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70 pages 2 hours read

William Kent Krueger

Ordinary Grace

Fiction | Novel | Adult | Published in 2013

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Chapters 34-37Chapter Summaries & Analyses

Chapter 34 Summary

The Drums bury Ariel, with her funeral service scheduled for later that day. We learn more details about Karl’s death:

He’d been out in his beloved Triumph, driving back roads…[h]e’d been going way too fast, had missed a turn, and had run into a big cottonwood tree. The impact had thrown him through the windshield and he’d died instantly. He’d been drinking from a bottle of his father’s scotch and there was no sign he’d tried to make the turn in the road where the cottonwood stood. Whether the tragedy occurred because of the drink or the dark design of his own confused thinking no one could say(263).

From their porch, Frank watches people gather for Ariel’s funeral:

I was pretty sure I knew what they were talking about—Ariel, Karl, the whole mess. I figured it would be a story people in New Bremen would tell for a hundred years, in the same way they told about the Great Sioux Uprising, and they would use words like skag and faggot and bastard child and they wouldn’t remember at all the truth of who these people were (264).

The service passes with Frank effectively disassociating, and thinking about the events of the summer: Warren Redstone, his fight with Engdahl, riding horses with Gus and Ginger French. Frank and his family head to the cemetery after the funeral, with Frank wanting to feel some kind of joy or relief but only feeling sadness. The chapter concludes with Frank saying that Jake’s “eyes were dry and I realized that he hadn’t cried at all that day and I wondered at this, but I didn’t have to wonder long” (267). 

Chapter 35 Summary

After the graveside service, the Drums return to church, for the reception. Peter Klement is there and offers to have Frank over to work on cars together. Nathan is asked to say grace for the group of reception-goers seated at tables inside the church. Nathan is silent, thinking, and in this silence, Ruth says, “‘For God’s sake, Nathan, can’t you, just this once, offer an ordinary grace?’” (269). The crowd waits in stunned silence and in time Nathan asks if anyone else wants to give the blessing. Jake Drum says that he’ll do it, to Frank’s amazement. Jake begins by stammering, but is then able to offer a straightforward, “ordinary” grace without stuttering once. The rest of the Drums are joyously mystified and thank Jake. That night, Ruth Drum moves back into the Drum residence. 

Chapter 36 Summary

The next day is Sunday and Nathan preaches at all three church services that he usually presides over. We learn that Warren Redstone has yet to be caught, and Frank harbors guilt about his decision to let the man go free. Gus, along with Ruth’s father and Liz, come to dinner at the Drum house that night. Emil Brandt has been the only member of the Brandt family to attend Ariel’s funeral, sitting “in the back of the church and at the grave site he stood well away from the others gathered there” (273). Ruth wants to express her condolences to Axel and Julia Brandt for Karl’s death, but is concerned they’ll rebuff her. Ruth hopes Emil might function as go-between for the two families. Nathan calls Emil and the Drums head to Emil and Lise’s farmhouse.

Emil and the Drums gather on Emil’s porch; Lise brings sugar cookies and stares angrily at the Drums. Lise sees Jake and brightens. Frank realizes that Ariel’s death is a loss for Emil, too, saying of his face, “that if you didn’t know about the scars on the other side you would think him in every way normal, maybe even handsome for an older man” (275). Then, Frank says, “an extraordinary possibility occurred to me, a possibility paralyzing in its magnitude” (275).

Frank gets up and walks through the yard, following the path that leads from the Brandt’s property to the river. He’s does this blind: “I went slowly, my eyelids clamped shut, feeling my way carefully” (275). In “only a few hundred yards,” Frank has reached Sibley Park, where Ariel was last seen alive: “I stared back at the path I’d blindly walked, at the thread that was visible if only you knew where to look, and I understood with icy clarity how Ariel had come to be in the river” (276). 

Chapter 37 Summary

Frank tells Jake that he’s sure that Emil is Ariel’s killer. Jake asks why, and Frank says it’s because the baby is Emil and Ariel’s. Jake asks what they should do, and, as on many other occasions, the boys go to Gus, seeking guidance.

As Frank and Jake search for Gus, Frank tells Jake that he hopes Emil dies. Jake’s thinking is contrary: there’s been enough death, and Jake is “tired of feeling sad” (279). Frank and Jake meet up with Gus and Nathan and Frank tells his theory to the group while they’re in the church. Nathan says that he needs to talk to Emil, but remains unconvinced that Emil is actually Ariel’s killer. Frank demands to go with Nathan when he confronts Emil, and Nathan tells Gus to lie to Ruth about where they’ve gone. 

Chapters 34-37 Analysis

This sequence of short chapters are the final, figurative miles that lead to the book’s climax. Krueger, via Frank, provides more commentary on the community of New Bremen, with Frank believing that a century from now, residents will discuss the events surrounding Ariel’s death using the same derogatory terms that the townsfolk use presently. If there are positives to 1961 New Bremen’s trapped-in-amber status, there are also detractors.

Jake’s sudden ability to talk without a stutter is presented as nothing short of miraculous. That Jake does so in a place of worship and while honoring his sister’s memory, via saying grace at the funeral reception dinner, speaks to Jake’s own reconciliation with Christianity, and the benefits received for doing so.

By contrast, Emil Brandt, someone who has sworn off religion, is presented here, and wrongly, as Ariel’s murderer. Frank puts himself in the blind non-believer’s shoes, and follows the path from the Brandt farmhouse to Sibley Park. The fact that he’s been able to do this proves to him that Emil is indeed the culprit, and he’s able to convince both Gus and Nathan that he may possibly be right. We also see Nathan break from form and tell Gus to lie to Ruth about his whereabouts, prior to Nathan and Frank heading to Emil’s. If the disappearance of Jake’s speech impediment is divine intervention afforded through belief in the theological, here Krueger offers contrast via Frank’s misguided intellect and intuition, with Frank sure he has deduced who the real criminal is through a simple and naïve test. 

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