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50 pages 1 hour read

Cormac McCarthy

Outer Dark

Fiction | Novel | Adult | Published in 1968

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Pages 147-212Chapter Summaries & Analyses

Pages 147-157 Summary

Autumn arrives. In an unnamed town with a rainstorm impending, Rinthy watches as a woman carries a sack with something struggling soundlessly inside of it.

Rinthy asks a passing man about a doctor. The man, a lawyer, invites her to wait for the doctor in his office, which abuts the doctor’s, and she accepts. In his office, the lawyer smokes a cigar and asks Rinthy about herself. He says that even if she doesn’t have enough money, the doctor will still treat her because it’s the right thing to do. Rinthy says that she’s a widow with one baby. The doctor arrives, and Rinthy thanks the lawyer before he leaves: “she rose and crossed the floor before the lawyer and gave him a little curtsying nod, ragged, shoeless, deferential and half deranged, and yet moving in an almost palpable amnion of propriety” (151).

Rinthy explains that despite her baby dying the day it was born, she’s been lactating ever since, causing her nipples to chafe and bleed. In hushed tones, the doctor accuses her of lying, arguing that no woman lactates for six months after her baby dies. Rinthy admits that in fact her brother gave it away. The doctor tells her that the fact she’s still lactating means her baby is likely still alive. He gives her a salve for her nipples and tells her to pump her breasts to ease the pain.

Pages 158-185 Summary

Culla reaches a ferry crossing on a river engorged by rain. A man on horseback appears, prompting the ferryman to start across the river. After the ferryman is halfway across the rider leaves. When the ferryman lands, he’s furious—for two years, the rider has been tricking him into coming across for a horse fare over an argument they had. Culla will have to wait for someone on horseback before the ferryman will cross again. As night falls, the river continues rising.

The ferryman proudly explains how his late father rigged the ferry on two fixed lines to run entirely on the current; it doesn’t cost anything to operate. When the ferryman’s father operated the boat, a cable snapped, smacking a horse into the river but leaving its rider standing on the bank. Culla agrees that the rigging is ingenious.

After dark, a rider appears. The ferryman prepares to leave despite knowing the conditions are dangerous. Culla, the rider and his horse, and the ferryman embark: “The river was dark and oily and it tended away into nothing, no shoreline, the sky grading into a black wash little lighter than the water about them” (165).

Soon the metal rings on the cables begin screaming, and water breaks over the boat. Swearing, the ferryman darts around adjusting the rigging. Suddenly, one of the cables explodes above Culla’s head. Total silence follows as the ferry starts down the river, no longer fighting against the current. Culla calls out, but there’s no answer. Suddenly the horse barrels past him along the deck. In the total dark Culla tries desperately to dodge the horse until his yell spooks it into the water.

Culla floats on the ferry for most of the cold, foggy night. Eventually, the boat catches in an eddy, and Culla spots a light through the trees. He calls out, and the trio appears on the bank, silhouetted against their fire. Culla throws them a line, and they drag the boat ashore.

Culla asks to warm up by the fire while the trio eyes him. One of them is named Harmon. Another, a nameless, nonspeaking man toting a rifle, drools and grins at Culla. The leader, a gigantic, bearded man in the black suit, interrogates Culla and pressures him into eating some of the charred meat on the fire (which is implied to be human flesh). The leader ceaselessly torments Culla, accusing him of being too cowardly to get the spooked horse under control. The leader refuses to give his name, stating that “[s]ome things is best not named” (176), as Culla struggles to swallow the dry, acrid meat.

The leader explains that the evil force personified by the nonspeaking man is what snapped the cable and set Culla adrift, adding that they lit the fire knowing that Culla would see it from the river.

The leader browbeats Culla into giving him his boots. Harmon gets the leader’s boots, the nameless man gets Harmon’s, and Culla gets the nameless man’s rotting ones. The leader explains that he takes care of his own and that Culla may wish for worse boots sometime soon. Continuing to mock Culla, the trio leaves, tipping the charred meat into the fire.

Pages 186-197 Summary

In the middle of autumn, Rinthy finally finds the tinker on the road. She demands he return her child. He says he doesn’t have the baby and that if Rinthy wants him, she’d have to pay eight months of nursing fees. Rinthy agrees, and the tinker leads her to a dilapidated cabin atop a hill. Contrary to his promise, there’s no one there. The tinker lectures Rinthy that she’s an unfit mother and doubts she really wants the child back. Rinthy learns that the tinker found the baby in the woods and didn’t trade for him with Culla as she thought. The tinker starts a fire and prepares dinner for the two of them.

