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William ShakespeareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
With Iago’s urging, Roderigo ambushes Cassio. In a short soliloquy, Iago reveals that both men dying is an ideal outcome for him because if Roderigo lives, he will demand Iago return the jewels, and if Cassio lives, he may find out about Iago’s lies to Othello. Iago is furthermore jealous of Cassio’s beauty and grace. In the fight, Cassio wounds Roderigo, but Iago then stabs Cassio in the leg from behind and flees. Cassio calls for help and Othello enters, pleased that Iago has made good on his pledge to murder Cassio. He says that Iago is a model for how he himself should act, and Othello declares his intention to murder Desdemona.
Lodovico and Gratiano, another Venetian statesman, hear Cassio’s and Roderigo’s cries. They go to investigate along with Iago, and when Cassio implicates Roderigo, Iago stabs and kills him, then continues to wonder who the murderers are. Iago offers to bind Cassio’s wound with his shirt, and when Bianca enters, Iago calls her “trash” (99) and announces that he suspects she is behind the attack. Emilia insults her, and Bianca replies, “I am no strumpet, but of life as honest/As you that thus abuse me” (143-44). In an aside, Iago comments that the events of the night are going to make or break him
Othello enters the bedroom with a light and watches the sleeping Desdemona. In a soliloquy, Othello resolves not to mar Desdemona’s beauty when he kills her, and laments that it is almost persuading him not to. He asserts that he must kill her to prevent her from betraying more men and kisses her, then likens himself to heaven/God, because he “strikes where it doth love” (24). Desdemona wakes, and Othello tells her she should pray for forgiveness for any crime since he plans to kill her. She maintains that she is guilty of nothing, but says she still feels his murderous look. When he again tells her to address her sins, she says, “They are loves I bear to you” (49). Othello then for the first time accuses her of cheating on him with Cassio and says he saw Cassio with her handkerchief. She asks Othello to summon Cassio since he will say it isn’t true and Othello, referring to Cassio and Iago’s conversation about Bianca, says he has already admitted to having sex with her. Desdemona insists he will not say so, and Othello agrees, saying (incorrectly) that Cassio is dead. Desdemona realizes she is trapped and begs that Othello banish her instead of killing her. While she protests, tries to leave the bed, and asks to say one last prayer, Othello says it’s too late and smothers her. Emilia begins to call for Othello from offstage. Othello thinks there is still some sign of life from Desdemona and attacks her again, until he’s certain she’s dead.
Othello draws the curtain around the bed and lets Emilia in. She tells him that Cassio is alive and has killed Roderigo. It turns out that Desdemona is not yet dead, and she cries out that she has been “falsely murdered” (144). Emilia urges her to speak again, and Desdemona proclaims her innocence. When Emilia asks her to name her killer, Desdemona protects Othello by saying, “Nobody. I myself. Farewell,” before dying (152). Othello quickly confesses to a horrified Emilia, who insists on Desdemona’s innocence and calls Othello “a devil” (163). Othello reveals that Iago, Emilia’s own husband, told him of Desdemona’s affair, and Emilia repeatedly asks, “My husband?” as Othello explains Iago’s role in the plot (171, 178, 182). Emilia realizes what her husband has done, proclaims that he is lying and she hopes he rots in hell, and that Desdemona was too fond of Othello, “her most filthy bargain” (192), to ever cheat on him. Othello draws his sword and Emilia says his sword can’t hurt her any more than she has already been hurt. She calls him stupid and says she will tell everyone he is a murderer, then she begins calling for help.
Iago, Gratiano, and Montano enter, and Emilia, still not believing that Iago could be so evil, urges him to deny that he told Othello that Desdemona was unfaithful. He at first hedges, saying, “I told him what I thought, and told no more/Than what he found himself was apt and true” (212-13), but when she presses him, he admits that he said Desdemona and Cassio were having an affair. He tells Emilia to stop talking, and she refuses, saying that Othello has murdered Desdemona because of Iago’s lies. She says that she suspected Iago’s villainy, and he orders her to go home. She refuses and says she may never go home again. When Othello explains to Gratiano and Montano that the handkerchief was proof, Emilia exclaims and again insists to Iago that no man will stop her from speaking the truth. He again tells her to go home and draws his sword, shocking Gratiano. Emilia continues to explain how she found the handkerchief and gave it to Iago, who had begged her to steal it. Realizing what Iago has done, Othello rushes at him, but Iago kills Emilia first and flees.
Montano exits to purse Iago, leaving Gratiano to guard a disarmed Othello. Emilia sings “Willow” as she dies next to Desdemona. Othello tells Gratiano he has another sword in the bedroom, but will not use it on him, saying it is only the end of his own life. Cassio, Lodovico, and Montano enter with Iago as prisoner. Othello wounds Iago, saying he would rather have him live since death is a happiness, and asks Cassio to forgive him. Othello wants to know why Iago tortured him, but Iago replies that he will not speak, though Gratiano vows to torture him until he does. With letters from Roderigo’s pocket, Roderigo’s surprise deathbed confession, and Cassio’s explanations, the remaining characters work out Iago’s entire plot. Lodovico says that Othello will be stripped of his command and Iago tortured and brought to justice in Venice. Othello urges them not to exaggerate his tale, but to describe him as someone who loved too much and was manipulated into a frenzy. He likens Desdemona to a precious “pearl” (407) that he threw away without understanding her value, and he asks the men to remember his other valiant deeds in service of the state of Venice. He then stabs himself and kisses Desdemona as he dies. Lodovico blames Iago for the three dead people on the bed. He tells Cassio that he will govern Cyprus and decide how to punish Iago while he, Lodovico, will return to Venice and relate what has happened.
When Iago tries to blame Bianca for Roderigo’s attack on Cassio, her status as a lower-class woman seems to condemn her in the eyes of the other men, and in the eyes of Emilia, who expresses disgust for her and calls her a “strumpet” (5.1 142). Emilia is willing to believe that Bianca is guilty of murder because of what she perceives as her sexual liberality, or immorality. When Bianca counters that she is as “honest” (5.1 143) as Emilia, she is likely referring to her own love for Cassio, and her refusal to let her economic circumstances and the insults of Iago and the other men damage her self-regard. In the next scene, Emilia herself also refuses to be defined or controlled by her husband, Iago, or by Othello. After Othello murders Desdemona, she verbally attacks Othello, even though he threatens her with his sword. In doing so, she insists that her observations, knowledge, and feelings have not only equal weight, but more than Othello’s because they are not polluted with jealous paranoia. When Iago also threatens her with a sword, he is trying to subdue and subordinate her, forcing her to behave in line with his own interests. Instead, Emilia insists on being a separate human being and allies herself with the dead Desdemona, prompting Iago to kill her. Before committing suicide, Othello admits that he was manipulated into madness and threw away Desdemona as if she were a “pearl” (5.2 407) whose value he did not recognize. This line reveals that Othello still thinks of Desdemona as an object whose meaning he did not decipher, not as an individual whose actions and speech he ignored.
By William Shakespeare