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Captain Wentworth had already travelled to Bath when Anne spoke to Admiral Croft. Anne is out walking with Elizabeth, Mr. Elliot, and Mrs. Clay when it begins to rain. They step into a shop to wait out the rain when they notice Lady Dalrymple’s carriage further down the block. The carriage has space for two, so Elizabeth and Mrs. Clay are offered a ride back to Camden-place once Lady Dalrymple is ready. The women wait in the shop as Mr. Elliot runs an errand for Mrs. Clay. From the window, Anne notices Captain Wentworth walking down the street with friends. Rather than hide from him, Anne intercepts Captain Wentworth when he enters the store. They talk briefly, and Anne feels “agitation, pain, pleasure, a something between delight and misery” (165). However, Anne perceives Wentworth to be more distant than he was at Uppercross. Though Elizabeth recognizes Wentworth, she fails to acknowledge him before she leaves with Mrs. Clay. Captain Wentworth offers Anne an umbrella for her walk home, but Mr. Elliot returns and escorts Anne from the shop. With Anne gone, the women of Captain Wentworth’s group gossip about the possible courtship between her and Mr. Elliot.
During Anne’s walk home, she worries about Lady Russell’s reaction to Wentworth being in Bath. The next morning, Anne and Lady Russell drive through town in her carriage when they pass Wentworth on the street. Anne watches Lady Russell anxiously, believing her to be looking at Wentworth, but Lady Russel soon starts to talk about the curtains they pass. “Anne sighed and blushed and smiled, in pity and disdain” for her foolishness at assuming that Lady Russell would notice Wentworth in the street (169).
Anne looks forward to a concert, where she believes there will be a good chance of meeting Captain Wentworth again. “Elizabeth had turned from him, Lady Russell overlooked him” (169) but Anne is determined to give Wentworth the attention he deserves. In order to attend the concert, Anne reschedules her plans with Mrs. Smith. Mrs. Smith replies coldly, claiming that she suspects she “may not have many more visits” (170) from Anne. Anne does not wait to hear an explanation for this and eagerly goes to the concert.
The Elliot family, Mrs. Clay, and Lady Russell attend a concert. Before it begins, they socialize with the other attendees. Anne sees Captain Wentworth and strikes up a conversation with him. As they talk, Anne notices her father return Wentworth’s bow and even Elizabeth acknowledge him, which gives Anne more courage. Anne and Wentworth discuss Louisa and Benwick’s surprise engagement. Wentworth confesses his confusion about how different they are, and his surprise at Benwick moving on so quickly after his fiancée's death: “A man does not recover from such a devotion of the heart to such a woman!” (173). Anne expresses her desire to return to Lyme despite the poor way her last visit ended. Their conversation is cut short as the Dalrymples arrive and the concert begins. Anne pays little attention to the concert or Mr. Elliot, who sits next to her. Her thoughts revolve around a new feeling of hope that Wentworth may still love her, after all. Mr. Elliot attempts to claim Anne’s attention through flattery and mentioning that he first heard about her attractive character many years ago, although he does not reveal how he heard about her.
During intermission, Anne manipulates the seating arrangements so that she is easily accessible to Wentworth. She is determined to speak with him regardless of her family’s or Lady Russell’s opinion. When Wentworth does stop by her bench to chat, Anne notices a change in his behavior; he has become colder, “grave” and “irresolute”. Mr. Elliot interrupts their conversation to ask Anne’s help in translating the songs. When she finishes, Wentworth abruptly says he must go.
Anne realizes that Wentworth must be jealous of Mr. Elliot and worries about how to correct his assumption of an attachment between them. Anne’s feelings toward Mr. Elliot become decidedly unsympathetic.
Anne plans to spend the morning with Mrs. Smith, which allows her to avoid Mr. Elliot’s inevitable visit at Camden-place. On the drive over, Anne thinks of Wentworth and Mr. Elliot in relation to each other, priding herself on her constancy of feeling and happiness at Wentworth’s recent attention.
Mrs. Smith asks for the gossip from the concert and implies that she knows Anne will soon be engaged to Mr. Elliot, as it has been talked about in Bath’s gossip circles as a certainty. Anne struggles to persuade her that she has no intention of marrying Mr. Elliot and implies that there is someone else. This frees Mrs. Smith to talk openly about her personal history with Mr. Elliot without giving offense. She describes Mr. Elliot as conniving, manipulative, and mercenary. Mr. Elliot was once friends with Mrs. Smith’s late husband and encouraged Mr. Smith to live far outside their means in order to keep up a gentlemanly appearance. Mr. Elliot married his late wife solely for wealth. After Mr. Smith’s death, Mr. Elliot was appointed the executor of the will, but has never acted on Mrs. Smith’s behalf. If he would, then Mrs. Smith could regain property and income.
Mrs. Smith also describes Mr. Elliot’s harsh criticism of the Elliots, claiming that his current amiableness toward them is motivated by his fear that Sir Walter will marry Mrs. Clay and thereby replace Mr. Elliot in the inheritance. Anne is appalled by all that she hears and asks Mrs. Smith’s permission to share all this with Lady Russell, which Mrs. Smith agrees to. Anne is relieved that she so nearly escaped marrying Mr. Elliot with Captain Wentworth’s arrival in Bath: “It was just possible that she might have been persuaded by Lady Russell!” (198).
Anne’s character continues to grow more outspoken. She acts of her own accord, literally and figuratively coming out of the shadows to pursue what she wants. At the store waiting out the rain, Anne steps directly up to Wentworth and engages him in conversation. Again, at the concert, she takes the first step by speaking to Wentworth first: “He was preparing only to bow and pass on, but her gentle ‘How do you do?’ brough him out of the straight line to stand near her” (171). Her decisiveness is rewarded by Captain Wentworth’s attentions and an attitude shifting toward displaying affection for her. This empowers Anne so much that she is able to truly recognize, without pride, that Captain Wentworth is interested in her: “She could not contemplate the change as implying less. — He must love her” (175). Anne’s empowerment does not stop with herself, but extends to her family. She is fed up with being relegated to the background either and refuses to end her acquaintances to satisfy their pride. She resolves, “whatever she might feel on Lady Russell’s account, [not] to shrink from conversation with Captain Wentworth, if he gave her the opportunity” (178) and actively places herself in a situation where Captain Wentworth can talk to her during the concert’s intermission.
With Anne and Wentworth interacting more frequently, they grow closer to the subject of their past attachment but never say outright what they mean. Instead, they veil their emotions and thoughts behind talking about their friends. When Wentworth brings up his surprise at Benwick’s apparent inconstancy to his deceased fiancée, he lets slip that a man with such an attachment to a woman never recovers from it. Furthermore, Anne makes the remark that Lyme is still precious to her regardless of how their visit ended: “One does not love a place the less for having suffered in it, unless it has been all suffering, nothing but suffering—which was by no means the case at Lyme” (173). In this indirect way, they are working through their past troubles without directly confronting painful memories just yet; they are beginning to heal the rift between them and understand the other person’s position. Austen sets these initial conversations at social events of varying formality, investigating how both strong emotion and social propriety aid or inhibit the lovers from reconnecting openly and honestly.
By Jane Austen
British Literature
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Community Reads
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Pride & Shame
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Romance
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Romanticism / Romantic Period
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School Book List Titles
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Valentine's Day Reads: The Theme of Love
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Victorian Literature
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Victorian Literature / Period
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