The tinker insinuates that he’d trade the baby for sex; however, when Rinthy offers to do whatever it takes, he sneers that nothing can compensate for the lifetime of scorn he’s suffered as a despised tinker. Rinthy explains that it was her brother, not her, who left the baby to die. Seizing Rinthy by the arm, the tinker demands to know if the baby is Culla’s; she admits he is. He shouts that she’s lying, that the child can’t be the product of incest. Cursing her, the tinker leaves, threatening to kill her if she follows. The sound of her sobbing follows the tinker down the road: “He could hear it far over the cold and smoking fields of autumn, his pans knelling in the night like buoys on some dim and barren coast” (197).

Pages 198-212 Summary

On the eve of winter, Culla finds a dilapidated cabin. After removing a mattress with a decaying cat on it, he shelters there for the night. The next morning, he awakes to a man named John pointing a shotgun at him. John escorts Culla barefoot across the frosty fields to the house of the local squire.

John accuses Culla of breaking into his father’s old cabin, and the squire tells Culla that if he doesn’t plead guilty, he’ll have to detain him in the nearby town until the next court day in three weeks. To avoid detention, Culla pleads guilty. The squire’s wife records Culla’s full name in a register, guessing at the spelling because Culla doesn’t know it. The squire levies a $5 fine, which Culla can settle with 10 days of work for him. Against John’s protests, the squire argues it would be illegal to have Culla work for John instead of him. Indignant, John leaves.

The squire asks Culla if he’s an outlaw on the run for murdering someone; he responds, “No sir. I don’t reckon” (210). The squire doesn’t think Culla is a bad man, just an unlucky one. The squire’s father believed a person made their own luck; Culla’s father thought he was the unluckiest man alive. When asked, Culla says that he doesn’t have any other family. Culla asks if he can continue working after his sentence in exchange for food, but the squire has no use for him beyond the 10 days.

Pages 147-212 Analysis

In this section, lactating becomes a dual symbol of the pain Rinthy suffers for the loss of her baby and her hope of finding him after learning from the doctor that her lactation suggests that the baby is alive. Searching for her baby is at once the cause of Rinthy’s suffering and her only reason to live, as she tells the doctor, “I just go around huntin my chap. That’s about all I do any more” (157). Rinthy has a surplus of milk—the symbol of her love—but no one to give it to.

When Rinthy finally finds the tinker she’s spent the story chasing, she suffers his wrath in an anticlimax that leaves her child alive (for the time being) while keeping her separated from him. The day Rinthy spends with the tinker illustrates the stark difference in their characters. Like most other characters, the tinker is a foil to Rinthy in her innocence. In the dilapidated cabin that the tinker has apparently appropriated as stop-over lodging, Rinthy stands out amid the decay and sin of the tinker’s world: The house is full of cobwebs, bugs, and dead things, and the only nourishment is a jug of whiskey.

Rinthy holds the wildflower to her breast like a charm, warding against the surrounding death of the tinker’s world, highlighting Love as Humanity’s Saving Grace. In this milieu, drinking is seen as a sin and is done by men surreptitiously; the fact that the tinker drinks brazenly in front of Rinthy means he doesn’t respect her enough to act properly.

The ferry crossing is replete with irony and symbolism. There’s the comic irony of the ferryman bragging about the ingenuity of his rigging, only for that rigging to snap and kill him, like the horse in his story. There’s also the ferryman’s hubris in trying to overpower and harness nature with his clever contraption. Here and throughout the novel, McCarthy portrays nature as a powerful force indifferent to human plans. By letting his pride dictate his decision to cross, the ferryman seals his fate.

The satanic imagery McCarthy uses in Culla’s river crossing evokes a symbolic crossing into hell, where Culla meets the devil in the form of the trio. This symbolizes both Culla’s Curse of Cain and the theme of Suffering in Outer Darkness. Fighting the wild current, the ferry’s rigging begins “screeching in a demented fiddlenote” while the ferryman appears “to be dancing among his ropes” (166) as he desperately manipulates the rigging. In folklore, the devil is portrayed as an expert fiddle player and dancer. Here, the ferryman tempts fate with a dangerous crossing—he dances with the devil, per the idiom—then begins literally dancing to the rigging’s fiddle-like sound. The hellish imagery continues when Culla finally reaches the opposite shore. The first light he sees is a fire, over which roasts human meat: the burning of sinners in hell. The leader of the trio looks like Satan, red and hoofed: his “face scowled redly out of a great black beard” (171) and his boot is “cleft from tongue to toe like a hoof” (177). Just as Satan punishes sinners, the demonic leader punishes Culla. First, he taunts Culla for avoiding his guilt. Then he punishes Culla, forcing him to eat human meat and to trade his veal-skin boots for the nameless man’s rotting pair. In the godless world of Outer Dark, the trio is the antichrist, punishing Culla for his crimes.

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