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57 pages 1 hour read

Daniel Mason

North Woods

Fiction | Novel | Adult | Published in 2023

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Chapter 3-Interlude 5Chapter Summaries & Analyses

Chapter 3 Summary

Osgood departs for war and dies in the battle of Lexington in 1775 when his daughters are 19 years old. Alice and Mary ably carry on the orchard business after his death. In addition, they also amuse themselves by creating musical compositions. Alice plays the fife, while Mary plays the piano and sings. They write ballads that they perform together. Although they’re identical twins, they have very different temperaments. Mary is practical and oversees the orchard business. Alice is more inclined to dream of romance. She exudes an indefinable charm that makes her more beautiful than Mary.

During their childhood, Osgood told the girls the story of the golden apple of discord that the goddess Eris tossed into a feast on Mount Olympus. It was inscribed “to the fairest” and became the spark that ignited the Trojan War. Each year, he replayed the scene and offered the apple to the fairest of his daughters. He showed no overt partiality, but Mary was sure that his gaze always lingered longer on Alice. The girls attended a school taught by Minister Carter. He was a bad teacher, but the girls befriended his amusing son, George. He showed them parts of the woods they’d never seen before and introduced them to an Indigenous healer man named Joe Walker. While Joe knew the story of the Osgood property’s original inhabitants, he chose not to tell the girls.

As the girls grow to marriageable age, Mary worries that Alice will wed and leave her. Alice dreams of falling in love, getting married, and raising children. However, her dreams never materialize. Mary breaks up Alice’s budding romance with a wounded soldier. Other suitors follow, but Alice knows she can’t leave Mary. As the decades pass, resentment grows between them. During an economic downturn, Mary proposes buying Merino sheep, but there isn’t enough open pasture, so she wants to cut down a glade of trees that Alice regards as her refuge. She calls it Brocéliande after the forest of Arthurian legend. Mary gets her way, and Alice is heartbroken: “The […] trees falling sounded to her like screaming” (81).

When the sisters are in their fifties, their old friend George Carter returns to his family’s farm to spend his remaining time there after years of roaming the globe. However, he’s a hapless agriculturalist. During harvest season, he asks for a large quantity of Osgood apples and presses them into cider. When he offers some to the sisters, Mary is deeply offended. Her father forbade pressing the Osgood apples, insisting that they were meant to be eaten. However, George says that he was the boy who led Charles Osgood to the apple tree in the first place. Alice brushes aside Mary’s objections and enjoys some cider with George. He then invites her to his house for dinner, while Mary remains at home, furious.

Tipsy from the cider, Alice and George make love, and she stays the night. The following morning, she dreads the confrontation that awaits her when she tells Mary about her romance: “No matter how well she knew her sister, no matter how many times they had fought, there had never been such a rupture” (89). When she returns to the pasture, she’s horrified to find that Mary has chopped down several apple trees. As Alice walks up, Mary kills her with a blow from her axe: “‘They are not for cider,’ said Mary, standing alone in the orchard, the savaged trees around her” (90). Leaving Alice’s body in the orchard, she returns to the house, where she receives a letter by messenger from George intended for Alice, explaining that George isn’t cut out to be a farmer. After professing his love for Alice, he avows that he’s a confirmed bachelor. He’s leaving for Boston and won’t be back for another season. Upon reading the letter, Mary concludes that she saved Alice from heartbreak. Feeling lonely without her twin, she takes Alice’s body back into the house, she cleans and dresses the corpse, and props it in a rocking chair. Since no one comes to the Osgood home, Mary spreads the word that her sister died of “apoplexy.”

Five years later, Mary grows ill. She discovers a tumor growing inside her and feels the end approaching. Knowing that she can’t take care of them, she unpens all the Merino sheep to wander at will. Then, Mary deposits Alice’s body in a cellar storage area beneath the floor of the pantry: “She paused, looking down, then went and got her sister’s fife, and the thick book of ballads they had written together over the years” (93). After she lies down beside her sister, Mary closes the hatch door on both of them to spend eternity by Alice’s side.

Interlude 3 Summary: “The Catamount, or a True Relation of a Bloody Encounter That Lately Happen’d; a Song for Voice and Fife, to the Tune of Cheerily and Merrily”

This interlude consists of a ballad written by the sisters regarding a mountain lion, or catamount, who has been preying on the Merino sheep. The animal kills a lamb but hears the howl of a nearby wolf. Fearing that she’ll lose her prey, the catamount drags the lamb into the abandoned farmhouse:

For days engorg’d upon that bloody fruit
Did panther rule her kingdom small.
Domestic was our fearsome brute.
On couch she curl’d, and bed she roll’d (100).

The catamount uses the house as her den until the wild calls her to prowl the woods again, and she departs.

Interlude 4 Summary: “From ‘Proverbs and Sayings’”

This interlude discusses the propagation of invasive species that traveled to North America 200 years before the Osgoods arrived. Ships crossing the Atlantic carried ballast that was discarded upon reaching their destination. Species disseminated in various ways, such as by the wind and on the soles of shoes, while “[o]thers creep up the valley slowly, field by field, until they reach the yellow house. Where they grow, unnoticed, humbled by the constant grazing of the Merinos, waiting in the soil for the cat” (103).

