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51 pages 1 hour read

Teju Cole

Open City

Fiction | Novel | Adult | Published in 2011

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Character Analysis

Julius

Julius is the somewhat unreliable first-person narrator of Open City. His father—who passed away when he was fourteen—was Nigerian, and his estranged mother is German. His mother, Julianna Miller, chose his name, and “Being Julius in everyday life thus confirmed me in my not being fully Nigerian” (78). As a psychiatry student in his final year of residency, he is very interested in the mind, and much of the novel centers on his mental wanderings and emotions. He repeatedly struggles to suppress his anger. He becomes “angry again” (29) and describes how “anger had welled up within me, unhinging me, the anger of a shattered repose” (41). He also struggles when others express their pain and sorrow. Julius thinks about how he was “embarrassed by the trembling and the emotion” (80) when his mother told him about her traumatic past.

The novel is a character study of Julius, and he characterizes himself as the hero. However, he frequently acknowledges his flawed memory and the skewed self-perception that results. He recalls having saved a boy from drowning in a swimming pool when he was a child and having thus been hailed as the “hero of the day” (196). This image of youthful heroism stands as his ideal image of himself later in life and suggests the kind of figure he’d like to be in the lives of his patients. However, Julius later confronts the truth that “we are not the villains of our own stories” (243)—that is, in the stories we tell about ourselves, we do not recognize how we may have played the part of the villain in other people’s lives. This recognition foreshadows the plot twist in Chapter 20—as Moji confronts Julius with the accusation that he sexually assaulted her years ago in Nigeria. Julius has seen himself as the hero of his own story, but certainly he is the villain in Moji’s. The date of the party that Moji and he attended in Nigeria is in the same year as his father’s death. Julius admits to not having many memories from his time in Nigeria. However, he is “satisfied that I have hewed close to the good” (243). Moji’s accusation does not sway his self-conception. She says, “I don’t think you’ve changed at all, Julius” (245). The structure of the text supports her claim—Julius’s character wanders but does not progress in an arc.

The novel ends with Julius wandering around the city after attending a classical concert where he locks himself out on the fire escape. When he is on the fire escape, he thinks, “A few minutes before this, I had been in God’s arms, and in the company of many hundreds of others, as the orchestra had sailed toward the coda, and brought us all to an impossible elation. Now, I faced solitude of a rare purity” (255). At the beginning of the novel, he also felt alone in the city, and in the middle of the novel, in Brussels, his “sense of being entirely alone in the city intensified” (108). His character is formed around an ongoing and overwhelming feeling of not belonging.

Professor Saito and Nadège

Julius was a student in Professor Saito’s English Literature class at Maxwell College, and the two men remained friends after he graduated and went on to medical school. Julius says he “learned the art of listening” (9) from Saito. Saito is mainly characterized by his love of books. He memorized “Shakespeare’s sonnets, and large tracts of Yeats” (14) and had “overstuffed bookshelves” (170). Literature helped Saito cope during his time in a World War II prison camp. He does not talk to Julius about his romantic life, but Julius learns from the alumni magazine that Saito had a male partner who passed away. Saito himself dies from cancer late in the novel. Julius visited Saito for many years before his death but, in the few weeks prior to Saito’s passing, Julius admits that “avoiding the drama of death, its unpleasantness, had been my inadvertent idea in not going there” (183). Julius is not present for Saito’s death, which can be compared to how Julius is in Brussels when his patient V. takes her own life.

A different kind of loss in Julius’s life is that of his girlfriend Nadège before the beginning of the novel. Julius wonders whether he values his relationships with both Saito and Nadège more than the other person does. After Saito’s death, Julius “had a moment of peculiar doubt just then: perhaps I had overvalued the relationship, and the importance of it had been mine alone” (184). Similarly, after Nadège has moved to San Francisco and the two have split, Julius is not able “to admit to myself that I had made too much of our brief relationship” (155). He remembers seemingly insignificant details about her, for instance, that she walked with a slight limp and that she used to become irritated with him when he used his expired student ID to get discounted museum tickets. When Nadège sends Julius a Christmas card, it causes him to hope they might reconnect, but she is engaged and busy with preparations for her wedding.

Moji Kasali

Moji does not appear until Part 2 of the novel. She is from Nigeria and knew Julius when he was a teenager there. When they run into each other in a grocery store in New York City, he notes that she is like an “apparition” (156) that haunts him. This hints at the plot twist that happens in Chapter 20—she says that he has haunted her since he raped her back in Nigeria. Before this confession, Julius notes that Moji “was not beautiful in the way I expected dark women to be” (198) and he is “having such a difficult time reading her” (204). This is because he does not remember her, arguably because he repressed the memory of their sexual encounter.

Moji is an investment banker and dates a man named John Musson. After a party at John’s house, during which Julius is “flirting with Moji, not with any expectation, but for the pleasure of it” (240), Moji talks to Julius about his sexual assault. She says, the “luxury of denial had not been possible for her” (244). This can be contrasted with how Julius forgets much of his past in Nigeria. Moji “had tried to forgive, she said, and to forget, but neither had worked” (245). This can be seen in how, at the beginning of Part 2, she is friendly with Julius, but this friendliness evaporates after the party where he flirts with her in front of her boyfriend.

Unnamed Friend and Lise-Anne

Julius repeatedly thinks about and interacts with a friend who is never named, but simply referred to as “my friend” (23). His friend is an Earth Sciences professor, father, Black man, and jazz lover. Over the course of the novel, the unnamed friend begins dating a woman named Lise-Anne. There is a “balance in his seriousness and her natural lightness” (197), Julius thinks. During a picnic in Central Park, the unnamed friend confesses that several of his family members were involved with drugs or suffered from mental illness.

Later in the novel, the unnamed friend’s apartment becomes infested with bedbugs, just as Saito’s apartment did before he died. On top of that, his tenure application is rejected by Columbia. As a result, he and Lise-Anne move out of New York, and he takes “a teaching position at the University of Chicago” (242). After his friend relocates, Julius becomes more isolated in New York City. The unnamed friend is a foil to Julius. Julius, unlike his friend, is unwilling to leave New York City and turns down a psychiatry position in New Jersey.

Belgians: Farouq and Dr. Maillotte

While he is on vacation in Brussels, Julius repeatedly interacts with Dr. Maillotte, who is from Belgium, and Farouq, who is from Tetouan, Morocco. Julius meets Farouq in the internet and phone shop that he runs. Farouq originally went into academia with the goal of becoming the “next Edward Said” (128), but his thesis was rejected shortly after 9/11, so he began to study translation and take a more radical leftist stance. He has no interest in traveling to America and points out the discrimination and prejudice that occur in Europe. Farouq says, “Europe only looks free. The dream was an apparition” (122).

On the other hand, Dr. Maillotte lives in the US and frequently visits her home country of Belgium. She is a retired surgeon with “gray hair” (87) who was a teenager during World War II. She is seated next to Julius on their overseas flight, and he has dinner with her near the end of his stay in Brussels. In this latter meeting, Julius asks Maillotte what she thinks about Farouq’s assertions that he still deals with Islamophobia and bigotry in Europe. She replies that there is “there is an endless variety of difficulties in the world” (143). In other words, she doesn't think Farouq’s suffering is worse than the suffering of people with different religious and ethnic backgrounds. 

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