Alice, Polly quickly bonds with her. Alice spends all her time baking with Polly, who sends her home each night with a new pie. Ruth, who believes her mother favored Polly over her, resents the closeness between her daughter and sister. She calls Polly selfish since she gives her pie away rather than selling the sought-after piecrust recipe. She says that when Polly “kicks the bucket” (9), Alice will figure out that Polly is no saint.
Because Polly’s pie shop draws many outsiders to Ipswitch, she becomes the engine driving the local economy. Citizens openly grieve for her and wonder how they will fare financially now that she is gone. The night before her funeral, a stranger in a large, green Chevrolet drives in front of the pie shop, muttering an angry vow.
The entire village of Ipswitch attends Polly’s funeral. Alice sits at the front of the chapel with her parents. Sitting behind them is Mayor Needleman with his wife Melanie and their daughter, Nora, a classmate whom Alice finds standoffish. Charlie surprises Alice by sitting beside her, and “Alice’s mother gave Charlie a dirty look, but he didn’t seem to notice. Alice didn’t care if he sat there or not. She was too sad to care about anything anymore” (14). A tall, skinny boy with bright orange hair, Charlie had done odd jobs for Polly, although he and Alice had never been friends. At the conclusion of the service, he asks if Alice will go to the casket. Alice remains seated and watches the stream of mourners.
She notices a woman she does not recognize walking from the casket back against the flow of others. Alice also sees her principal, Miss Gurke, who, as usual, wears a dress that is too large. The principal pauses over the casket, reaching inside and then pulling her hand away.
Alice waits to rise until everyone else departs the chapel. She recalls working with Polly and telling her aunt that Ruth said Polly could be a millionaire if she wished. Polly replies, “I’m already rich in all the ways that count [...]. And so is your mother, even if she doesn’t know it yet” (19). Alice remembers making up one of her spontaneous songs, which always delights Polly, though Ruth criticizes Alice’s “active imagination” and finds her songs annoying.
When Alice finally approaches the casket, she notices that the funeral director did a worthy job. It also seems to her that something about Polly is missing, though she cannot figure out what it is.
Ruth quickly discovers that Polly donated her pie shop and attached apartment to their minister, Reverend Flowers, to use as he desires to raise funds for the church. Ruth launches into a screed, proclaiming, “She is thumbing her nose at us even from the grave” (25). Ruth’s anger subsides when Mr. Ogden, Polly’s lawyer, calls and asks to speak to Alice. He asks Alice to come alone to his office because Polly mentioned Alice in her will. Ruth and George, Alice’s father, grow excited, believing Polly left her pie recipe to Alice, who rides her bike to the attorney’s office.
George previously worked selling Hoover vacuum cleaners door to door but, with Polly’s blessing, opens a souvenir shop next door to PIE, trading with the busloads of visitors who come to Ipswitch for Polly’s pies. Though she never tries to promote her pies herself, eventually, one of the officials of the annual Blueberry Award, given to the best pie in the country, takes one of Polly’s pies and submits it. Polly wins the 1942 Blueberry Award. She humbly tries to refuse it, though her contest advocate, Harriet Melcher, insists that she attend the ceremony in Philadelphia. Her victory begins a string of 13 consecutive Blueberry Awards. Polly receives each with the same simple acceptance speech, “Thank you very much” (30). Polly also gets many offers to purchase her piecrust recipe but keeps it secret, in part because she knows that Ipswitch depends upon the outsiders who flock to town for her pies, which are not available anywhere else. She does, however, make a special arrangement for what will happen to the recipe after her death.
At the attorney’s office, Alice learns that Mr. Ogden had unsealed and read Polly’s will for the first time that morning. He tells her that he cannot explain what Polly has ordered but simply must make sure it happens as she dictated. Mr. Ogden has Polly’s cat in a mesh box in his office, explaining it took him an hour to corral the hateful feline. Alice cautions, “Don’t take it personally […]. Lardo doesn’t like anybody” (35). Mr. Ogden reads Alice the one page will, which leaves the piecrust recipe to Lardo and leaves Lardo to Alice.
