logo

50 pages 1 hour read

Casey McQuiston

One Last Stop

Fiction | Novel | Adult | Published in 2021

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Character Analysis

August Landry

The novel’s main protagonist, August arrives in New York for the first time after living in different places as she moves through her college career. She always wanted to try New York, but she also expects to maintain the life she built for herself, in which she’s not connected to anyone. She has been trying to get away from her uncle’s missing-person case, telling her mother that she wouldn’t work on it anymore. However, she’s quickly forced to reckon with everything that she has been trying to avoid: mysteries, magic, and relationships—both romantic and platonic.

At the start of the novel, August doesn’t feel like she knows what it means to have a home. She “has lived in a dozen rooms without ever knowing how to make a space into a home […] It’s been twenty-three years of passing through touching brick after brick, never once feeling a permanent tug” (16). She wonders from the start if this place will change that—and it does, partly because she immediately loves her roommates. Myla, Niko, and Wes each provide support for August in different ways. Myla and Niko invite her to Billy’s for the first time, helping her get a job there. Myla also just decides to be her friend. Niko listens to her and helps her sort out the situation with her love interest, Jane. She and Wes talk through their relationship issues together, especially as she falls in love with Jane and as Wes begins to distance himself from his love interest, Isaiah. Furthermore, she and Wes discuss parents, and he helps her understand that everyone has problems with their parents. This helps August build her confidence and find comfort in knowing that no one has life completely figured out.

Although August “doesn’t do magic” (35), magic is a recurring motif, and she becomes deeply entwined with the magic of Jane, the Q, and Billy’s. This magic and this confidence helps August start to have hope again. Jane helps her see the magic in herself, as “nobody has ever called her magic in her entire life” (144). She slowly begins to get more confidence in herself and settles more comfortably into her life in New York, learning that confidence doesn’t mean that everything is perfect in one’s life. Rather, she can believe in herself, even if problems still occur. By the end of the novel, August is willing to put her life on the line and jump on the track to get Jane unstuck from the Q. Additionally, she comes to value her investigative skills so much that she starts a business as a freelance researcher and investigator. Her character arc reflects enormous growth and maturity.

Biyu “Jane” Su

Biyu “Jane” Su is August’s main love interest and the mystery at the center of One Last Stop. August sees her as “[f]earsome and flirty and full of bad jokes, an incorrigible sweet tooth and a steel-toe boot as a last resort” (125). She left home when she was 18 because she didn’t feel like she fit there, and when she called from the road once, she was told not to come back. She moved across the US until she landed in New Orleans. She marched in protests and experienced anti-gay bias and racism, which were especially rampant in the 1970s. In New Orleans, she met August’s uncle, Augie, and began to feel like the city might have become her home. However, after seeing the way that the community responded to a fire set by an arsonist at a gay bar—an incident in which she believed Augie died—she decided to go to New York. However, Augie survived, making it to San Francisco and inviting Jane to return home. The night that she was set to depart, she jumped down near the rail to help one of her coworkers from Billy’s. When she did, she tripped and fell onto the third rail at the same moment that the New York blackout of 1977 hit, tethering her to the Q.

Jane comes off as very cool, and August never dreams that Jane could possibly return her feelings. However, after they start kissing “for research” so that Jane can remember her life in the past, August decides to reveal that she has feelings for Jane, who responds that she wasn’t sure whether August was interested in her. She helps August recognize the magic within her, just as August thinks of her as a hero.

Ultimately, after discovering that Jane is connected to the electricity of the Q line because of the 1977 blackout, August and her roommates work together to free her. Ending up in the present, Jane has to reckon with what it means to be from the past but also in the present. The novel ends with Jane and August departing for California to visit Jane’s parents. Jane confides that she’s thinking of going back to using her birth name, Biyu, reclaiming her identity as she starts a new chapter.

Niko

Niko is the first of August’s roommates that she meets. A part-time psychic and part-time bartender, Nico has “got this black-on-black greaser thing going on, a dark undercut against light brown skin and a confident jaw, a single crystal dangling from one ear” (2). He always seems to know things that he shouldn’t know, and throughout the novel, August increasingly believes in his abilities as a psychic. At first, she asks him for his help as a psychic because she’s completely thrown off by Jane’s presence on the Q once she realizes that Jane is from the 1970s. Niko is entirely willing to help August, so he hosts a séance with the rest of their roommates and Isaiah from across the hall. This altruism is characteristic of him, as he and Myla want to be August’s friends, which she didn’t initially expect. Their welcoming attitude helps her feel more at home.

Additionally, Niko is transgender, but this identity rightly factors little into his character development, as he notes that his family accepted both the fact that he is a boy and a psychic with little questioning. When August asks him, “[H]ow did you know?” she’s referring to his psychic abilities, but he assumes that she’s talking about his being transgender. She quickly tells him that wasn’t what she was asking, and he explains, “‘Whenever someone asks me personal questions, it’s always about being trans. That’s, like, so low on the list of the most interesting things about me. But it’s funny because the answer’s the same. I just always knew’” (185).

Finally, Niko’s decision to tell August that he knew she’d have a difficult journey ahead of her when she moved into their apartment marks an important point for August as a character. He apologizes for not revealing her future to her sooner, even if he wasn’t precisely sure what it entailed. However, August admits that she wouldn’t have changed anything, signaling that she has learned to have hope, even if everything doesn’t turn out the way she wants.

Myla

Niko’s girlfriend, Myla, is the second roommate that August meets. Myla is a “pretty Black girl with a friendly, round face and eyelashes for miles” (3). She graduated from Columbia with an engineering degree but decided to pursue art instead, a fact that amazes August because she’s constantly in fear of not being able to provide for herself financially. Myla is the type of person who just “drops into your life, fully formed, and just is. A friend in completion” (31). She immediately makes August feel at home in the apartment, helping her get a job at Billy’s and talking through all the nuances of August’s relationship with Jane—both in terms of the plans to get her out of the subway and in terms of August’s feelings for her. Additionally, Myla conceives the plan to use the Transit Power Control Center as a venue for the fundraiser so that they can access the Q’s electric line.

Wes

Wes is the last of the three roommates that August meets. She learns from Niko that he dropped out of architecture school (and that his parents disowned him as a result), and Wes now works as a tattoo artist. He’s “short and compact, a skinny, swarthy guy with bony wrists and ankles sticking out of gray sweats and a gigantic flannel cuffed five times” (28). Unlike Niko and Myla, Wes is single for much of One Last Stop, but he’s clearly in love with Isaiah (a.k.a. Annie Depressant), who lives across the hall. Isaiah is likewise interested in him, but Wes worries that he isn’t good enough for Isaiah. This conflict provides the impetus for he and August to talk about the struggles that they’ve had with their parents. Wes tells her:

‘Look, nobody’s parents are perfect […] Niko’s parents let him transition when he was like nine, and they’ve always been super cool about it, but his mom still won’t let him tell his grandpa. And she’s constantly bugging him to move back to Long Island because she wants him to be closer to the family, but he likes it in the city, and they fight about it all the time’ (350).

This helps August understand that even though it seems like Niko has everything figured out, he too struggles, but it doesn’t mean that his confidence wavers. Wes also reveals some of the pressures put on children by wealthy parents who have certain expectations, which leads August to be more understanding of her mother’s decision to keep her from her grandparents.

In the end, Wes listens to August’s advice—that he has to let Isaiah decide for himself what he deserves—and admits that he’s in love with Isaiah. At the end of the novel, he spends most of his time across the hall at Isaiah’s, though he stays close to August, Myla, Niko, and Jane.

blurred text
blurred text
blurred text
blurred text