Chapter 4 Summary

In 1829, 13 years after the death of the Osgood sisters, a bounty hunter arrives in the area looking for an enslaved girl named Esther and her baby. She escaped from a Maryland plantation, intending to reunite with her husband in Canada. The bounty hunter, Phelan, arrives by stagecoach, having learned from a teamster that the girl is hiding in the mountains outside the town of Oakfield. Posing as a homeowners’ insurance salesman, Phelan questions the local people and inspects houses.

His attention is drawn to the property of George Carter, who has become an abolitionist and writes diatribes against enslavement under the name “Democritus.” Although Carter’s farm was burned by citizens who disliked abolitionists, Phelan assumes that Esther might still be lingering in the area. One market day in Oakfield, he meets a girl selling “ghost apples.” She tells him about the haunted farm and claims to have seen shadows moving inside the house. Phelan pays her to lead him to the property: “And so, for the second time in seventy-five years, a child’s apple led a grown man to the north woods place” (118). Hiding outside the property, Phelan sees Esther emerge from the house with her baby to draw water from the well. After she goes back inside, he follows stealthily.

Phelan is disgusted to find the bones of dead animals everywhere on the first floor, but he can’t find the elusive Esther. Although he hears mysterious creaking sounds, she’s nowhere to be seen. Eventually, he locates the hatch that leads down to the cellar where Alice and Mary are interred. He’s shocked to find the two sisters resting side by side, eyes open, next to an axe:

Alice and Mary Osgood blinked and looked up at the figure above them. A cold draft came from the shattered door […] ‘I don’t believe our guest invited you,’ said Mary, rising, as Alice clutched her fife and closed her eyes so not to see what happened next (121).

Interlude 5 Summary: “The Doleful Account of the Owl and the Squirrel; or How the Land Came to Be Forested Again, Being a New Winter’s Ballad; Written by a Pair of Grave Sisters, for Children. to the Tune Then My Love and I Will Marry”

Another ballad written by “a pair of grave sisters” (125), this interlude tells of a squirrel who goes out to gather nuts on a winter’s night. A female owl is hovering overhead, waiting for just such a moment to strike:

Until at last, her moment came:
When from the white, she heard his breath,
And striking, left upon the snow
The feather’d silhouette of death (127).

Chapter 3-Interlude 5 Analysis

The book’s second segment principally concerns the theme of Paradise Lost, as it focuses on the decline in the Osgood family’s fortunes. Charles loses his place in paradise when he decides to fight in the Revolutionary War and is killed. While his daughters carry on the orchard business, their sibling dynamic carries the seeds of their destruction. Of the two sisters, Mary is far more committed to preserving their father’s legacy, and she wants to keep Alice at her side to help do so. However, Alice’s flighty, romantic streak makes her susceptible to courtship from numerous suitors. Mary quashes these budding romances until another serpent enters the family garden.

The sisters are already in their fifties when their childhood friend George Carter returns from traveling the world. He intends to become a farmer but has little skill as an agriculturalist. He’s far better at making hard cider, however. Charles told his daughters that the Osgood Wonder apple isn’t meant to be pressed but rather to be eaten. George disregards this injunction and presses a large quantity of apples into cider. Unlike the classic story of a serpent offering Eve an apple, this serpent offers Eve (Alice) cider, which makes her tipsy. She succumbs to temptation and has a brief sexual fling with George, which enrages Mary. Aside from her fears that her twin will abandon her, Mary sees George as a threat to the harmony of the Osgood paradise.

Just as the elderly woman in the Puritan era was willing to kill the scouts to preserve her paradise, Mary is willing to kill her sister to prevent her from upsetting the balance of life in their private Eden. In both instances, the women are unsuccessful in preventing change from overtaking them. Mary grows ill and dies. After she entombs herself with Alice below the pantry, the property reverts to its previous wild state. Briefly, nature asserts its ascendency when a catamount takes up residence in the parlor. Just as the elderly woman vanished from history because no one bothered to read the captive girl’s account of her time with the woman (the “Nightmaids” Letter), the Osgood sisters vanish because Mary never tells a soul what really happened to her sister. Thematically, The Narrative Puzzle deepens as lives intersect without comprehension or continuity.

This same lack of context plagues the next caller at the yellow house. Like the previous visitors to the north woods, the bounty hunter Phelan is lured with an apple when a street vendor tells him about the “ghost orchard.” After tasting the apple, he briefly succumbs to the temptation to remain in the area. The lure of paradise is strong: “He wondered for a moment if he might stop his search and find a patch amidst the hills to call his own. And part of him would surge up that hated the dirtiness of the business” (116). In the end, resisting the temptation to mend his ways, Phelan continues to pursue Esther. As he enters the Osgood parlor, he stumbles across the sheep bones left behind by the catamount but has no context for understanding what occurred there. Likewise, he doesn’t know what lies buried beneath the floorboards until it’s too late. Another piece has been added to the narrative puzzle.

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