47 pages • 1 hour read
Jonathan AuxierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As the Scop ventures into open waters, Peter and Sir Tode survive on fish and fresh rainwater (captured in a magic water skin), while trying to decipher the riddle of the Vanished Kingdom. As the days pass, Sir Tode regales Peter with exaggerated tales of his exploits and tries to train Peter in the art of swordplay, a difficult task considering Sir Tode’s small size, Peter’s blindness, and the restricted confines of the boat. Over time, however, Peter learns the basics of thrusting and parrying.
Slowly, they sail past the borders of the map into uncharted territory, and one night, they are visited by an enormous dogfish named Frederick, “the size of three elephants, maybe four” (81), who asks Peter to remove a huge hook from his mouth. Sir Tode immediately pulls Peter away from the fish, shooing the beast away, but Peter insists they help him. After an hour, they wrench the massive hook out, a prize Peter keeps as a weapon.
One morning, Sir Tode awakens to find the Scop sitting in the middle of a vast stretch of arid sand dunes, as if “the seas withdrew” (84). Thinking they’ve arrived at the Vanished Kingdom, they celebrate, but their revelry is interrupted by Officer Trolley, a large man with two wooden legs who chops the Scop in half with his axe. They are, he informs them, in the Just Deserts where they will remain for a long time.
The Just Deserts is littered with the shattered remains of boats. Trolley guards the shore and watches over the prisoners banished to this place by the king. As Trolley prepares to brand the prisoners, Sir Tode nearly confesses the truth of their quest, but Peter quickly interrupts him, spinning a tale of magic carpets rather than magic eyes. Trolley informs them that magic has been banned from the kingdom. Peter and Sir Tode flee, easily outrunning the guard.
Peter and Sir Tode are now lost in the vast desert with no food. Sir Tode suggests using the magical eyes, but Peter is reluctant, remembering Professor Cake’s advice to only use them when he knows the time is right. Still, he is curious, so he pulls the onyx pair from the box and, despite Sir Tode’s sudden misapprehension, slips them into his eye sockets. At once, he feels the air being sucked from his lungs. Peter falls to the ground convulsing, until Sir Tode knocks the eyes free. Peter resolves not to use the eyes again until he is certain he should.
They wander across the vast, scorching landscape, but they don’t see any other prisoners. Peter wonders if the king Trolley mentioned could be the “kings aplenty” from the rhyme. At last, the sun sets, and the blazing heat gives way to a cold night. They build a fire for warmth and huddle under the remains of an old boat, unaware that, merely ten feet away, lurks a “terrible fiend stalking in the sands” (98).
During the night, Peter awakens to find someone rifling through his sack. He grabs his fishhook and presses it to the stranger’s throat, who pleads for mercy. Deciding the man—Old Scabbs—is no threat, Peter lowers his fishhook. Scabbs has a letter branded into his hand—T for thief. When Peter and Sir Tode search the burgle bag to make sure their things are still safe, they find that Scabbs has stolen only a single lemon as protection against scurvy. Peter agrees to give Scabbs the lemon in exchange for his help navigating the Just Deserts. The old man consents to lead them to the border but warns them that escape is impossible: “No one quits the Just Deserts…not even Them!” (106).
As Scabbs leads them past clusters of ships guarded by prisoners Peter and Sir Tode can’t see, Scabbs confesses that he’s never seen anyone new apart from Peter and Sir Tode. Suddenly, they hear a cry: “Thieves take cover!” (110). A terrified Scabbs buries himself in the sand, warning Peter and Sir Tode to do the same. Peter and Sir Tode hide, just in time to evade a passing swarm of ravens.
The next morning, Peter and Sir Tode slip away from the sleeping Scabbs and explore on their own. In the daylight, they see plenty of prisoners, all sleeping in the shade of their wrecked boats. They press on in the blistering heat, fearful of being stranded in this place, when Peter smells water. Beyond the next dune, they discover a huge boulder shaped like a teakettle, water flowing from its spout. After drinking, they bathe and practice swimming inside the large, hollowed-out rock. Gazing into the distance, Sir Tode spies the border of the Just Deserts, a black wall running endlessly in both directions. While they dry themselves in the sun and formulate an escape plan, Peter hears the sound of approaching wings.
As ravens descend on Kettle Rock, Peter and Sir Tode hide near the lip of the spout; Peter hears the ravens speak words along with squawking. The ravens belong to some kind of organized military patrol, and they are searching for Peter and Sir Tode. One bird discovers Peter’s sack buried in the sand. The ravens dig through the sack, scattering its contents—the box of eyes, the fishhook, the magical wineskin, and the scroll with the riddle. After reading the scroll, they open the box. Upon seeing the eyes, they chant, “The Line! The Line! The Line!” (124). Suddenly, Peter hears Scabbs approach. As the old man crests the rise of the nearest dune, he stops cold. The leader of the ravens, Captain Amos, reproaches the old man for showing his face in the daylight. Scabbs begs for mercy, even offering up Peter and Sir Tode in exchange for his life, but the birds attack, pecking Old Scabbs to death. As they bury his body in the sand, Amos cryptically warns of a mysterious enemy. As the ravens fly off with Peter’s magical eyes and fishhook, they chant “LONG LIVE THE TRUE KING! […] AND LONG LIVE HIS LINE!!!” (127-28). Hours later, Peter and Sir Tode emerge and grieve for Scabbs under the night sky. Peter collects the rest of his belongings, and they set out toward the ravens’ Nest, a tall spire in the distance, planning to recover the lost eyes.
Peter’s adventure begins on the open sea. Initially, it’s all seafaring romance—wind in the sails, the promise of heroism on the horizon. Peter has not yet accepted that this adventure (and all adventures, in fact) comes with steep risk: He may die. Although Professor Cake has warned him of the danger, he sees this adventure as a story in which everything will turn out fine. The novel, however, does away with its fairy tale trappings quickly, and grim reality sets in: The Scop is shipwrecked in a vast desert and then sliced in half by a thuggish guard who informs them they are now prisoners. Peter, accustomed to a life of narrow escapes, imagines it’s only a matter of time before he and Sir Tode will escape this predicament. Not until Old Scabbs meets his gruesome fate does Peter finally comprehend the dire stakes involved.
The ravens are a chilling and mysterious addition to the narrative. Ravens are symbolically complex: They can function as omens of death and rebirth, as protectors of secrets, or as symbols of wisdom. Captain Amos and his flock may be murderous soldiers, victims of persecution, or unsung protectors; they serve the True King, whoever that may be, and see themselves as defenders against an unseen enemy. Their cryptic dialogue and unspecified allegiance are perfectly in keeping with the raven’s iconic mythology. Further, their names—Amos, Asher, Jude, Eli—suggest a Biblical connection. Biblical references to the raven are myriad and not always consistent. As carrion eaters, they are considered unclean, but conversely, “Ravens are an example of God’s gracious provision for all his creatures” (Psalm 147:9, The Bible). The ambiguous meaning of the raven in mythology and popular culture may portend an unexpected role for Captain Amos and his troops. While they clearly have a vicious side, it remains unclear whether they really are the simple villains the narrative has thus far portrayed them to be.
By Jonathan Auxier
Action & Adventure
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American Literature
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Animals in Literature
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