Ruth expresses outrage when Alice tells her the contents of the will. She calls Mr. Ogden, who confirms what Alice had told her. Ruth cannot believe anything other than that Polly hated her. George sneezes several times since he is allergic to Lardo. He instructs Alice to take Lardo to her room and prepare a litter box for him. Alice takes a can of tuna fish. She does not have any sardines, Lardo’s preferred meal. Afraid to open his mesh box with her hand, Alice uses a bent hangar to open the zipper. Lardo rushes under her bed and remains there.
Going downstairs for supper, Alice sees her father reading the evening newspaper with a headline that proclaims, “PIE QUEEN LEAVES SECRET RECIPE TO CAT” (42). Her father tells her that Ruth has gone to bed with a headache. He shares the last of one of Polly’s lemon chiffon pies with Alice. Though it brings happy memories to her, Alice feels sad that this will be the last time she ever tastes one of Polly’s pies.
That night, Alice sees Lardo come out from under the bed and devour the tuna. She realizes he has not eaten in three days and understands that the cat also misses Polly just as she does. Alice reads until she falls asleep. She wakes in the middle of the night, hearing a noise. She turns on the light but sees nothing amiss and goes back to sleep.
The following morning, a haggard-looking Ruth cooks in the kitchen. When Alice asks her what she is making, she says she is baking a pie, announcing that if Polly could do it, nothing would prevent her from doing so as well. She intends to win the Blueberry Award that fall herself. Alice is skeptical because “as far as she knew, her mother had never made a pie in her life” (47). When Alice asks for more tuna to feed Lardo, her mother says they will take him to the pound at 10 am Alice protests, saying Polly gave the cat to her. George tells Alice not to sass her mother. When she goes upstairs to feed Lardo, Alice realizes her second-floor window is open and Lardo is gone.
When Alice runs downstairs to tell her mother that Lardo is missing, she discovers Ruth talking to Sylvia, a Look magazine reporter who has come to town to write an article about Polly. Sylvia expresses particular interest in Polly’s piecrust recipe, asking how Polly could pass it down to a cat. Ruth brushes off her questions, saying that she is starting to bake herself and intends to win the Blueberry Award. Skeptically, Sylvia remarks, “[T]he Blueberry is a rather lofty goal for an inexperienced baker such as yourself, don’t you think? There are some who've waited years to be recognized” (57). As they speak, Sylvia begins to believe that Ruth knows the piecrust recipe and intends to keep it for herself. Ruth breaks off the conversation, inviting Sylvia to interview the cat if she wants. Alice interrupts, saying that the cat has run away and they must find it. As Sylvia leaves, Ruth tells her that she looks familiar, though Sylvia says it is the first time they have met.
Because her mother is uninterested in helping her find Lardo, Alice asks herself where the runaway cat would go. She realizes Lardo would go to the pie shop and rides her bike there. Alice feels stunned to see the door to the shop ajar. When she goes inside to call the cat, she sees that someone has vandalized the shop, with supplies strewn haphazardly. Going into Polly’s apartment, she sees someone has ransacked it as well, with cushions cut apart and every drawer opened. Standing before her is a tall figure with a baseball bat drawn back to strike her. Alice falls to her knees, calling out for the man to stop. When she opens her eyes, she sees it is Charlie. He tells her he was going to the park when he saw the pie shop door open and came in, hoping to confront the burglar. Alice tells Charlie that Lardo has run away as well. They rescue Polly’s 13 Blueberry gold medals and decide to ride to Alice’s house to call the police and have lunch. The two decide to treat the burglary and the missing cat as mysteries they can solve like their heroes, TV detective Sky King and his niece Penny. On their way to Alice’s house, they see Chief Decker talking to Reverend Flowers, and they tell him about Polly’s shop.
The village where the narrative takes place is tiny: “Ipswitch, Pennsylvania, is a small town. Always was. Always will be” (7). With a population of less than 200 people when most of the story takes place, the loss of any one individual could have an impact on the entire community. As quickly becomes apparent, however, Polly’s death roils every person in Ipswitch to the core. As the narrative progresses, it is apparent that her death has even greater, far-ranging influences. For the first time in 14 years, someone besides Polly has a chance to win the coveted Blueberry Award for the best pie in the country. One rival willingly goes to criminal lengths to acquire Polly’s piecrust recipe, which is worth a fortune. A large corporation must expand its advertising strategy to accommodate her final wishes.
As Polly’s story is revealed, it is clear that she demonstrates The Profound Impact of Goodness. While the community’s authority figures—the mayor, police chief, and minister—have their designated roles in the narrative, Polly is clearly the most important person in Ipswitch, despite the reality that she holds no office, has no paying job, freely gives away her most precious products, and is humble to a fault. Polly is eccentric in the sense that the principles that guide her decisions are quite distinct. She annually accepts the Blueberry Award not because she covets it but because it would be impolite to refuse it. When entrepreneurs offer to pay her so much money for her piecrust recipe that she will never have to work again, she feels aghast, saying, “Why on earth would I want that?” (30). Townspeople adore Polly even though they do not understand her motives and decisions, which are motivated by her innate goodness. Even after her death, those who knew Polly best continue to make incorrect assumptions about her.
Her unexpected death, therefore, proves to be The Loss of a Catalytic Leader. The first two sections of the narrative provide a view of the profound changes impacting everyone in the community. Unabashed grieving characterizes the first wave of responses and even includes physical symptoms. People open weep on the streets of Ipswitch. Virtually everyone in town attends Polly’s funeral, filing past her casket at the end of the service. The mayor suffers terrible indigestion. Others display physical symptoms, like heart palpitations.
A second wave of distress regards the financial uncertainty dropped upon the community by Polly’s death. Within hours, most travelers had canceled their reservations to the Ipsy Inn, which found new life through Polly’s string of Blueberry wins. The story reveals that part of Polly keeping her recipe a secret has to do with supporting the town economically. Unconcerned about her income because of the way she apportioned her inheritance, Polly still sought to undergird the small businesses of her town. The misreading of Polly’s will deepens the resentment felt by Ruth, who believes her sister hated her and intentionally scorned her. Some townspeople, including Ruth, respond to the financial uncertainty by deciding to replicate Polly’s success as a pie maker. Many intend to win the Blueberry Award on their own and then sell their recipe for great monetary gain. Only a day after her funeral, there are 47 pies in ovens around Ipswitch. Eventually, most of the results are, at best, disappointing.
A third wave of grief reactions, as Alice discovers, has to do with rekindling memories of Polly’s gift. When Alice helps Charlie deliver groceries, she discovers that many citizens have chosen to bake pies not to win the Blueberry Award but to recall Polly’s tasty generosity. Alice does this herself in Chapter 13 when Charlie shows up with a bag of ripe peaches. The recognition that residents bake pies to honor her aunt fills Alice with gratitude in the face of the venal behavior and bitterness she has experienced, especially from her mother.
The first section of the narrative establishes Alice’s brief, spontaneous songs as windows into her deepest emotions. Her simple rhymes reveal the great swings she experiences in dealing with the trauma of losing the person who showed her unconditional love and acceptance. As she moves through her dealings with grief, the tenor of her songs captures her emotional journey. Her feelings flow from the exuberance of working joyfully alongside her aunt—“Aunt Polly’s pies are hot and round / Eat ‘em in a chair or sittin’ on the ground” (21)—to the abandonment Alice feels after rejection from her parents and her friend—“Who’s going to leave me walnuts / Who’s going to make me pie? / Who’s going to love me as I am? Why did you have to die” (88).
Weeks depicts Alice as very much alone in this section. Though Charlie will end up being her confidant, her two initial interactions with him—first him barging into Polly’s funeral to sit beside Alice, then Alice narrowly averting his attack with a baseball bat in Polly’s apartment—display the awkward nature of their relationship in its early stages. There is no mention of any other possible playmates or girlfriends. The only other child introduced is Nora, who is portrayed as too haughty to associate with Alice. Polly’s absence particularly underscores the emotional distance between Alice and her mother. So long as she was alive, Alice had a place of nurture and respite. The buffers between Alice and Ruth disappear after Polly’s death, however. The author depicts George as ineffectual at best. When conflict seems about to erupt between mother and daughter, George inevitably cautions Alice to watch her tongue. Polly had been a safe harbor for Alice. In this section, Alice has no port in which to find acceptance and nurture. For Alice, the loss is deeply personal. She doesn’t merely mourn the loss of a town leader; rather, she feels deeply the pain of losing a person with whom she shared so much in life and who made her feel seen and safe.
By Sarah Weeks
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